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(2003) |
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"New York is as magical here as was Steven Spielberg's everywhere suburbia in E.T.: The Extra-Terrestrial (1982)."
[movie review] |
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DVDTalk.com |
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(2008) |
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"Strange to long for the humorous undercurrents of the no less despondent Lazarescu and Bucharest, but perhaps making sense of the red specter requires just such a penetrating mix of solemnity and absurdity."
[movie review] |
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The House Next Door |
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(2007) |
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"Godliness, so The Air I Breathe finally tells us, is all about the Benjamins."
[movie review] |
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The House Next Door |
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(1970) |
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"As Billy Wilder turned a crumbling Berlin into a slapstick, satirical playground in One, Two, Three, so Fassbinder offers up The American Soldier's Munich as a monochrome city of sadness."
[movie review] |
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The House Next Door |
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(1950) |
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"The Baron of Arizona (1950) is all thumbs, as much a forgery as the one perpetrated by its protagonist James Addison Reavis (Vincent Price)."
[movie review] |
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The House Next Door |
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(2007) |
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"Character psychology is as specious as in the Schwarzenegger canon."
[movie review] |
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The House Next Door |
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(2008) |
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"[Jacques] Nolot writes, directs, and stars as Pierre Pruez, an HIV-positive bottom boy-no-longer who navigates his ruined life and beauty with aplomb."
[movie review] |
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The House Next Door |
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(2006) |
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"Drains all the mystery out of a masterpiece."
[movie review] |
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The House Next Door |
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(2007) |
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"One longs for Nomi Malone to enliven the proceedings with her ketchup bottle of doom."
[movie review] |
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The House Next Door |
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(2007) |
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"Black Sheep takes one of nature's most decidedly non-threatening creatures and arms 'em, deliriously and deliciously, with ravenous, razor-edged teeth."
[movie review] |
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The House Next Door |
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(2009) |
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"What surprises and delights is how complete the work feels, finished in every way aesthetically and thematically, any longueurs or asides entirely part of Nemescu's indelible emotional tapestry."
[movie review] |
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The House Next Door |
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(2007) |
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"A love unique in every respect -- nothing to sniff at and forever to be treasured."
[movie review] |
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The House Next Door |
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(2005) |
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"A literalist's portrait of apocalypse."
[movie review] |
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The House Next Door |
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(2007) |
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"A highly flawed personal vision, containing what the Screenwriter 101's among us would deem various and sundry "third act problems.""
[movie review] |
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The House Next Door |
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(2008) |
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"Now you see it, now you don't."
[movie review] |
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The House Next Door |
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(2008) |
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"Meryl Streep guest stars on a special episode of Sunrise Earth, doing Method Tai Chi while heavenly chorines, chanting in Hollywood Sanskrit, bemoan the eternal tragedy of man."
[movie review] |
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The House Next Door |
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(2007) |
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"The Sea Inside by way of Lady in the Lake."
[movie review] |
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The House Next Door |
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(2008) |
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"[The play is] a shallow work easily interpreted, and Shanley's own film version is no different in the low bar it aims for and ultimately attains."
[movie review] |
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The House Next Door |
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(2008) |
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"A true, unadulterated trip into a most unique subconscious."
[movie review] |
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The House Next Door |
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(2007) |
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"An extended game of 16th-century Barbie."
[movie review] |
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The House Next Door |
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(2007) |
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"The beauties of Brisseau's movies lie in their defiantly messy imperfections: pretty poison all the way."
[movie review] |
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The House Next Door |
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(1976) |
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"Cries out for Madeline Kahn to step in, cigarette in hand, and inquire, "Phallic-un zymbol?""
[movie review] |
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The House Next Door |
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(2001) |
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"This could be a regretful remembrance of things past on the part of "Bergman" or it could be a pure fiction torn from the ether."
[movie review] |
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The House Next Door |
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(1949) |
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"Tempting as it is to describe Samuel Fuller as the cinema's brute poet, the three films included on "The First Films of Samuel Fuller" encourage a more multifaceted reading."
[movie review] |
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The House Next Door |
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(2007) |
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"The Gates only reinforces my ambivalence toward the vérité stylings of co-director Albert Maysles."
[movie review] |
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The House Next Door |
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(2008) |
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"The most labyrinthine and multifaceted of Romero's Dead films."
[movie review] |
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The House Next Door |
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(1949) |
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"Fuller goes deeper into his protagonist's tortured psyche, uncovering a sublimated sense of love that only finds expression as climax to his death rattle."
[movie review] |
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The House Next Door |
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(2008) |
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"Whichever way we go, we have to always, always be looking."
[movie review] |
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The House Next Door |
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(1989) |
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"Now only twilight and sunset. Illumination fades; the self annihilates in silhouette. And all (father, son, and spirit) is one."
[movie review] |
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The House Next Door |
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(2006) |
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"The film is a detailed analysis of Nikki's creative process, of her struggle towards that transcendent point where her art... only connects."
[movie review] |
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The House Next Door |
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(2007) |
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"He'll always be coming and going."
[movie review] |
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The House Next Door |
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(2006) |
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"A summa cum laude graduate of the Merchant-Ivory school of Classics Illustrated."
[movie review] |
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The House Next Door |
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(2007) |
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"So spake that prescient philosopher Julie Brown: "Just be vague, there's nothing to it.""
[movie review] |
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The House Next Door |
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(1966) |
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"The foreground drama ends on a query, while the Gallic hills and highways stretch to eternity. FIN."
[movie review] |
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The House Next Door |
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(2008) |
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"Moral rot captured with religious fervor."
[movie review] |
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The House Next Door |
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(2008) |
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"Screens within screens, frames within frames -- that's the simplest way of approaching Married Life's allusive/elusive roundelay."
[movie review] |
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The House Next Door |
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 4/4 |
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(2006) |
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"In retrospect it is clear that the rapturous Miami Vice is the work Mann has been building to."
[movie review] |
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The House Next Door |
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(2008) |
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"Both the body and the body politic are under attack in Mother of Tears."
[movie review] |
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The House Next Door |
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(2008) |
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"Estrada's most incendiary proposition: that God is, at heart, a hoi polloi construct, a buffer and security blanket that damagingly keeps the world's many harsh realities at bay."
[movie review] |
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The House Next Door |
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(2009) |
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"For a while, the film concerns itself with the everyday, so much so that the thread of revenge ... seems to be buried under the mere fact of eking out a living."
[movie review] |
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The House Next Door |
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(2005) |
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"If I think I'm mostly going to keep coming back to [the 172-minute] cut (and I do hope, someday soon, for a Mr. Arkadin-like 3-cuts comparative DVD set) it's because it feels most fully realized."
[movie review] |
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The House Next Door |
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(2006) |
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"Standing on the outside looking in, I discern something quite meaningful in the visual/structural rigor of this adaptation of mock-classical dialogues by Cesare Pavese."
[movie review] |
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The House Next Door |
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(2007) |
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"So much blood spilled over so little."
[movie review] |
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The House Next Door |
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(2008) |
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"When [Moore] embarrasses her son by forcing him to read a passage from de Sade's Justine (introduction by Georges Bataille!), ... it's a potent familial cruelty to place alongside the best of Davis and Crawford."
[movie review] |
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The House Next Door |
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(2007) |
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"How unfortunate the film with none."
[movie review] |
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The House Next Door |
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(2007) |
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"Emigholz's rigorous aural/visual cataloging of Schindler's efforts uncover the souls of these structures, and it's a sight to see."
[movie review] |
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The House Next Door |
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(1968) |
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""What a wonder is a gun," opined one-time Bergman adapter Stephen Sondheim."
[movie review] |
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The House Next Door |
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(2008) |
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"Take[s] a page from the cartoonist Bill Watterson, who noted of the tiger protagonist in his great Calvin & Hobbes, 'The nature of [the character's] reality doesn't interest me, and each story goes out of its way to avoid resolving the issue.'"
[movie review] |
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The House Next Door |
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(1951) |
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"The Steel Helmet (1951) is a fever dream of the Korean War, entirely possessed of its own unique, inimitable rhythms."
[movie review] |
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The House Next Door |
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(1997) |
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"Taste of Cherry might be Kiarostami's most difficult film."
[movie review] |
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The House Next Door |
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