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1/5 |
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(2009) |
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"As the credit “Produced by Paul W.S. Anderson” attests, this is hackwork of the highest order, lacking in all poetry and barely comprehensible aurally or visually."
[movie review] |
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Time Out New York |
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3/4 |
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(2007) |
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"The idea of cinema as irrepressible bogeyman might be Kon's own confession."
[movie review] |
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Slant Magazine |
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3/4 |
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(1959) |
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"Rivette was perhaps more of a prognosticator than he realized, anticipating the downfall of the very movement he was involved in before it had effectively begun."
[movie review] |
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Slant Magazine |
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.5/4 |
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(2004) |
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"An MTV film that extreme right-wing moralists can be proud of, as it posits a quintessentially American world of racial, intellectual, and sexual conformity."
[movie review] |
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Slant Magazine |
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1/4 |
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(2007) |
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"As vacuous, white noise entertainments go, this is one of the finest."
[movie review] |
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Slant Magazine |
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1.5/4 |
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(2003) |
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"The film is a wash, first and foremost for Hogan and cinematographer Donald McAlpine’s choice to shoot entire sequences in garish singular colors."
[movie review] |
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Slant Magazine |
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(1993) |
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"The road to Philadelphia was paved with good intentions."
[dvd review] |
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Slant Magazine |
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2/4 |
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(1993) |
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"In the guise of piety, Philadelphia panders to a perceived straight-male majority."
[movie review] |
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Slant Magazine |
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3/5 |
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(2002) |
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"When watching [The Pianist], the experience is a dutiful one, a slow march to uplift. But in hindsight the meanings become clearer."
[movie review] |
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ToxicUniverse.com |
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1.5/4 |
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(2005) |
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"All the onscreen transgressions are so tightly packed into the film's 80 minutes that they play as increasingly ludicrous and unbelievable examples of community unrest."
[movie review] |
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Slant Magazine |
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4.5/5 |
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(1961) |
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"Neorealism bumps heads with surrealism and class critique ..."
[movie review] |
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ToxicUniverse.com |
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2/5 |
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(2009) |
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"Given the months-long hype, what’s most bewildering about Sundance sensation Precious is its overall shrug-worthiness."
[movie review] |
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Time Out New York |
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1.5/4 |
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(2004) |
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"Primer is perfect Sundance material, its bland, anonymous actors and competent, Sprint-commercial mise-en-scène masked in the guise of independence."
[movie review] |
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Slant Magazine |
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3/4 |
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(2007) |
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"A masterful trifle."
[movie review] |
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Slant Magazine |
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4/5 |
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(2009) |
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"It might sound damning to say that the film resembles a bullet-riddled carcass just barely clinging to life, but it’s exactly this ephemeral sensation, which Mann sustains for the entire two hours plus, that distinguishes Public Enemies."
[movie review] |
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Time Out New York |
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