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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE       3/5      A Scanner Darkly (2006)      "Linklater may have admired the novel -- I do, too -- but that doesn't necessarily make him the ideal director for this material." [movie review]      eFilmCritic.com       2/5      A.I. Artificial Intelligence (2001)      "This may be the first solipsistic epic since 2001, but it has none of that film's wonder or mystery." [movie review]      eFilmCritic.com       4/5      About a Boy (2002)      "More successful as a Hugh Grant vehicle than as a Nick Hornby adaptation." [movie review]      eFilmCritic.com       3/5      About Schmidt (2002)      "Mostly, the satire here amounts to nudging us into feeling superior to other people's lives." [movie review]      eFilmCritic.com       3/5      Absolute Power (1997)      "Contrived and dawdling." [movie review]      eFilmCritic.com       5/5      Across the Universe (2007)      "This lavish labor of love constantly walks a slender thread between masterpiece and folly, but when all is said and done, it confirms, for me, Taymor's status as a master." [movie review]      eFilmCritic.com       5/5      Adaptation (2002)      "It will confound some and inspire others to riff endlessly on its mysteries." [movie review]      eFilmCritic.com       5/5      The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)      "Buckaroo Banzai is like decades of escapist pulp filtered through the skeptic's shrug of the mid-'80s." [movie review]      eFilmCritic.com       1/5      Aeon Flux (2005)      "There isn't a hint of the actress who earned her Oscar for Monster in this blank performance." [movie review]      eFilmCritic.com       3/5      The Age of Innocence (1993)      "The food scenes get our juices flowing more than the romance does." [movie review]      eFilmCritic.com       5/5      Aguirre, the Wrath of God (1973)      "Potheads who watch this will probably check their stash the next morning to see if any of it's gone." [movie review]      eFilmCritic.com       5/5      Aileen Wuornos: The Selling of a Serial Killer (1994)      "Broomfield ends up exploring a world that cares more about money and deals than about life and death." [movie review]      eFilmCritic.com       4/5      Air Force One (1997)      "As the familiar cat-and-mouse plot unfolded, I let myself enjoy the unapologetic masculine thrills." [movie review]      eFilmCritic.com       1/5      Alexander (2004)      "This oracular piece of hero-worship is perhaps the squarest film yet from this once-hip director." [movie review]      eFilmCritic.com       2/5      Alice (1990)      "Very nice and harmless, if that's what you look for in a film." [movie review]      eFilmCritic.com       4/5      Alien Resurrection (1997)      "Jeunet and Whedon deliver the alien-attack scenes with a spin and a wink." [movie review]      eFilmCritic.com       3/5      Alive (1992)      "Marshall and Shanley dance around their story's unpleasant center." [movie review]      eFilmCritic.com       2/5      All the Boys Love Mandy Lane (2009)      "A rather dull meat-and-potatoes slasher film front-loaded with lots of tedium where character development used to go." [movie review]      eFilmCritic.com       5/5      Allegro Non Troppo (1979)      "A must for animation buffs." [movie review]      eFilmCritic.com       3/5      Almost Famous (2000)      "Crowe softens just about everything, as if he didn't want to hurt the feelings of anyone he knew back then." [movie review]      eFilmCritic.com       1/5      Almost Heroes (1998)      "Where was Christopher Guest on the set?" [movie review]      eFilmCritic.com       4/5      Alone in the Dark (1982)      "The movie's tongue-in-bloody-cheek satire of psychobabble sets it apart." [movie review]      eFilmCritic.com       2/5      Along Came a Spider (2001)      "I don't begrudge Freeman his own hero-man franchise, but I wish the movies worked harder to be worthy of him." [movie review]      eFilmCritic.com       5/5      Altruist (2004)      "A twisty and darkly satisfying comedy that pushes beyond its premise." [movie review]      eFilmCritic.com       5/5      American Beauty (1999)      "An elusive and allusive work of art that won't be pinned down easily." [movie review]      eFilmCritic.com       4/5      American Buffalo (1996)      "Mesmerized by the trademark Mamet gutter poetry, Corrente directs unobtrusively and respectfully." [movie review]      eFilmCritic.com       3/5      American Gangster (2007)      "Solidly performed and occasionally intriguing, but it's yet another strangely hollow offering from Ridley Scott." [movie review]      eFilmCritic.com       1/5      American History X (1998)      "Any idiot can make us wince at the ugliness of beatings and shootings." [movie review]      eFilmCritic.com       4/5      American Pie (1999)      "It has likable characters and infectiously funny situations, and that's about all a comedy like this needs." [movie review]      eFilmCritic.com       5/5      American Pop (1981)      "A sprawling and messy work whose flaws are inextricable from its brilliance." [movie review]      eFilmCritic.com       5/5      American Psycho (2000)      "One can picture Kubrick handling this material with a similar elegant malevolence." [movie review]      eFilmCritic.com       1/5      American Psycho 2 (2002)      "The movie is neither frightening nor funny; in fact, it's extremely boring." [movie review]      eFilmCritic.com       5/5      American Splendor (2003)      "The movie is as unclassifiable as the comic -- neither documentary nor biopic, or maybe both." [movie review]      eFilmCritic.com       3/5      An American Tail - Fievel Goes West (1991)      "What can you say about a sequel that comes five years later and yet feels rushed?" [movie review]      eFilmCritic.com       5/5      An American Werewolf in London (1981)      "One of the all-time great horror movies, a pitch-perfect mix of belly laughs and genuine scares." [movie review]      eFilmCritic.com       1/5      An American Werewolf in Paris (1997)      "Fundamentally lame." [movie review]      eFilmCritic.com       5/5      American Zombie (2007)      "American Zombie works on several levels of satire." [movie review]      eFilmCritic.com       2/5      Amistad (1997)      "Dry and dawdling, haphazardly structured, and grindingly obvious." [movie review]      eFilmCritic.com       1/5      The Amityville Horror (2005)      "Less frightening than just unpleasant." [movie review]      eFilmCritic.com       5/5      Amores Perros (2001)      "Gonzalez Inarritu's sinfully enjoyable epic roars in on a wave of blood, gunshots and dog barks." [movie review]      eFilmCritic.com       2/5      Analyze That (2002)      "No longer has the elements of surprise and novelty in its favor." [movie review]      eFilmCritic.com       4/5      Analyze This (1998)      "It's a one-joke movie, but it's an awfully good joke, told here by experts." [movie review]      eFilmCritic.com       4/5      Anchorman: The Legend of Ron Burgundy (2004)      "Some of Anchorman is the kind of giddy, nonsensical stuff that can only emerge from a genuinely deranged comic brain." [movie review]      eFilmCritic.com       4/5      And Justice for All (1979)      "Entertaining, with a vintage Pacino performance that only occasionally lapses into grandstanding." [movie review]      eFilmCritic.com       3/5      The Anderson Tapes (1972)      "If this sort of thing bores you, you may want to give it a chance anyway because Christopher Walken ... makes his Hollywood film debut." [movie review]      eFilmCritic.com       4/5      Angela's Ashes (1999)      "I enjoyed the relentless gloomy realism, the refusal to put a happy face on McCourt's miserable childhood." [movie review]      eFilmCritic.com       4/5      Angels & Demons (2009)      "...it's fun to watch Tom Hanks hoof it all over Vatican City for two hours, trying to save some cardinal from being licked to death by Illuminati puppies, or whatever..." [movie review]      eFilmCritic.com       2/5      Anger Management (2003)      "Do we really need a fable about corporate guys getting in touch with their inner brats?" [movie review]      eFilmCritic.com       2/5      Anna and the King (1999)      "Handsome and well-appointed ... but still one of the most boring films in recent memory." [movie review]      eFilmCritic.com       5/5      Antichrist (2009)      "A great film that I will never, ever subject myself to again." [movie review]      eFilmCritic.com

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