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Other Info
Sources
• DVDTalk.com
• House Next Door
• Reeler
• Reverse Shot
• Senses of Cinema
• Slant Magazine
• Time Out New York
• Time Out Sydney
• ToxicUniverse.com
• UGO
Total Reviews: 425
Keith Uhlich
Keith Uhlich
Keith Uhlich

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3/4
     (2007)      "Despite his films' frequently static compositions, Tsai's cinema flows ever forward with ambiguous, multivalent purpose." [movie review]      Slant Magazine   
  
4.5/5
     (1963)      "I Fidanzati is one of the most romantic movies ever made ..." [movie review]      ToxicUniverse.com   
  
2/4
     (2004)      "David O. Russell's I Heart Huckabees is content to wallow in obscurantist quirk and flash." [movie review]      Slant Magazine   
  
     (1949)      "Fuller goes deeper into his protagonist's tortured psyche, uncovering a sublimated sense of love that only finds expression as climax to his death rattle." [movie review]      The House Next Door   
  
2/5
     (2009)      "The title of the film promises something revolutionary, but all we get, aesthetically and thematically, are second-gen hand-me-downs." [movie review]      Time Out New York   
  
     (2008)      "I like to think Plympton would take it as a compliment if I said he sees human beings as little more than a debased sum of bodily functions." [movie review]      UGO   
  
2.5/4
     (2004)      "Imaginary Heroes is a queer-eyed valentine to Sigourney Weaver." [movie review]      Slant Magazine   
  
4/5
     (2009)      "Import Export demands we contemplate the horror and the beauty of existence in equal measure." [movie review]      Time Out New York   
  
5/5
     (1950)      "The genre trappings of this noir masterpiece -- which details the short-lived relationship between live-wire screenwriter Dixon Steele (Bogart) and his goldilocked muse Laurel Gray (Grahame) -- don’t matter a whit." [movie review]      Time Out New York   
  
     (2003)      "New York is as magical here as was Steven Spielberg's everywhere suburbia in E.T.: The Extra-Terrestrial (1982)." [movie review]      DVDTalk.com   
  
     (2008)      "Whichever way we go, we have to always, always be looking." [movie review]      The House Next Door   
  
     (1989)      "Now only twilight and sunset. Illumination fades; the self annihilates in silhouette. And all (father, son, and spirit) is one." [movie review]      The House Next Door   
  
2/5
     (2009)      "The Informant! is one of [Soderbergh's] ugliest works, photographed on the RED digital camera system in such a way that depth of field is meaninglessly flattened into backlit brown mush." [movie review]      Time Out New York   
  
4/5
     (2009)      "Detractors and proponents alike will see what they want to see in this two-and-a-half-hour World War II fable, which hits all the beats of a retribution-laden genre piece without ever entirely satiating character or audience bloodlust." [movie review]      Time Out New York   
  
     (2006)      "The film is a detailed analysis of Nikki's creative process, of her struggle towards that transcendent point where her art... only connects." [movie review]      The House Next Door   
  
4/4
     (2007)      "A 162-minute journey into a cloistered world of ritualistic repetition, always with the promise of revelation and transcendence. " [movie review]      Slant Magazine   
  
     (2006)      "One of the great works of Iranian cinema." [dvd review]      Slant Magazine   
  
1/4
     (2005)      "All Michael Bay movies are evil." [movie review]      Slant Magazine   
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