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• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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4/5
     (2003)      "An unabashed homage to grungy '70s and '80s rural horror." [movie review]      eFilmCritic.com   
  
5/5
     (1996)      "Consistently funny (in an intensely uncomfortable way)." [movie review]      eFilmCritic.com   
  
5/5
     (1982)      "Hooks us not with hardcore sex (though it has that, too) but with its ideas and conflicts." [movie review]      eFilmCritic.com   
  
4/5
     (2003)      "A rather conventional comedy, but it works with honor and spirit." [movie review]      eFilmCritic.com   
  
5/5
     (1948)      "Solidly crafted change of pace for Stewart." [movie review]      eFilmCritic.com   
  
3/5
     (1992)      "Reheats old material and serves it as if it were bold and original." [movie review]      eFilmCritic.com   
  
4/5
     (1980)      "It may be the nastiest of the Video Nasties." [movie review]      eFilmCritic.com   
  
3/5
     (1991)      "Effective but ugly and headache-inducing." [movie review]      eFilmCritic.com   
  
2/5
     (2005)      "Hoffman tries, but mainly just gets the surface of Capote." [movie review]      eFilmCritic.com   
  
4/5
     (1978)      "Solid, tightly written entertainment." [movie review]      eFilmCritic.com   
  
1/5
     (1992)      "One of the dumbest movies of all time." [movie review]      eFilmCritic.com   
  
1/5
     (2007)      "The worst, stupidest, and most pointless movie I've seen in a very long time." [movie review]      eFilmCritic.com   
  
5/5
     (1995)      "People talk and talk about how Vegas works, and Scorsese's camera sprints to keep up. He's like an energetic tour guide making sure we understand everything." [movie review]      eFilmCritic.com   
  
3/5
     (2006)      "When you strip the 007 films down for action and "realism," you lose the soul of those old beloved Bond movies." [movie review]      eFilmCritic.com   
  
3/5
     (2000)      "Zemeckis' tranquil control never wavers." [movie review]      eFilmCritic.com   
  
2/5
     (1985)      "The film seems like a throwback not to old horror comics but to bad syndicated TV horror." [movie review]      eFilmCritic.com   
  
5/5
     (2002)      "The movie is a good time. It not only produces happiness, it is happy." [movie review]      eFilmCritic.com   
  
4/5
     (1970)      "What a strange and mesmerizing folly." [movie review]      eFilmCritic.com   
  
2/5
     (2001)      "Cats & Dogs is, at its absolute peak, faintly amusing." [movie review]      eFilmCritic.com   
  
4/5
     (2004)      "Much better than it had to be and a lot better than many Internet critics, eager to hate it, wanted it to be." [movie review]      eFilmCritic.com   
  
5/5
     (2000)      "As always, Waters works with an unmistakable affection for even his grubbiest characters." [movie review]      eFilmCritic.com   
  
4/5
     (1998)      "Celebrity is about the tiny planets revolving around Hollywood's many suns, trying to absorb some heat. It's a cold universe nonetheless." [movie review]      eFilmCritic.com   
  
0/5
     (2000)      "Lopez wades through many nonsensical, pompous, gradually annoying dream-logic scenes." [movie review]      eFilmCritic.com   
  
1/5
     (2004)      "Now that we've had the four more years of Bush that the movie was designed to encourage ... Celsius 41.11 seems pretty sad and naive." [movie review]      eFilmCritic.com   
  
2/5
     (1996)      "Often muddled and confusing, with dialogue that rings false as loudly as a church bell." [movie review]      eFilmCritic.com   
  
4/5
     (2002)      "Benson, I think, is going to be the one to keep an eye on." [movie review]      eFilmCritic.com   
  
0/5
     (2005)      "It is bad, but not in an enjoyable way; it is violent and squalid, but not in a memorable way." [movie review]      eFilmCritic.com   
  
5/5
     (2005)      "Poised to become a new cult classic to replace the old one." [movie review]      eFilmCritic.com   
  
3/5
     (2007)      "Parts of Charlie Bartlett are enjoyable, especially Robert Downey Jr.'s performance as a high-school principal who hates his life." [movie review]      eFilmCritic.com   
  
5/5
     (2000)      "A radiantly dopey Saturday-night escape hatch." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "Once again, the tone is that of a giggly, sweetly knowing, megabucks slumber party." [movie review]      eFilmCritic.com   
  
3/5
     (1997)      "The plot and dialogue play too much as if Smith is re-enacting past romantic squabbles he's had, and rewriting them, too." [movie review]      eFilmCritic.com   
  
4/5
     (1978)      "Cheech & Chong had their act down pat by '78 and turned out to be a natural movie-comedy team." [movie review]      eFilmCritic.com   
  
5/5
     (1982)      "Probably the best Cheech & Chong movie -- the boys show some variety, someone besides Chong directed it, and there's strangely almost no drug humor." [movie review]      eFilmCritic.com   
  
3/5
     (1981)      "Some funny bits, but not essential C&C." [movie review]      eFilmCritic.com   
  
2/5
     (1984)      "After a while it becomes an endurance test, with lots of gratuitous homophobic jokes." [movie review]      eFilmCritic.com   
  
3/5
     (1980)      "It's not as bad as some have said." [movie review]      eFilmCritic.com   
  
5/5
     (2002)      "Here, finally, is a movie musical made by people who know what they're doing." [movie review]      eFilmCritic.com   
  
5/5
     (2000)      "Park's love for all his characters, good and evil, is literally palpable: These characters have been forged of clay, fussed over, posed, photographed over a period of years." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "It does the job, it does it well, and the fact that it's being called a masterpiece for doing so speaks unwell of the current state of movies." [movie review]      eFilmCritic.com   
  
3/5
     (1979)      "File this one under 'Hasn't Aged Well.'" [movie review]      eFilmCritic.com   
  
1/5
     (2000)      "It takes the radical stance that people should indulge their pleasures, unless they're really mean, in which case they should eat some chocolate and learn to be nice." [movie review]      eFilmCritic.com   
  
4/5
     (1988)      "The story is a classic about grace under pressure and resisting conformity, and it's a noble first effort from a director who has never sold out." [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "Irving's clean, economical dialogue and Hallstrom's beautifully morose direction cut the fat off of the cliches." [movie review]      eFilmCritic.com   
  
3/5
     (1996)      "An ambitious but unsatisfying meditation on the morality of power." [movie review]      eFilmCritic.com   
  
2/5
     (1998)      "Needless Hollywood dumbing-down of Wim Wenders." [movie review]      eFilmCritic.com   
  
3/5
     (1998)      "The movie becomes one more David-and-Goliath morality play." [movie review]      eFilmCritic.com   
  
2/5
     (1990)      "How far we've come! Here, it's still the youngster -- and the woman -- who needs to be put in her place." [movie review]      eFilmCritic.com   
  
5/5
     (1995)      "A definite must-see for the adventurous." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "Clerks II will resonate with viewers in Smith's age range (mid-thirties) in a way that goes beyond comedy." [movie review]      eFilmCritic.com   
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