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4/4 |
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(1995) |
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"Safe is a movie that's so ambivalently torn between mocking its subject and looking at her with complete conviction that it becomes exhilarating."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(1968) |
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"It hasn't dated much at all, which is both disturbing and enlightening."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(1975) |
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"I was more intellectually engaged than offended while watching it."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1990) |
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"Santa Sangre is cobbled together from parts, in the best possible way."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(1965) |
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"Surely one of the most convolutedly plotted films ever to reach the silver screen."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1994) |
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"Just as the film eschews typical filmic moralizing and simplification, it also casts off the typical language of film."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1934) |
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"The filmmaking is invigorating, with some of the images standing out as originals to this day."
[movie review] |
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MovieMartyr.com |
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68/100 |
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(1970) |
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Click here to see the review!
[movie review] |
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Apollo Guide |
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3.5/4 |
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(1993) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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55/100 |
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(2007) |
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"With each new shot, angles and perspectives are shifted, requiring viewers to reorient themselves."
[movie review] |
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MovieMartyr.com |
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33/100 |
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(1993) |
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"There's no trust here from the director that the audience might be able to fathom the horrors of the Holocaust if the lines between good and bad aren't distinctly drawn."
[movie review] |
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MovieMartyr.com |
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43/100 |
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(2003) |
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"There's no escaping the fact while watching it that we're essentially watching the story of an icon founded out of PR hype."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(1975) |
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"[It] treads an almost imperceptible line between using devout fidelity to ratify its source and using rampant infidelity to undermine it."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(1998) |
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"Rivette uses this time to flesh out his characters and their actions to the point where the movie feels closer to a novel than cinema."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(2003) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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2/4 |
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(2002) |
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"Even as the stakes are raised in Secretary's sexual give and take, the movie retains its detached, private mood."
[movie review] |
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MovieMartyr.com |
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3/4 |
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(2001) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1957) |
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"Easily, one of the greatest films ever made."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1956) |
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"Easily, one of the greatest films ever made."
[movie review] |
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MovieMartyr.com |
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2/4 |
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(2000) |
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"It's way too disjointed to really say what the intent of the endeavor really was."
[movie review] |
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MovieMartyr.com |
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3/4 |
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(2001) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1932) |
|
Click here to see the review!
[movie review] |
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MovieMartyr.com |
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3/4 |
|
(2002) |
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"The movie is always alternating between narrative crudeness and technical perfection."
[movie review] |
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MovieMartyr.com |
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2/4 |
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(2001) |
|
Click here to see the review!
[movie review] |
|
MovieMartyr.com |
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60/100 |
|
(1985) |
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"The film is undeniably tough going, but by looking into the hearts of the people that experienced the atrocities, it gets at the heart of the horror itself."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(1998) |
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"Unfortunately, as the plot develops, it shies away from exploring that discontent, in favor of demonstrating precisely the kind of naiveté and sweetness that one would expect to find in any teen romance."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(2001) |
|
Click here to see the review!
[movie review] |
|
MovieMartyr.com |
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1.5/4 |
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(2002) |
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"Signs will have its admirers since its methodic nature suggests there's something profound going on beneath the surface. There really isn't though."
[movie review] |
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MovieMartyr.com |
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2/4 |
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(2004) |
|
Click here to see the review!
[movie review] |
|
MovieMartyr.com |
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2/4 |
|
(2005) |
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"Sin City's noir trappings are just empty attitude."
[movie review] |
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MovieMartyr.com |
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4/4 |
|
(1973) |
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"It's the first Hitchcock homage that Brian De Palma directed, and it’s a doozy."
[movie review] |
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MovieMartyr.com |
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70/100 |
|
(1936) |
|
"It is a brief movie, which is impressive considering how much of Japanese culture its critique assults, but it must be conceded that it loses a little of its potential richness as a result."
[movie review] |
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MovieMartyr.com |
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3/4 |
|
(2002) |
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"For a debut film, Skin of Man, Heart of Beast feels unusually assured."
[movie review] |
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MovieMartyr.com |
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50/100 |
|
(2006) |
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"Anchored, and essentially redeemed, by a fearless performance from Melinda Page Hamilton."
[movie review] |
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MovieMartyr.com |
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3/4 |
|
(2002) |
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"Münch's genuine insight makes the film’s occasional overindulgence forgivable."
[movie review] |
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MovieMartyr.com |
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74/100 |
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(1949) |
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"The Small Back Room is too good to be regarded as the curio that most currently see it as."
[movie review] |
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MovieMartyr.com |
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4/4 |
|
(1972) |
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"The second half of the film poses such utterly fascinating questions that any early stodginess is more than redeemed."
[movie review] |
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MovieMartyr.com |
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2.5/4 |
|
(1959) |
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"Always manage[s] to spoil the fun with elaboration."
[movie review] |
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MovieMartyr.com |
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1/4 |
|
(2003) |
|
"At the end of The Son, the audience is expected to be grateful for being shown that there exists morality among the masses, but only someone wildly out of touch with humanity would be surprised by such a conclusion."
[movie review] |
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MovieMartyr.com |
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1/4 |
|
(2002) |
|
"A perfect example of rancid, well-intentioned, but shamelessly manipulative movie making."
[movie review] |
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MovieMartyr.com |
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1/4 |
|
(2002) |
|
Click here to see the review!
[movie review] |
|
MovieMartyr.com |
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86/100 |
|
(2006) |
|
"Like a city symphony film viewed under a microscope, Nathaniel Dorsky’s rapturous non-narrative work Song and Solitude abstracts the everyday in revelatory ways."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
|
(2002) |
|
"There's really only one good idea in this movie, but the director runs with it and presents it with an unforgettable visual panache."
[movie review] |
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MovieMartyr.com |
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3/4 |
|
(1945) |
|
"It sounds utterly schematic, but this top-notch production redeems the majority of the clichés."
[movie review] |
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MovieMartyr.com |
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4/4 |
|
(2003) |
|
"The end result oddly seems revolutionary precisely because it tosses out so much cinematic technique, achieving far more technical excitement and emotional effect that one would think possible with what seems to be such effortless direction."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
|
(2002) |
|
"The movie shoots for, and usually achieves a sense of giddy exuberance, but it comes at the cost of suspense."
[movie review] |
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MovieMartyr.com |
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4/4 |
|
(2002) |
|
"Even the worst Miyazaki picture is a remarkable achievement, and Spirited Away is one of his better films."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
|
(1969) |
|
"As far as psychological horror goes, the films work well, and that they realize Poe’s stories were mainly internalized distortions of the world works to their advantage, even as they approach the material in vastly different ways."
[movie review] |
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MovieMartyr.com |
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4/4 |
|
(2004) |
|
"Zhuangzhuang creates delicate balance of style, text, and subtext that's so simple and precise that anything discordant would topple the balance, but against all odds, nothing does."
[movie review] |
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MovieMartyr.com |
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3/4 |
|
(2003) |
|
"Spun is about as wild a ride as you're likely to see on screen this year."
[movie review] |
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MovieMartyr.com |
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