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• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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5/5
     (1995)      "A charming and ingenious hit." [movie review]      eFilmCritic.com   
  
2/5
     (2006)      "A lumbering, stitched-together mess." [movie review]      eFilmCritic.com   
  
0/5
     (2008)      "Who recut it, Stevie Wonder?" [movie review]      eFilmCritic.com   
  
4/5
     (1995)      "It does get at something dark and wormy in American masculinity." [movie review]      eFilmCritic.com   
  
4/5
     (1991)      "If you cherish the idea of Joe Pesci, John Turturro (wearing a cowboy hat), Dean Stockwell, and Dennis Hopper in the same room, you won't be able to resist Backtrack." [movie review]      eFilmCritic.com   
  
1/5
     (2003)      "Hollywood psychopathology writ large." [movie review]      eFilmCritic.com   
  
5/5
     (1992)      "One of the few truly challenging and morally complex movies about salvation." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "There are worse ways to spend an afternoon." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "The movie is less about gaining the Christmas spirit than about defying the corporate ethos that hijacks and then abandons that spirit every year." [movie review]      eFilmCritic.com   
  
5/5
     (1987)      "It certainly makes good on its title." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "Light and inoffensive but lacks the depth and revolutionary bite of Cho's best stand-up material." [movie review]      eFilmCritic.com   
  
2/5
     (2000)      "A particularly painful mess, because it begins so well and has such promise." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "Been there, seen that. But it's not the notes, it's how Cage plays them." [movie review]      eFilmCritic.com   
  
5/5
     (1975)      "A true neglected jewel in the Kubrick crown." [movie review]      eFilmCritic.com   
  
5/5
     (1991)      "Fascinating in a creepy way." [movie review]      eFilmCritic.com   
  
5/5
     (1982)      "If you're in the right mood, this monster mash is vile fun." [movie review]      eFilmCritic.com   
  
3/5
     (1996)      "Often seems like a blank canvas." [movie review]      eFilmCritic.com   
  
1/5
     (1997)      "This franchise has gotten aggressively unsatisfying." [movie review]      eFilmCritic.com   
  
3/5
     (2005)      "The movie takes such time and care to set up Bruce/Batman that it's a bit of a bummer when it launches into summer-movie overdrive." [movie review]      eFilmCritic.com   
  
1/5
     (1995)      "Boring and near-unwatchable; its title sums it up with cruel accuracy." [movie review]      eFilmCritic.com   
  
4/5
     (1973)      "An okay finale." [movie review]      eFilmCritic.com   
  
5/5
     (2000)      "A modern classic about the folly of violence." [movie review]      eFilmCritic.com   
  
4/5
     (2003)      "If the original film flirted with controversy, the sequel has sex with it on the first date." [movie review]      eFilmCritic.com   
  
1/5
     (2000)      "A folly so supreme that it occasionally inspires awe, in the sense that so many people spent so much time and money on it without ever realizing how awful it is." [movie review]      eFilmCritic.com   
  
5/5
     (2008)      "A glowing valentine to creativity in opposition to commerce." [movie review]      eFilmCritic.com   
  
2/5
     (2000)      "A mad assemblage of earlier, better bungle-in-the-jungle stories." [movie review]      eFilmCritic.com   
  
4/5
     (2001)      "I can't deny how solidly it's crafted, how well-acted, and, wonder of wonders, how intelligently written and directed." [movie review]      eFilmCritic.com   
  
5/5
     (1996)      "Unless you're uptight, over 40, or Michael Medved, the movie is funny almost nonstop." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "Decent enough entertainment as written, though many will regret the movie's eleventh-hour detour into pieties." [movie review]      eFilmCritic.com   
  
5/5
     (2004)      "A gemlike minimalist triumph -- deeper and more provocative than its predecessor." [movie review]      eFilmCritic.com   
  
1/5
     (1991)      "Plays too much like an earnest repertory-theater group going through various bizarro configurations." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "Will benefit greatly from repeat viewings and fervent post-viewing deconstruction." [movie review]      eFilmCritic.com   
  
5/5
     (1967)      "Classic erotic satire." [movie review]      eFilmCritic.com   
  
4/5
     (1987)      "Dennehy achieves Brando-esque emotional power." [movie review]      eFilmCritic.com   
  
4/5
     (1970)      "A lot less poky than the original, and generally more entertaining." [movie review]      eFilmCritic.com   
  
3/5
     (2007)      "This Beowulf can be awfully pretty, but it's untouched by human hands." [movie review]      eFilmCritic.com   
  
5/5
     (2008)      "Keeps sentimentality at a minimum, and takes its potential cliches (the rich hellraiser, the gay butler) and finds something fresh in them." [movie review]      eFilmCritic.com   
  
5/5
     (2000)      "The movie gets its laughs by letting its people talk and reveal themselves unconsciously." [movie review]      eFilmCritic.com   
  
1/5
     (1994)      "Murphy once swore never to make another Beverly Hills Cop movie and never to work with John Landis again. He should have kept both promises." [movie review]      eFilmCritic.com   
  
4/5
     (1970)      "I can't call it a bad film, since all its eccentricities (including the groovy dialogue) were obviously lovingly placed there." [movie review]      eFilmCritic.com   
  
3/5
     (1999)      "Another genial Sandler opus." [movie review]      eFilmCritic.com   
  
4/5
     (2003)      "I enjoyed Big Fish more than any film Burton has been involved with since maybe Nightmare Before Christmas." [movie review]      eFilmCritic.com   
  
1/5
     (1998)      "The script, by rookie writer Ben Ramsey, is among the most disgraceful screenplays ever to be produced by a major studio." [movie review]      eFilmCritic.com   
  
5/5
     (1998)      "Bridges does more with his deflated body language than many comedians can manage by chewing the furniture." [movie review]      eFilmCritic.com   
  
4/5
     (2009)      "The movie's shambling, matter-of-fact approach to pulpy material is funny, as is its steadfast avoidance of visual hype." [movie review]      eFilmCritic.com   
  
5/5
     (1996)      "A triumph for everyone involved, but especially for Stanley Tucci." [movie review]      eFilmCritic.com   
  
5/5
     (1989)      "Sometimes hilarious, sometimes chilling anti-Hollywood comedy." [movie review]      eFilmCritic.com   
  
1/5
     (2002)      "Faithful to the events in Barry's novel, lifts a good deal of his witty dialogue, and recruits a proven cast of laugh-winners. Why, then, is it so resolutely unfunny?" [movie review]      eFilmCritic.com   
  
5/5
     (1984)      "Movies don't get more emo. But don't hold that against it." [movie review]      eFilmCritic.com   
  
5/5
     (1994)      "A fascinatingly ugly study of a relationship gone sour." [movie review]      eFilmCritic.com   
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