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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE       2.5/5      K-Pax (2001)      "Casting [Spacey and Bridges] against each other gives their scenes together a believability and intensity that comes directly out of their contrasting acting styles." [movie review]      ToxicUniverse.com       3/5      Kagemusha (1980)      "At worst, the film is an empty vessel that places blind trust in affected stillness and symmetry... the movie quite often switches on a dime to more deep and meaningful textures." [movie review]      Time Out New York       2.5/4      Keane (2004)      "[Keane] is unfortunately akin to a rat-in-the-maze science experiment." [movie review]      Slant Magazine       3/4      The Keeper: The Legend of Omar Khayyam (2005)      "Comes to us wrapped in hand-woven shawls of struggle and perseverance." [movie review]      Slant Magazine       4/4      Kill Bill Vol. 2 (2004)      "Aside from the films’ contrary ambiences—which we might term excess vs. focus—this principle of twos reveals itself in Tarantino’s casting." [movie review]      Slant Magazine       5/5      The Killers (1946)      "Is it any surprise that Reardon – for that matter any character of this sort – comes most alive when brandishing a gun?" [movie review]      ToxicUniverse.com       5/5      The Killers (1964)      "The selfish cynicism on display, the every-man-and-woman-for-themselves bravado is a more cinematic than televisual conceit." [movie review]      ToxicUniverse.com            Kung Fu Panda (2008)      "Hardly a groundbreaker, but still impressive in a good many of its particulars." [movie review]      UGO

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