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Sources
• Apollo Guide
• MovieMartyr.com
Total Reviews: 792
Jeremy Heilman
Jeremy Heilman
Jeremy Heilman

NEWS & FEATURES
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66/100
     (2008)      "At once tragically wounded and gloriously shameless, Bad Biology is a must-see for a certain, self-selecting breed of filmgoer." [movie review]      MovieMartyr.com   
  
34/100
     (2003)      "Even though I occasionally admired the film's hallucinogenic grandeur and bold scope, the majority of Bad Boys II feels like a bad trip." [movie review]      MovieMartyr.com   
  
3/4
     (2002)      "There's surprisingly little awkward comic interplay between the two, and as a result "Bad Company" beats "Rush Hour" at its own game." [movie review]      MovieMartyr.com   
  
3/4
     (2004)      "It’s ironic that the last image that Pedro Almodovar’s Bad Education offers us is a close-up of the Spanish word 'pasión,' because the film feels far too rarefied and precise for its own good." [movie review]      MovieMartyr.com   
  
4/4
     (2001)      "Baise-Moi feels so resoundingly stunning since we’re so used to getting our feminine empowerment in movies fed to us in compartmentalized bits." [movie review]      MovieMartyr.com   
  
4/4
     (1983)      "The Ballad of Naramaya is an indelible and transfixing poem of a movie that packs a substantial and complicated emotional punch." [movie review]      MovieMartyr.com   
  
3/4
     (2001)      "Thornton's brilliant performance justifies a great deal of the pap on display." [movie review]      MovieMartyr.com   
  
29/100
     (2007)      "For now, the best that can be said about Zvyagintsev is that he seems like he could potentially be a master filmmaker someday, even if he's still not made a good movie." [movie review]      MovieMartyr.com   
  
3/4
     (2000)      Click here to see the review! [movie review]      MovieMartyr.com   
  
2.5/4
     (2003)      Click here to see the review! [movie review]      MovieMartyr.com   
  
2.5/4
     (2001)      "Pedantic and sophistic." [movie review]      MovieMartyr.com   
  
2.5/4
     (1991)      "A passion play that wavers between amateur-hour incompetence and an undeniable directorial vision." [movie review]      MovieMartyr.com   
  
4/4
     (1981)      Click here to see the review! [movie review]      MovieMartyr.com   
  
42/100
     (2007)      "Beyond the Years suggests, rather simplemindedly, that purity of heart and endless practice are the keys to a great performance." [movie review]      MovieMartyr.com   
  
31/100
     (2003)      "Burton is so taken with Edward's tales that the son's efforts to find the man who lives behind the façade come off like the machinations of a sulking child." [movie review]      MovieMartyr.com   
  
4/4
     (1998)      "One of the best comedies of the nineties, and the best film thus far from the Coen Brothers." [movie review]      MovieMartyr.com   
  
66/100
     (2003)      "A surprisingly ambivalent entry in genre that’s usually brain-dead." [movie review]      MovieMartyr.com   
  
3/4
     (2000)      Click here to see the review! [movie review]      MovieMartyr.com   
  
71/100
     (1988)      "Eastwood clearly is committed to presenting Bird to his audience with all of his complexities and contradictions intact." [movie review]      MovieMartyr.com   
  
3/4
     (2002)      "It leaves little doubt that Kidman has become one of our best actors." [movie review]      MovieMartyr.com   
  
2.5/4
          Click here to see the review! [movie review]      MovieMartyr.com   
  
4/4
     (1934)      "One of the best in Universal's storied horror cycle." [movie review]      MovieMartyr.com   
  
83/100
     (1964)      "It almost immediately launches into a nightmarish journey of violence and hopelessness, confronting us with an abstract yet uncomfortable vision of human struggle." [movie review]      MovieMartyr.com   
  
2.5/4
     (2001)      Click here to see the review! [movie review]      MovieMartyr.com   
  
3.5/4
     (2008)      "Blind Mountain, the second film from fledgling Chinese filmmaker Li Yang, demonstrates many of the same qualities that made his first, Blind Shaft, one of the most promising directorial debuts of recent years." [movie review]      MovieMartyr.com   
  
3/4
     (2004)      "The viewer's reaction to the film seems extraordinarily subjective. I wouldn't be surprised if my third viewing of it found me declaring it either a dismal failure or a truly great work. For now, I'll settle on ambivalence." [movie review]      MovieMartyr.com   
  
4/4
     (1930)      "The imagery used here is still stunning despite its low-tech nature." [movie review]      MovieMartyr.com   
  
3/4
     (1984)      "It’s certainly not a bad film, but it’s hardly the classic reinvention of film noir that it wants to be." [movie review]      MovieMartyr.com   
  
3/4
     (2000)      "It’s certainly not a bad film, but it’s hardly the classic reinvention of film noir that it wants to be." [movie review]      MovieMartyr.com   
  
1.5/4
     (2002)      "The cinema verite style that Paul Greengrass’ supposed historical recreation film Bloody Sunday employs opens a dangerous can of worms that I could never push back shut while watching it." [movie review]      MovieMartyr.com   
  
4/4
     (1981)      "Brian De Palma’s movies are a stunningly uneven lot, but that might just be because he takes as many risks as he does." [movie review]      MovieMartyr.com   
  
4/4
     (1930)      "It’s a brilliant, vitriolic condemnation of pre-WWII German Conservatism." [movie review]      MovieMartyr.com   
   --
     (1930)      Click here to see the review! [movie review]      MovieMartyr.com   
  
57/100
     (1993)      "A generally winning romantic comedy possessing an unusual degree of self-importance, Bodies, Rest and Motion works primarily because of its likable cast." [movie review]      MovieMartyr.com   
  
2/4
     (1984)      "Ultimately, Body Double feels like a film that seems more interested in pleasing itself than pleasing the audience." [movie review]      MovieMartyr.com   
  
4/4
     (1997)      Click here to see the review! [movie review]      MovieMartyr.com   
  
3.5/4
     (1998)      "Hartley always underplays things, even when the world’s about to end." [movie review]      MovieMartyr.com   
  
2.5/4
     (2002)      "It has the reeled-in pyrotechnics and the muted pacing of an intelligent spy film, but it doesn’t have the smarts of one." [movie review]      MovieMartyr.com   
  
1/4
     (2002)      "Always the underdog, [Moore]'s fighting hard against just about everyone here, but mostly he's fighting to give a movie that's saddled with a terminally unclear thesis some sense of gravitas." [movie review]      MovieMartyr.com   
  
2/4
     (1972)      "Many of this movie’s problems lie in the cookie-cutter script, which squanders most of the very real potential of a movie about Bertha Thompson’s life." [movie review]      MovieMartyr.com   
  
63/100
     (1975)      Click here to see the review! [movie review]      Apollo Guide   
  
2/4
     (2001)      "It doesn't really succeed in illustrating the workers' plights in a way that is ultimately sympathetic." [movie review]      MovieMartyr.com   
  
2.5/4
     (1979)      "This timeworn material probably should work, but it doesn’t really since, most of the film’s angst and conflict seems calculated." [movie review]      MovieMartyr.com   
  
4/4
     (1996)      "If you haven't seen this film yet, stop reading and seek it out." [movie review]      MovieMartyr.com   
  
4/4
     (1959)      "A stunning success" [movie review]      MovieMartyr.com   
  
4/4
     (1946)      "David Lean’s Brief Encounter towers over the majority of romantic films, precisely because it calls the bluff of the genre’s wish fulfillment." [movie review]      MovieMartyr.com   
  
4/4
     (1991)      "A Brighter Summer Day stands as a massive achievement, perhaps the greatest in all of modern Taiwanese cinema." [movie review]      MovieMartyr.com   
  
3/4
     (2003)      "The film only truly stumbles as it enters into its plot-heavy third act, which wastes a lot of energy, but still can't manage to satisfy the audience’s desire to see Latifah and Martin fall in love." [movie review]      MovieMartyr.com   
  
3.5/4
     (1919)      "Tremendously downbeat, but beautifully stylized." [movie review]      MovieMartyr.com   
  
27/100
     (2009)      "A determinedly ugly movie, as brutish in its delivery as its subject is brutish in character, Bronson fails to offer meaningful insight into the life of a singularly idiotic individual." [movie review]      MovieMartyr.com   
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