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(2008) |
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"An extended checklist and a scrubbed-up journey through a should-be-fascinating historical moment."
[movie review] |
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UGO |
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2.5/4 |
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(1932) |
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"A silent mother-love melodrama whose stylistic crudities explicitly illustrate what, in the director's later work, is relegated to subtlety and subtext."
[movie review] |
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Slant Magazine |
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4/4 |
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(2006) |
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"Demme understands this genre intimately; he recognizes that the concert film requires more than just haphazardly pointing the camera at the musicians."
[movie review] |
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Slant Magazine |
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4/5 |
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(2006) |
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"A tell-tale Heart worth having."
[dvd review] |
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Slant Magazine |
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(2008) |
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"As Tennessee Williams so often intimated, there's always something to prove down south - typically one's homoerotically-charged sense of manhood."
[movie review] |
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UGO |
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4/4 |
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(1971) |
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"Blessed with a perpetual craggy hangdog, Matthau is May’s perfect comic foil."
[movie review] |
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Slant Magazine |
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(2005) |
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"If I think I'm mostly going to keep coming back to [the 172-minute] cut (and I do hope, someday soon, for a Mr. Arkadin-like 3-cuts comparative DVD set) it's because it feels most fully realized."
[movie review] |
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The House Next Door |
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.5/4 |
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(2004) |
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"Revelatory of our collective ignorance and fear of 'otherness,' New York Minute is as dishonest about sex as it is about race."
[movie review] |
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Slant Magazine |
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5/5 |
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(2009) |
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"Which of the protagonist’s interactions are real and which are artist’s fancy? Hong never lets on, preferring to set character and audience adrift within his motion-picture Rorschach test."
[movie review] |
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Time Out New York |
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0/4 |
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(2005) |
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"Uh…ewww!"
[movie review] |
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Slant Magazine |
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(2008) |
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"The moral of this failed fable might best be summed up as, "Dude, get some earplugs.""
[movie review] |
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UGO |
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3.5/4 |
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(2004) |
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"Godard forces us to see the recognizable anew, opening our minds (our music) with juxtapositions of history."
[movie review] |
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Slant Magazine |
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3/4 |
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(2005) |
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"A gripping, very well-executed video docudrama."
[movie review] |
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Slant Magazine |
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3/4 |
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(1966) |
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"A garish potboiler first and a harsh critique of religious institutions last."
[movie review] |
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Slant Magazine |
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