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3/5 |
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(2009) |
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"Zombie remains committed to showing how violence lingers with, and perverts, all who are touched by it, yet his carnivalesque approach often undercuts his very real empathy."
[movie review] |
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Time Out New York |
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(2008) |
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"The Happening suggests [Shyamalan's] (con) artist's touch is waning a bit."
[movie review] |
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UGO |
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(2008) |
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"There are times during Happy-Go-Lucky where Poppy is entirely endearing and others where she comes off as the bubbliest of emotional terrorists, but Leigh never emphasizes one facet as paramount over another."
[movie review] |
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UGO |
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2/5 |
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(2009) |
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"Radcliffe, in particular, comes off bored and distant, more hitting the marks than baring the soul."
[movie review] |
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Time Out New York |
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(2004) |
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"“It’s just a game.” A game worth owning."
[dvd review] |
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Slant Magazine |
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5/5 |
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(2009) |
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"An astounding portrait of a person entirely out of sync with her own existence."
[movie review] |
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Time Out New York |
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4/5 |
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(2002) |
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"Perhaps it is as Albert Einstein said, 'Before God we are all equally wise – and equally foolish.'"
[movie review] |
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ToxicUniverse.com |
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3/4 |
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(1941) |
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"A deceptively light-hearted comic confection."
[movie review] |
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Slant Magazine |
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4/4 |
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(1998) |
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"An illuminating, musical embrace for the ages."
[movie review] |
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Slant Magazine |
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3/5 |
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(2009) |
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"The performers manage to overcome Meier’s schematic framework—too “modern-day fairy tale” for its own good—though the director clearly knows which collaborators and elements to enlist for game-raising purposes."
[movie review] |
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Time Out New York |
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(2004) |
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"Miranda #4: You have the right to own Homicide: Season 5."
[dvd review] |
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Slant Magazine |
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"Homicide: The Complete Season Six suggests God is watching us."
[dvd review] |
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Slant Magazine |
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"The final farewell to a television masterpiece."
[dvd review] |
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Slant Magazine |
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3.5/4 |
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(1955) |
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"House of Bamboo has some of the most stunning examples of widescreen photography in the history of cinema."
[movie review] |
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Slant Magazine |
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(1955) |
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"Ugly American noir hero seeks single Japanese female companion for subtly homoerotic love triangle."
[dvd review] |
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Slant Magazine |
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1/4 |
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(2005) |
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"Awkward and atrocious in equal measure."
[movie review] |
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Slant Magazine |
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4/5 |
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(2009) |
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"When the Karo syrup finally hits the fan, the film loses its footing some, but only because no concrete explanations could possibly do justice to West’s expert buildup."
[movie review] |
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Time Out New York |
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(2003) |
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"Lee and Schamus try on film genres like The Silence of the Lambs' Buffalo Bill tries on human skin."
[movie review] |
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UGO |
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4/5 |
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(2009) |
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"Director Kathryn Bigelow, doing her run-’n’-gun best, doesn’t mine traditional suspense so much as impart a queasy feeling of monotony."
[movie review] |
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Time Out New York |
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3.5/4 |
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(1953) |
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"What if Charlie Chaplin and Buster Keaton were locked together in a room and forced to fight over Mary Pickford?"
[movie review] |
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Slant Magazine |
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