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RATING |
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 4/4 |
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(2002) |
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"Masterful. It's too damn rare that such an intelligently conceived, tautly executed, politically astute film gets made."
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MovieMartyr.com |
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 3.5/4 |
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(2005) |
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"The consistently high production values and legitimately creepy storylines ensure that even those who don’t consider themselves horror fans will likely feel satisfied after this three-course meal."
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MovieMartyr.com |
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 4/4 |
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(1977) |
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"It ranks in the pantheon of great films about dreams."
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MovieMartyr.com |
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 3.5/4 |
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(1988) |
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"By not making judgments on the characters it endows the audience with the greatest understanding of the situation."
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MovieMartyr.com |
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 3.5/4 |
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(2002) |
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"Every seemingly insignificant, color-coded fragment of the picture's makeup coheres into a satisfying whole."
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MovieMartyr.com |
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 72/100 |
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(2009) |
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"The tenderness that À L'aventure discovers as it stares into the void might be its most radical gesture of all."
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(2002) |
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"About Schmidt treads a fine line between glib and profound, between comic and sad, but in doing so shows the audience that it's usually easier to laugh at someone than it is to take a hard look at them."
[movie review] |
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MovieMartyr.com |
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 73/100 |
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(1972) |
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Click here to see the review!
[movie review] |
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Apollo Guide |
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 50/100 |
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(1971) |
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"In adding a literal deconstruction of man to the metaphorical one that graces so many works of art, Brakhage has created with Act the ultimate horror film, for better or worse."
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(1993) |
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"Thanks to Scorsese's directorial prowess, the film completely immerses the viewer."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(2000) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(2004) |
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"It occasionally fumbles and it sometimes feels downright hokey, but it cumulatively earns a feeling of gravity and reverence that fully justifies its extended running time."
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(2001) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(1988) |
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"At once far more faithful to its source material than the popular Disney version, and farther from it in tone than one might ever imagine."
[movie review] |
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MovieMartyr.com |
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 59/10 |
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(1977) |
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"Starting out as a seemingly predictable creature feature, Prey soon twists expectations, morphing to become a most unlikely chamber drama."
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MovieMartyr.com |
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 3/4 |
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(2002) |
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"Perhaps no greater example yet exists of the beauty achievable when one is a master of the digital aesthetic."
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(2002) |
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"Even as All or Nothing doesn't fail, it pales in comparison with the best of Leigh’s work, but all the same it's well worth seeing."
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(1955) |
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"Sirk’s film is filled with such satirical barbs at the American rat race, and horrifyingly enough, most of his attacks feel unusually prescient."
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(1983) |
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"Throughout, Tarr seems exasperated by the capacity of each to believe that they are justified in their machinations, and in his inability to accept their individual actions, he seems to be expressing disgust and outrage at all of society."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(1951) |
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"The feeling of escapism that it generates quickly fades away."
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(2001) |
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"The stories never come together in a way that really enlightens, but that's not to say the film is anything less than entertaining."
[movie review] |
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MovieMartyr.com |
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 71/100 |
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(2004) |
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"It might not be a film that can be taken too literally, that doesn't mean it shouldn't be taken seriously."
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(1945) |
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"One of the supreme suspense films."
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(1968) |
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"By comparison to the aimless young adults of Flesh, the troubled teens in any given Larry Clark film seem downright motivated."
[movie review] |
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MovieMartyr.com |
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 2.5/4 |
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(2001) |
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"Lopez has great lips for pouting, and this somber script gives her ample opportunity to flex those skills."
[movie review] |
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MovieMartyr.com |
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 82/100 |
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(2009) |
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"By turns provocative, repulsive and downright elemental, it churns with such a surfeit of unresolved energy that it's likely to leave viewers dazed and confused by the end of its assault."
[movie review] |
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MovieMartyr.com |
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 68/100 |
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(2003) |
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"Anything Else is easily one of the funniest movies of the year."
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(1979) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(1974) |
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"Pasolini's Arabian Nights succeeds mostly because it never assumes neither frank carnality nor flights of fancy are beneath us."
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(1994) |
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"Even those that can't quite follow its plot should enjoy the fleeting pleasure that Wong's gorgeous images and frenetic editing provide."
[movie review] |
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MovieMartyr.com |
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 69/100 |
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(1994) |
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"Viewing it on the big screen, with a blaring soundtrack, only amplifies the director's singular achievement."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(2002) |
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"If [it] fails to be the truly great statement that it obviously yearns to be, it can't be faulted much for trying, since most of its failures on that account arise from its desire to remain honest about its subject's limitations."
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(1978) |
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"A stunningly accomplished chamber drama from Ingmar Bergman."
[movie review] |
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MovieMartyr.com |
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 66/100 |
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(2008) |
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"At once tragically wounded and gloriously shameless, Bad Biology is a must-see for a certain, self-selecting breed of filmgoer."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(2002) |
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"There's surprisingly little awkward comic interplay between the two, and as a result "Bad Company" beats "Rush Hour" at its own game."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(2004) |
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"It’s ironic that the last image that Pedro Almodovar’s Bad Education offers us is a close-up of the Spanish word 'pasión,' because the film feels far too rarefied and precise for its own good."
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(2001) |
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"Baise-Moi feels so resoundingly stunning since we’re so used to getting our feminine empowerment in movies fed to us in compartmentalized bits."
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(1983) |
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"The Ballad of Naramaya is an indelible and transfixing poem of a movie that packs a substantial and complicated emotional punch."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(2001) |
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"Thornton's brilliant performance justifies a great deal of the pap on display."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(2000) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(1981) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(1998) |
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"One of the best comedies of the nineties, and the best film thus far from the Coen Brothers."
[movie review] |
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MovieMartyr.com |
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 66/100 |
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(2003) |
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"A surprisingly ambivalent entry in genre that’s usually brain-dead."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(2000) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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 71/100 |
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(1988) |
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"Eastwood clearly is committed to presenting Bird to his audience with all of his complexities and contradictions intact."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(2002) |
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"It leaves little doubt that Kidman has become one of our best actors."
[movie review] |
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MovieMartyr.com |
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 4/4 |
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(1934) |
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"One of the best in Universal's storied horror cycle."
[movie review] |
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MovieMartyr.com |
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 83/100 |
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(1964) |
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"It almost immediately launches into a nightmarish journey of violence and hopelessness, confronting us with an abstract yet uncomfortable vision of human struggle."
[movie review] |
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MovieMartyr.com |
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 3.5/4 |
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(2008) |
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"Blind Mountain, the second film from fledgling Chinese filmmaker Li Yang, demonstrates many of the same qualities that made his first, Blind Shaft, one of the most promising directorial debuts of recent years."
[movie review] |
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MovieMartyr.com |
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 3/4 |
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(2004) |
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"The viewer's reaction to the film seems extraordinarily subjective. I wouldn't be surprised if my third viewing of it found me declaring it either a dismal failure or a truly great work. For now, I'll settle on ambivalence."
[movie review] |
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MovieMartyr.com |
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