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 3/4 |
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(2007) |
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"Despite his films' frequently static compositions, Tsai's cinema flows ever forward with ambiguous, multivalent purpose."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 4.5/5 |
|
(1963) |
|
"I Fidanzati is one of the most romantic movies ever made ..."
[movie review] |
|
ToxicUniverse.com |
|
 |
 |
 |
| |
 2/4 |
|
(2004) |
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"David O. Russell's I Heart Huckabees is content to wallow in obscurantist quirk and flash."
[movie review] |
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Slant Magazine |
|
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 |
 |
| |

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(1949) |
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"Fuller goes deeper into his protagonist's tortured psyche, uncovering a sublimated sense of love that only finds expression as climax to his death rattle."
[movie review] |
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The House Next Door |
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 |
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 |
| |
 2/5 |
|
(2009) |
|
"The title of the film promises something revolutionary, but all we get, aesthetically and thematically, are second-gen hand-me-downs."
[movie review] |
|
Time Out New York |
|
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 |
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| |

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(2008) |
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"I like to think Plympton would take it as a compliment if I said he sees human beings as little more than a debased sum of bodily functions."
[movie review] |
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UGO |
|
 |
 |
 |
| |
 2.5/4 |
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(2004) |
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"Imaginary Heroes is a queer-eyed valentine to Sigourney Weaver."
[movie review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"Import Export demands we contemplate the horror and the beauty of existence in equal measure."
[movie review] |
|
Time Out New York |
|
 |
 |
 |
| |
 5/5 |
|
(1950) |
|
"The genre trappings of this noir masterpiece -- which details the short-lived relationship between live-wire screenwriter Dixon Steele (Bogart) and his goldilocked muse Laurel Gray (Grahame) -- don’t matter a whit."
[movie review] |
|
Time Out New York |
|
 |
 |
 |
| |

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(2003) |
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"New York is as magical here as was Steven Spielberg's everywhere suburbia in E.T.: The Extra-Terrestrial (1982)."
[movie review] |
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DVDTalk.com |
|
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| |

|
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(2008) |
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"Whichever way we go, we have to always, always be looking."
[movie review] |
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The House Next Door |
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(1989) |
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"Now only twilight and sunset. Illumination fades; the self annihilates in silhouette. And all (father, son, and spirit) is one."
[movie review] |
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The House Next Door |
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 |
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| |
 2/5 |
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(2009) |
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"The Informant! is one of [Soderbergh's] ugliest works, photographed on the RED digital camera system in such a way that depth of field is meaninglessly flattened into backlit brown mush."
[movie review] |
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Time Out New York |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
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"Detractors and proponents alike will see what they want to see in this two-and-a-half-hour World War II fable, which hits all the beats of a retribution-laden genre piece without ever entirely satiating character or audience bloodlust."
[movie review] |
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Time Out New York |
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| |

|
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(2006) |
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"The film is a detailed analysis of Nikki's creative process, of her struggle towards that transcendent point where her art... only connects."
[movie review] |
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The House Next Door |
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| |
 4/4 |
|
(2007) |
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"A 162-minute journey into a cloistered world of ritualistic repetition, always with the promise of revelation and transcendence.
"
[movie review] |
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Slant Magazine |
|
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 |
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| |

|
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(2006) |
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"One of the great works of Iranian cinema."
[dvd review] |
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Slant Magazine |
|
 |
 |
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| |
 1/4 |
|
(2005) |
|
"All Michael Bay movies are evil."
[movie review] |
|
Slant Magazine |
|
 |