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Other Info
Sources
• DVDTalk.com
• House Next Door
• Reeler
• Reverse Shot
• Senses of Cinema
• Slant Magazine
• Time Out New York
• Time Out Sydney
• ToxicUniverse.com
• UGO
Total Reviews: 425
Keith Uhlich
Keith Uhlich
Keith Uhlich

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2.5/4
     (1968)      "L'Amour Fou is a transitional work for Jacques Rivette, the bridge to the superb Out 1 and its equally masterful re-edit Spectre." [movie review]      Slant Magazine   
  
3.5/4
     (2005)      "Physical comedy in cinema so rarely rises above a kind of kick-the-cajones mediocrity, so Iceberg is a more than welcome breath of fresh air." [movie review]      Slant Magazine   
  
2.5/4
     (1991)      "Jacques Rivette's much praised Cannes Grand Prize winner vacillates between genuine insight and didactic mystique-of-the-artist bull****." [movie review]      Slant Magazine   
  
4/5
     (2009)      "Wiseman’s films are as much living organisms as they are subjective portraits." [movie review]      Time Out New York   
  
     (2006)      "A summa cum laude graduate of the Merchant-Ivory school of Classics Illustrated." [movie review]      The House Next Door   
  
3/4
     (2006)      "A gaping psychic wound, a blood-spattered, pulsating tumor ripped violently from both its creator's head and, more fascinatingly, his heart, then planted onscreen, raw and unfettered, for all to come and see." [movie review]      Slant Magazine   
  
     (2008)      "Despite his Mason/Dixon-stoking diva stylings, I sincerely doubt Sam Jack will gain as much eventual YouTube infamy as LaBute's last leading man." [movie review]      UGO   
  
     (2006)      "Idi's got da bling!" [movie review]      Slant Magazine   
  
     (2008)      "I can get partially behind any movie that commences with Michael Lonsdale greedily and noisily chomping into a moist leg of pheasant." [movie review]      UGO   
  
4/4
     (1954)      "Late Chrysanthemums is director Mikio Naruse's most perfect film." [movie review]      Slant Magazine   
  
2/6
     (1962)      "Ah, well. It sure looks purty." [movie review]      Time Out New York   
  
5/6
     (1945)      "A 'film noir in color' and a masterpiece of post-WWII American cinema." [movie review]      Time Out New York   
  
     (2007)      "Enough talk. Time for action!" [movie review]      UGO   
  
     (2005)      "Bring home the Legend." [dvd review]      Slant Magazine   
  
2.5/4
     (2005)      "The Legend of Zorro is a frustrating hodgepodge of a movie, as fascinating (often profoundly touching) in its parts as it is off-putting as a whole." [movie review]      Slant Magazine   
  
5/6
     (1961)      "It’s a giddy bit of blasphemy to see Jean-Paul Belmondo dressed in priest’s garb." [movie review]      Time Out New York   
  
3.5/4
     (1952)      "Takamine is especially terrific, her perpetually wide-eyed, comically exasperated performance at once suggesting Kiyoko's trappings of the body and the wanderings of her mind." [movie review]      Slant Magazine   
  
4/6
     (2009)      "Jim Jarmusch's latest - his best since Dead Man (1995) - practically begs for dissection and analysis, but it's better, perhaps, to read the film's many repeated symbols, sayings and actions as mood enhancers rather than intellect stimulators" [movie review]      Time Out New York   
  
     (2007)      "So spake that prescient philosopher Julie Brown: "Just be vague, there's nothing to it."" [movie review]      The House Next Door   
  
5/5
     (2009)      "Objects have any number of unique symbolic attributes, but their meanings become increasingly and intriguingly malleable through Alonso’s patient, long-take purview." [movie review]      Time Out New York   
  
     (2001)      "Ignore Fox Mulder's mantra: You can trust The Lone Gunmen." [dvd review]      Slant Magazine   
  
2/4
     (2006)      "A Michael Haneke-lite wank job." [movie review]      Slant Magazine   
  
     (2003)      "Don’t let th-th-th-th-that be all folks! Give Looney Tunes: Back in Action a well-deserved DVD spin." [dvd review]      Slant Magazine   
  
5/5
     (2003)      "Dante revives the possibilities of widescreen humor ... literally leapfrogging across time and the cosmos to achieve profundity through expertly controlled chaos." [movie review]      ToxicUniverse.com   
  
5/5
     (2009)      "It’s an entirely new world that we’re left in -- a place where the rules of the movie we’ve just experienced no longer apply." [movie review]      Time Out New York   
  
4.5/5
     (2003)      "Like a favorite and enthralling CD soundtrack that takes you places magical." [movie review]      ToxicUniverse.com   
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