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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE       2/5      The Da Vinci Code (2006)      "Any movie with a skulking albino assassin begs for campy, self-aware treatment, but Howard and scripter Akiva Goldsman serve it all up straight-faced." [movie review]      eFilmCritic.com       1/5      Dad (1989)      "An utterly mechanical tearjerker." [movie review]      eFilmCritic.com       4/5      Dagon (2001)      "There's nothing wrong with a well-done, atmospheric, spooky chiller, especially coming from a director far less frequently heard from than he deserves to be." [movie review]      eFilmCritic.com       4/5      Dahmer (2002)      "Worth a look, if only for Renner's complex performance." [movie review]      eFilmCritic.com       2/5      Damien: Omen II (1978)      "It plumbs the same idiotic religious dread as its 1976 predecessor, with a higher and even more gratuitous body count." [movie review]      eFilmCritic.com       5/5      Dancer in the Dark (1999)      "Even without the musical numbers, von Trier has given us a compelling story with original characters." [movie review]      eFilmCritic.com       4/5      Dangerous Game (1993)      "Among the movie's triumphs is that Madonna actually wakes up and gives a solid, believable performance." [movie review]      eFilmCritic.com       3/5      Dante's Peak (1997)      "I can't recommend it, but it has my undying affection." [movie review]      eFilmCritic.com       3/5      Daredevil (2003)      "I enjoyed Daredevil while it lasted, but ... very little of it has stayed with me." [movie review]      eFilmCritic.com       5/5      The Darjeeling Limited (2007)      "The movie finds Anderson straining to peel away his mannerisms and respond to a world outside the ones he usually so meticulously designs." [movie review]      eFilmCritic.com       4/5      The Dark Backward (1991)      "A seriously weird, seriously cool surreal black comedy." [movie review]      eFilmCritic.com       5/5      Dark Blue (2003)      "Russell fans, take note: This is probably the strongest work he's done in movies." [movie review]      eFilmCritic.com       1/5      Dark City (1998)      "One of the most ludicrous movies in years." [movie review]      eFilmCritic.com       4/5      The Dark Half (1993)      "The film is sleek and enjoyable, with a highly amusing Timothy Hutton in the dual role of nice-guy Thad and vicious George." [movie review]      eFilmCritic.com       5/5      The Dark Knight (2008)      "It's not a superhero movie, or a crime drama either. It's a horror movie -- an epic one, and a great one. Madness and mutilation are on the menu..." [movie review]      eFilmCritic.com       5/5      Darkman (1990)      "It comes on exceptionally strong, sure of itself and its basic, primitive hold on the audience." [movie review]      eFilmCritic.com       5/5      Dave Chappelle's Block Party (2006)      "Gondry brings a caught-on-the-fly style to the footage that nonetheless coheres into something that feels planned, or pre-ordained." [movie review]      eFilmCritic.com       3/5      Dawn of the Dead (2004)      "Unfortunately, or perhaps fortunately for those who feared a true desecration of Romero's masterwork, this is only a moderately competent zombie flick." [movie review]      eFilmCritic.com       5/5      Dawn of the Dead (1978)      "Romero, who was his own editor this time out, keeps the scenes clipped and purposeful." [movie review]      eFilmCritic.com       1/5      The Day After Tomorrow (2004)      "Don't even get me started on the hilarity of the scene where a bunch of people outrun a blast of freezing air and close the doors on it." [movie review]      eFilmCritic.com       3/5      Day of the Dead (1985)      "It feels frustrated, embittered, made by a man who's fed up with the business side of the movie industry." [movie review]      eFilmCritic.com       5/5      Dead Man (1996)      "I was held by Depp's transformation from white-man non-entity to the Jarmusch version of the affectless Man With No Name." [movie review]      eFilmCritic.com       4/5      Dead Man Walking (1995)      "To say that the movie is neither for nor against capital punishment is disingenuous. Still, this is a fine and painful effort overall." [movie review]      eFilmCritic.com       2/5      The Dead Pool (1988)      "The fifth, last, and possibly most perfunctory and boring Dirty Harry movie, except for a hilarious chase scene involving an explosive toy car." [movie review]      eFilmCritic.com       1/5      Dead Silence (2007)      "All Wan and Whannell know is shock-and-awe tactics. They may shock, but there's no awe." [movie review]      eFilmCritic.com       5/5      Dear Zachary: A Letter to a Son About His Father (2008)      "This is one of the most emotionally transparent films ever made, and its gallery of heroes and villains trumps most of what you'll see in a multiplex this year." [movie review]      eFilmCritic.com       5/5      Death and the Maiden (1995)      "Polanski kicks the movie up to a level of emotional violence rare in English-speaking films." [movie review]      eFilmCritic.com       3/5      Death Proof (2007)      "Feels much longer than it is." [movie review]      eFilmCritic.com       4/5      Death to Smoochy (2002)      "I was happy enough with it through most of it, but are we living in such insecure times that even dark, violent comedies now have to end on an up note?" [movie review]      eFilmCritic.com       4/5      A Decade Under the Influence (2003)      "Demme and LaGravenese are just as happy to let the directors bask in their past glories and reminisce about those crazy days." [movie review]      eFilmCritic.com       4/5      Deep Blue Sea (1999)      "I can't imagine wanting to see Deep Blue Sea again, but as a one-time-only, low-expectation, Sunday-afternoon diversion, it kept me amused." [movie review]      eFilmCritic.com       4/5      The Deep End (2001)      "Finely crafted but more than a little overrated." [movie review]      eFilmCritic.com       2/5      Deep Impact (1998)      "Disaster movies are trim and exciting or they're nothing, and Deep Impact isn't trim or exciting." [movie review]      eFilmCritic.com       3/5      Demonlover (2003)      "Over and over, people hold solemn, antagonistic meetings over who'll get the rights to make computer-generated sleaze." [movie review]      eFilmCritic.com       3/5      Demons (1985)      "It's repetitive and borderline pretentious, without the over-the-top looniness that distinguishes the better Italian splatter." [movie review]      eFilmCritic.com       2/5      The Departed (2006)      "Scorsese revisits old territory in The Departed, and he doesn't do anything he hasn't done brilliantly several times before." [movie review]      eFilmCritic.com       2/5      Derailed (2005)      "Talent is involved everywhere in Derailed, and it all gets trashed in the final reel for the sake of teasing and then appeasing a bored November audience." [movie review]      eFilmCritic.com       5/5      The Descent (2006)      "Once it gets going, it shakes you and keeps shaking you." [movie review]      eFilmCritic.com       5/5      The Designated Mourner (1997)      "Has a way of hiding in a dark corner of your memory, and popping out when you least expect it." [movie review]      eFilmCritic.com       4/5      Desperado (1995)      "Within Rodriguez' pulp formula stories are little pockets of ingenuity." [movie review]      eFilmCritic.com       4/5      Desperate Measures (1998)      "Primarily, the movie works as a showcase for Garcia and Keaton." [movie review]      eFilmCritic.com       4/5      Detroit Rock City (1999)      "The movie isn't a trailblazer; it's an exuberantly trashy party, a comedy of lowdown defeats and triumphs." [movie review]      eFilmCritic.com       3/5      The Devil Wears Prada (2006)      "Streep is a far better reason to see The Devil Wears Prada than the movie itself." [movie review]      eFilmCritic.com       2/5      The Devil's Own (1997)      "What's left is a lot of moral grappling, not all of which has one iota of relevance to the plot." [movie review]      eFilmCritic.com       4/5      The Devil's Rejects (2005)      "A labor of love sheathed in the shabby clothes of hate." [movie review]      eFilmCritic.com       1/5      Diabolique (1996)      "The new Diabolique mostly dispenses with subtlety, contenting itself with regularly scheduled cathartic jolts that pass for suspense in our degraded culture." [movie review]      eFilmCritic.com       4/5      Die Another Day (2002)      "Die Another Day is both skillful and playful, and that's about as high a compliment as I can give a 007 film." [movie review]      eFilmCritic.com       2/5      Die Hard 4: Live Free or Die Hard (2007)      "As clueless about the original's appeal as the previous two follow-ups." [movie review]      eFilmCritic.com       3/5      Different for Girls (1996)      "Different for Girls staggers around, keeping its lovers apart as in any conventional romantic comedy." [movie review]      eFilmCritic.com       4/5      A Dirty Shame (2004)      "Waters has made a resolutely unsexy sex comedy, but he hasn't left out the comedy." [movie review]      eFilmCritic.com

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