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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE       42/100      O'Horten (2009)      "Too cute by half, filled with myriad forced moments of magic, O'Horten attempts to cast a nuanced spell, but ends up making rather little impression at all." [movie review]      MovieMartyr.com       1.5/4      Ocean's Eleven (2001)      "Ocean’s Eleven seems as if it coasting by on reputation alone." [movie review]      MovieMartyr.com       39/100      Of Time and the City (2009)      "It fails to turn its assemblage of stock footage and sarcastic observation into the grand summation of a place and era it would love to be." [movie review]      MovieMartyr.com       3/4      Office Space (1999)      Click here to see the review! [movie review]      MovieMartyr.com       2.5/4      Oldboy (2005)      "Even if Old Boy only intermittently coheres into a whole, there are enough must-see moments here, that the film is sure to become a cult hit." [movie review]      MovieMartyr.com       2/4      The One (2001)      "Li kicks a good amount of ass in the film, but he’s certainly no Oscar contender." [movie review]      MovieMartyr.com       1.5/4      One Hour Photo (2002)      "If in this generally lousy genre Seven rates as opera, then One Hour Photo must rank somewhere between elevator music and white noise." [movie review]      MovieMartyr.com       63/100      Ong Bak 2 (2009)      "An effort that handily trumps the first in every respect, Ong-Bak 2 further cements Tony Jaa's status as one of the era's key action stars." [movie review]      MovieMartyr.com       69/100      Open Range (2003)      "Kevin Costner's return to the western genre is a classicist revenge drama that takes its time in becoming one and is richer as a result." [movie review]      MovieMartyr.com       4/4      Open Your Eyes (1997)      "Amenabar, at 25, has created a film that deserves comparison to Hitchcock's best work." [movie review]      MovieMartyr.com       27/100      Opium: Diary of a Madwoman (2007)      "The whole experience of watching this is tense, dehumanizing, and fairly baffling." [movie review]      MovieMartyr.com       4/4      Ordet (1955)      Click here to see the review! [movie review]      MovieMartyr.com       70/100      Orphans of the Storm (1922)      "[T]he sheer amount of realized ambition on display in it makes it a sight to behold." [movie review]      MovieMartyr.com       4/4      Orpheus (1949)      Click here to see the review! [movie review]      MovieMartyr.com       82/100      Osaka Elegy (1936)      "By the end of Osaka Elegy, Ayoko's situation warrants nothing less than a universal call for empathy." [movie review]      MovieMartyr.com       82/100      Osaka Elegy (1936)      "By the end of Osaka Elegy, Ayoko's situation warrants nothing less than a universal call for empathy." [movie review]      MovieMartyr.com       82/100      Osaka Elegy (1936)      "By the end of Osaka Elegy, Ayoko's situation warrants nothing less than a universal call for empathy." [movie review]      MovieMartyr.com       40/100      Otto; Or, Up with Dead People (2008)      "Concessions to the audience's expectations certainly make Otto a more palatable viewing experience, but they also make it seem less dangerous." [movie review]      MovieMartyr.com       2/4      The Outsider (1981)      "Because of its slim narrative and relatively unsympathetic protagonist The Outsider is probably the weakest of Tarr's films." [movie review]      MovieMartyr.com

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