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• eFilmCritic.com
Total Reviews: 1043
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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3/5
     (2008)      "The colors in Speed Racer are ferociously bright and saturated; they don't appear in nature, but then nothing else in the movie does, either." [movie review]      eFilmCritic.com   
  
5/5
     (1993)      "There's a lot to laugh at here. But there's a lot more that's disquieting." [movie review]      eFilmCritic.com   
  
1/5
     (2004)      "Now that we've had the four more years of Bush that the movie was designed to encourage ... Celsius 41.11 seems pretty sad and naive." [movie review]      eFilmCritic.com   
  
5/5
     (1981)      "The most purely fun movie ever made." [movie review]      eFilmCritic.com   
  
4/5
     (1988)      "Unquestionably it's a feat of imagination and technique, but an hour of it is more than enough." [movie review]      eFilmCritic.com   
  
3/5
     (2008)      "It's supposed to be fun, and it is, in spots." [movie review]      eFilmCritic.com   
  
5/5
     (2007)      "Leave it to the French to make Suspiria look like a '30s drawing-room comedy." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "Giddy brain-dead fun that goes to such pains to debunk stereotypes that the debunking itself becomes a joke." [movie review]      eFilmCritic.com   
  
5/5
     (2007)      "At its best, "[REC]" is a stress test, with genuinely frightening and surreal use of grainy, fidgety camerawork and eerie night-vision." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "Good low-calorie fun." [movie review]      eFilmCritic.com   
  
2/5
     (1992)      "Carrey fans will be disappointed that his character pretty much gets lost in the shuffle." [movie review]      eFilmCritic.com   
  
1/5
     (2008)      "Often, fanboys offended by an unsolicited remake of an adored film say "Why don't they remake a bad movie?" Well, they have remade a bad movie, and the result is a worse movie." [movie review]      eFilmCritic.com   
  
2/5
     (1980)      "By the time the killer fully emerges from the shadows, clad head to toe in black, leaping around like some Filipino ripoff of Spider-Man 3, the game is pretty much lost." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "It isn't one of the brightest lights in horror-film history, but it does its job remorselessly and well." [movie review]      eFilmCritic.com   
  
5/5
     (2008)      "At heart, Funny Games is about the totalitarianism of cinema itself." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "Stop-Loss isn't much as a narrative, but it does herald the return of a singular voice that's been silent for far too long." [movie review]      eFilmCritic.com   
  
5/5
     (2008)      "American Zombie works on several levels of satire." [movie review]      eFilmCritic.com   
  
5/5
     (2008)      "About twenty minutes into it I decided to pretend it was a long-lost mid-'80s film Marshall had dusted off and put his name on." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "A bit too much on the frenetic side, the movie is nonetheless colorful and diverting." [movie review]      eFilmCritic.com   
  
5/5
     (1998)      "What Haneke has actually done is to satirize the complex relationship between the story and the audience. On that level it's a triumph." [movie review]      eFilmCritic.com   
  
5/5
     (2000)      "As summer movies go, X-Men is remarkably crisp and economical." [movie review]      eFilmCritic.com   
  
3/5
     (2001)      "It just sits there, doing nothing that a competent made-for-cable movie with C-list stars couldn't do." [movie review]      eFilmCritic.com   
  
1/5
     (2002)      "About the most uninspired rehash of a popular hit I've ever seen." [movie review]      eFilmCritic.com   
  
3/5
     (1997)      "Just a collection of sketches in which Jones and Smith run into farcical E.T.s." [movie review]      eFilmCritic.com   
  
5/5
     (2001)      "The film is cool, contemplative, a puzzle movie in which you see the finished puzzle right up front and then watch as it disassembles itself." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "Owes about 55 percent of its charm to De Niro, who can be hilarious just sitting there." [movie review]      eFilmCritic.com   
  
4/5
     (1998)      "Long but never boring, spiritual but never soggy, this is the brand of big entertainment Hollywood is best at but so rarely does right these days." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "Consistently filthy and funny, with the Farrellys' usual attention to disability that will surely be misread as insensitivity to disability." [movie review]      eFilmCritic.com   
  
3/5
     (1999)      "The paranoid details of the premise are thoroughly worked out; the characters and motives, much less so." [movie review]      eFilmCritic.com   
  
2/5
     (2003)      "Some of this stuff is just cheesy in the same way it's been cheesy in dozens of cheaper, less cultish films." [movie review]      eFilmCritic.com   
  
3/5
     (2003)      "Between the money scenes, we get characters standing at attention and burping prophecies and deep thoughts at each other." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "It's an undeniably square, throwback movie, but there's no major crime in making 'em like they used to, and doing it this elegantly." [movie review]      eFilmCritic.com   
  
3/5
     (1998)      "Crisp and competent and often witty, but it only does what it's supposed to do; it's never quite inspired or exhilarating..." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "Mesmerizing yet cold and remote -- an exotic fish we can't touch." [movie review]      eFilmCritic.com   
  
2/5
     (2001)      "During the long sit, we get symbolism lobbed into our laps like a large you-go-girlfriend beach ball." [movie review]      eFilmCritic.com   
  
2/5
     (2005)      "The movie ultimately crushes itself in a vise of self-loathing." [movie review]      eFilmCritic.com   
  
2/5
     (2005)      "Yields the dispiriting insight that Hollywood can't even make credible rabble-rousing junk any more." [movie review]      eFilmCritic.com   
  
5/5
     (1996)      "The latest chapter in Sayles' ongoing great American novel." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "A pleasantly sloppy party that doesn't go on too long." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "Accumulates depth and fleshes out its characters." [movie review]      eFilmCritic.com   
  
3/5
     (1998)      "With Life Is Beautiful, the final frontier of schmaltz has been reached." [movie review]      eFilmCritic.com   
  
2/5
     (2006)      "It's self-conscious nastiness, once removed from its motivating source." [movie review]      eFilmCritic.com   
  
5/5
     (1994)      "The inner tension of the film emerges from Jackson's enjoyment of the girls' bustling insanity and then his gradual withdrawal from it." [movie review]      eFilmCritic.com   
  
1/5
     (2008)      "One of the stupidest and most boring films of the year." [movie review]      eFilmCritic.com   
  
5/5
     (1984)      "Buckaroo Banzai is like decades of escapist pulp filtered through the skeptic's shrug of the mid-'80s." [movie review]      eFilmCritic.com   
  
1/5
     (2008)      "How can a movie with this premise and this cast be so mercilessly dull and stupid?" [movie review]      eFilmCritic.com   
  
3/5
     (2007)      "Parts of Charlie Bartlett are enjoyable, especially Robert Downey Jr.'s performance as a high-school principal who hates his life." [movie review]      eFilmCritic.com   
  
4/5
     (2007)      "Plays like the end and the beginning of Japanese cinema: it contradicts itself and contains multitudes." [movie review]      eFilmCritic.com   
  
3/5
     (2003)      "Would feel a lot emptier without the lively actors populating it." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "Directors have been hailed as visionaries for less." [movie review]      eFilmCritic.com   
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