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Sources
• Apollo Guide
• MovieMartyr.com
Total Reviews: 792
Jeremy Heilman
Jeremy Heilman
Jeremy Heilman

NEWS & FEATURES
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2/4
     (2003)      "Once the audience figure out what's being said, the filmmaker's relative passivity will make it tough for them to really care." [movie review]      MovieMartyr.com   
  
4/4
     (2001)      "The film celebrates community to a greater extent than any narrative film I can think of." [movie review]      MovieMartyr.com   
  
73/100
     (1971)      "Wanda is rather out of step with the other, more famous, lovers-on-the-run films of its period." [movie review]      MovieMartyr.com   
  
2.5/4
     (2001)      "Its initial excitement settles into a warmed over pastiche." [movie review]      MovieMartyr.com   
  
3/4
     (2005)      "As the title implies, watching the film is an experience that’s rather directionless." [movie review]      MovieMartyr.com   
  
53/100
     (1935)      "While there is a mild confusion about whether ingénue Sten is mean to be a new Lombard or a new Garbo, the mixture serves the script's needs." [movie review]      MovieMartyr.com   
  
3/4
     (2002)      "It overcomes its initial wobbliness and turns into an engaging and literate psychodrama." [movie review]      MovieMartyr.com   
  
82/100
     (2008)      "Even as Wendy’s desperate situation magnifies every triumph and setback, Williams remains a remarkably grounded presence. It is quite likely the year’s best screen acting." [movie review]      MovieMartyr.com   
  
4/4
     (2001)      "A more accessible, less successful, if less rambling, work than Tarr’s Satantango." [movie review]      MovieMartyr.com   
  
1.5/4
     (2003)      "[It] tries for a somber tone that it can't maintain, partly because the cute protagonist conveys no gravity and partly because it's too frequently going for laughs or stupid melodramatic crises." [movie review]      MovieMartyr.com   
  
4/4
     (2002)      "Tsai convincingly paints a specifically urban sense of disassociation here." [movie review]      MovieMartyr.com   
  
1/4
     (2000)      "What a piece of tripe (no offense to tripe)!" [movie review]      MovieMartyr.com   
  
3/4
     (2000)      Click here to see the review! [movie review]      MovieMartyr.com   
  
3.5/4
     (2006)      Click here to see the review! [movie review]      MovieMartyr.com   
  
2.5/4
     (2004)      "Intellectually, you can respect the desire here to mesh low and high culture, black and white culture, and a Hollywood plot with an indie aesthetic, but for all of the ambition, there’s very little that’s able to enhance the characterizations." [movie review]      MovieMartyr.com   
  
3/4
     (1989)      "It's only because so many directors have done more with a similar set-up that Where is the Friend's Home? feels somewhat lacking." [movie review]      MovieMartyr.com   
  
4/4
     (1995)      "Instead of attempting to show us a fantasy world with their animation, the filmmakers use their medium to accentuate the small details in this one." [movie review]      MovieMartyr.com   
  
2.5/4
     (2002)      "The melodramatic machinations of Peter Kosminsky's well-intentioned chick flick White Oleander don't exactly come as surprise or a disappointment, but it ultimately fails to live up to promise of its all-star cast." [movie review]      MovieMartyr.com   
  
4/4
     (1966)      "It earns the hell that it puts us through by never compromising its vision of it." [movie review]      MovieMartyr.com   
  
4/4
     (1969)      "It's a thoroughly modern movie, and has barely aged a bit since its release, since it places itself in opposition to all things past." [movie review]      MovieMartyr.com   
  
3/4
     (1995)      "[Its] subdued tone becomes the movie's greatest strength, since it keeps the film's plot events from ever feeling melodramatic." [movie review]      MovieMartyr.com   
   --
     (1928)      Click here to see the review! [movie review]      MovieMartyr.com   
  
3.5/4
     (2007)      "Two or three scenes manage a forceful, punch-in-the-gut quality that wholly crystallizes the clear-minded sense of purpose that Loach strives for throughout." [movie review]      MovieMartyr.com   
  
3.5/4
     (2003)      "Winged Migration gives an almost unprecedented look at our flying friends." [movie review]      MovieMartyr.com   
  
3.5/4
     (1997)      "The film’s modest goals are met, and the austere technical aspects of the production further preserve the film’s reserve." [movie review]      MovieMartyr.com   
  
3.5/4
     (1987)      "At times tremendously funny, but never humorous at the expense of its emotional core, Wish You Were Here is simultaneously nostalgic and in direct opposition to the way that nostalgia tends to coat the past with a layer of sugary sweetness." [movie review]      MovieMartyr.com   
  
85/100
     (1944)      "The resultant tone of The Woman in the Window is completely unremitting, until it hilariously does remit." [movie review]      MovieMartyr.com   
  
3/4
     (2006)      Click here to see the review! [movie review]      MovieMartyr.com   
  
3.5/4
     (2006)      "Perhaps the least likely candidate among American auteurs to make this particular 9/11 movie, Oliver Stone delivers a satisfying portrait of Americans’ ability to weather the storm." [movie review]      MovieMartyr.com   
  
3/4
     (2002)      "Whatever complaints I might have, I'd take [its] earnest errors and hard-won rewards over the bombastic self-glorification of other feel-good fiascos like Antwone Fisher or The Emperor's Club any time." [movie review]      MovieMartyr.com   
  
34/100
     (2009)      "Goldthwait's movie tries so desperately to be edgy that it's hard not to laugh at it." [movie review]      MovieMartyr.com   
  
3/4
     (2003)      "[It] is better than the average entry in the subgenre because it eschews exposition in favor of thrills." [movie review]      MovieMartyr.com   
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