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3/4 |
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(1981) |
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"War has rarely felt more nonsensical in film than it does here."
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MovieMartyr.com |
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3.5/4 |
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(1982) |
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"It’s really not nearly as bad as I feared it might be."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1927) |
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"Its peerless mixture of exciting action and kinetic comedy are one of moviedom’s supreme pleasures."
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3.5/4 |
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(1974) |
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"A fascinating historical document and an absurd portrait of fascist power run amok."
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MovieMartyr.com |
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80/100 |
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(1942) |
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"Walsh trusts his viewers to value ability and wit over humility and pathos, resulting in one of the most roundly entertaining of all sports films."
[movie review] |
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MovieMartyr.com |
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72/100 |
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(2008) |
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"Through its clever advancements of the zombie genre and its consistently surprising series of set pieces, [it] earns the right to stand alongside anything that Romero has made."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(2000) |
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"George Washington is the best American film of 2000."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1947) |
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"Even as Germany Year Zero promotes a definite agenda, it remains admirable, because it incorporates politics without sacrificing its technical and storytelling virtues."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1964) |
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"I would imagine that many would find it unwatchable, or would incorrectly deem it uncinematic, but it understands the language of cinema better than nearly any film that I've seen. Every cut, every pan, every zoom matters."
[movie review] |
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MovieMartyr.com |
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3/4 |
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(2004) |
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"It’s regrettable, but perhaps a bit predictable, that a film that is this forward-looking in its graphic construction is saddled with a commonplace plotline."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(2001) |
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"The general snarkiness of Ghost World eventually becomes profoundly sad."
[movie review] |
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MovieMartyr.com |
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2.5/4 |
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(1958) |
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"This time Hollywood's chastity beat out cultural accuracy."
[movie review] |
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76/100 |
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(2003) |
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"Because of its humble proficiency, seriousness of intent and sexual adventurousness, it's become the unfortunate pariah of a film culture that expects Hollywood to turn out only gee-whiz showiness and superficial plays at emotion."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(1946) |
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"Hayworth's presence here is so indomitable that it's almost surprising that Vidor found it necessary to bother putting other actors on the screen at all."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(1970) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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3/4 |
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(2001) |
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"Ginger Snaps starts out so well that its terrible last half hour feels insulting."
[movie review] |
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MovieMartyr.com |
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63/100 |
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(2009) |
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"What results is an irreducible and complex portrait of the drama that is modern life. Téchiné, much to his credit, has transformed here a thoughtless action into something that is capable of making the mind reel with implication."
[movie review] |
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MovieMartyr.com |
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70/100 |
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(2003) |
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"So passionately realized by Webber and his team, that its clichés are easy to forgive."
[movie review] |
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MovieMartyr.com |
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69/100 |
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(1925) |
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"Buster Keaton’s Go West doesn’t quite compare to his best films but is an admirable stab at the funny bone nonetheless."
[movie review] |
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MovieMartyr.com |
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51/100 |
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(2008) |
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"The sheer pervasiveness of corruption is eye-opening, and it justifies the narrative structure somewhat, but it seems a slight point to be making over the course of two and a half hours."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1959) |
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"This is a much more complex, ambiguous, and challenging film that most reduce it to."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(1996) |
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"What’s most impressive about Goodbye South Goodbye is the way in which the film seems so completely disenchanted with the antics of its protagonists."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(2001) |
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Click here to see the review!
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1965) |
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"The slightly uncomfortable close-ups that dominate [it] place the audience in a position where they're closer than they might have ever expected to be to the towering Biblical figures that dominate the Passion play."
[movie review] |
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MovieMartyr.com |
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4/4 |
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(1940) |
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"Ford delivers Steinbeck’s message intact."
[movie review] |
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MovieMartyr.com |
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3/4 |
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(1976) |
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"There's an undeniable skill on The film feels pretty exploitative, even as the Beales insist that it's not exploiting them at all."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(2002) |
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"Achieves a sort of filmic epiphany that revels in the true potential of the medium."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(2005) |
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"Veteran director Werner Herzog finds factual subject matter that feels right up his thematic alley in Grizzly Man."
[movie review] |
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MovieMartyr.com |
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3.5/4 |
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(2002) |
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"The surprising skill and compassion that Group's makers exhibit turns what could have been an uninvolving actor's exercise into a compelling and complicated emotional stew."
[movie review] |
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MovieMartyr.com |
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