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Sources
• Cinematical
• DVD Angle
• Filmcritic.com
• Lessons of Darkness
• Matinee Magazine
• MovieWeb
• Nitrate Online
• PopMatters
• Slant Magazine
• The Screengrab
• Time Out New York
Total Reviews: 2037
Nick Schager

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1.5/4
     (2007)      "There are many good actresses unsuited for romantic comedies, and Hilary Swank, despite her considerable talents, is one of them." [movie review]      Slant Magazine   
  
C+
     (2007)      "Has quite a bit going for it, which makes its eventual reliance on inane genre gimmicks that much more disappointing." [movie review]      Lessons of Darkness   
  
1/4
     (2005)      "Before parodying your action superstar image, don’t you first have to be an action superstar?" [movie review]      Slant Magazine   
  
1.5/4
     (2007)      "I've seen Claude Chabrol's films, and Denis Dercourt's The Page Turner is no Merci Pour Le Chocolat." [movie review]      Slant Magazine   
  
C+
     (2006)      "Lack[s] an essential, gripping spark of self-destructiveness and ardor." [movie review]      Lessons of Darkness   
  
B
     (2006)      "Has a sumptuous visual creepiness that contributes to its affecting portrait of shattered childhood innocence." [movie review]      Lessons of Darkness   
  
1.5/4
     (2009)      "The further Bower journeys into the spacecraft's bowels, with Payton providing navigation tips from back in their original sleep chamber, the less Pandorum unnerves." [movie review]      Slant Magazine   
  
A-
     (2007)      "Becomes far more enthralling ... the more one simply surrenders to the awe-inspiring beauty of Kon's images of flesh, metal and unhinged mental delusions." [movie review]      Lessons of Darkness   
  
2.5/4
     (2005)      "Not unlike Downfall in its attempts to comprehend the motivations behind those who would commit atrocities against innocents in the name of politics or piety." [movie review]      Slant Magazine   
  
B+
     (2008)      "Paranoid Park's triumph ... is its aesthetic design." [movie review]      Lessons of Darkness   
  
C
     (2009)      "The same old thing dressed up in very slightly different clothes." [movie review]      Lessons of Darkness   
  
1.5/4
     (2009)      "Klapisch's "It's a small world" plotting is sunk by both bland artistry and dull insights into his milieu." [movie review]      Slant Magazine   
  
1/4
     (2008)      "A superficial, clichéd jumble that illustrates what might happen if you threw Moulin Rouge and Amélie into the same high-speed blender." [movie review]      Slant Magazine   
  
2/4
     (2007)      "Typical of such compilations, results tend to vary wildly." [movie review]      Slant Magazine   
  
C
     (1968)      "Plays like leftovers from the Panther films." [movie review]      Lessons of Darkness   
  
4/4
     (1975)      "A fatalistic tale of identity, destiny, coincidence, existential malaise, and the boundaries between the real and the imagined." [movie review]      Slant Magazine   
  
1/4
     (2008)      "Solely predicated on its twist ending." [movie review]      Slant Magazine   
  
D
     (2004)      "Sick." [movie review]      Lessons of Darkness   
  
1/4
     (2007)      "Strives to be a latter-day Conan the Barbarian." [movie review]      Slant Magazine   
  
     (2009)      "Paul Blart tepidly goes through its motions, but that doesn't mean you have to." [movie review]      Cinematical   
  
D+
     (1998)      "A transparent, laugh-free parable about Waters’ own rise to fame." [movie review]      Lessons of Darkness   
  
2/4
     (2008)      "Mark Palansky goes for Tim Burton-by-Jean-Pierre Jeunot whimsicality with Penelope, a storybook fable that never overplays its cutesiness but also fails to figure out what it wants to be." [movie review]      Slant Magazine   
  
D
     (1991)      "Perhaps the most staggeringly incompetent movie in the director’s uneven canon." [movie review]      Lessons of Darkness   
  
C+
     (1980)      "Annoyingly amateurish." [movie review]      Lessons of Darkness   
  
B+
     (1997)      "Quite enthralling." [movie review]      Lessons of Darkness   
  
B
     (1985)      "Delivers off-kilter thrills." [movie review]      Lessons of Darkness   
   --
     (1993)      Click here to see the review! [dvd review]      DVD Angle   
  
B+
     (2006)      "[Its] off-the-charts screwiness obscures virtually all shortcomings." [movie review]      Lessons of Darkness   
  
3.5/4
     (2007)      "As with Art Spiegelman's gold-standard graphic novel Maus, Iranian author Marjane Satrapi's acclaimed series Persepolis directly confronts the political via the personal." [movie review]      Slant Magazine   
  
B
     (1978)      "Benefits from repeated viewings" [movie review]      Lessons of Darkness   
  
C
     (1988)      "There’s little to enjoy about this second outing save for Scrimm’s deliciously menacing specter of death." [movie review]      Lessons of Darkness   
  
C-
     (1994)      "Falls back on mystery-sapping exposition." [movie review]      Lessons of Darkness   
  
D
     (1999)      "A stinker of the first order." [movie review]      Lessons of Darkness   
  
     (1955)      "Its borderline-obscene wallop is derived from its brusque brutality." [movie review]      Slant Magazine   
  
3/4
     (2006)      "Snow globe visions and gnarly mouth nightmares swirl together in this darkly lyrical fantasia." [movie review]      Slant Magazine   
  
A-
     (1953)      "80 minutes of breathless genre fun infused with pure, uninhibited passion." [movie review]      Lessons of Darkness   
  
2/4
     (2007)      "This recounting of Pierrepoint's rise and fall proves mostly a schematic message movie." [movie review]      Slant Magazine   
  
B
     (2008)      "Never makes more than a surface impression, albeit a fitfully amusing one." [movie review]      Lessons of Darkness   
  
2/4
     (2007)      "Jessica Yu's film, a 180-degree tonal shift from her previous Protagonist, diligently retreads Adam Sandler and Napoleon Dynamite territory." [movie review]      Slant Magazine   
  
B
     (1972)      "Still succeeds as an all-out assault on good taste." [movie review]      Lessons of Darkness   
  
B-
     (1964)      "Sellers is at the top of his game." [movie review]      Lessons of Darkness   
  
1/4
     (2009)      "A work of slapsticky, accent-y gar-bage, The Pink Panther 2 is so brainlessly uninventive that it actually seems determined to sully the legacy of Blake Edwards and Peter Sellers's original series." [movie review]      Slant Magazine   
  
B+
     (1978)      "Of all the late '70s-early '80s Jaws knockoffs, none balanced tongue-in-cheek humor with out-and-out gore as deftly as Joe Dante's Piranha." [movie review]      Lessons of Darkness   
  
2/4
     (2009)      "Writer-director Richard Curtis is about as rock n' roll as the average great-grandmother, so it's no surprise that Pirate Radio, his ode to the irrepressible spirit of '60s classic rock, has all the electricity of a knitted sweater." [movie review]      Slant Magazine   
  
1/4
     (2007)      "Given its origins as a theme park ride, it's apt that Disney's Pirates of the Caribbean trilogy has experienced a trajectory not unlike that of a rollercoaster: an initial high, followed by repeated plummets to nauseating lows." [movie review]      Slant Magazine   
  
2/4
     (2006)      "Even for a sequel, Pirates of the Caribbean: Dead Man's Chest takes the practice of double-dipping to extreme depths." [movie review]      Slant Magazine   
  
     (2003)      "Shiver me timbers, the only hex that burdens Disney’s Pirates of the Caribbean: The Curse of the Black Pearl is its unwieldy title." [movie review]      Slant Magazine   
  
1.5/4
     (2005)      "If Pizza were an actual pizza, it would be half-pineapple, half-broccoli. At times, this coming-of-age comedy is quirkily saccharine, at others good-for-you sophistic." [movie review]      Slant Magazine   
  
2/5
     (2009)      "It’s just an excuse for classic-cinema shout-outs and roller-coaster-like commotion." [movie review]      Time Out New York   
  
1.5/4
     (2008)      "Director Benson Lee makes sure to serve up his topic's key points, but only in easy-to-digest bites that eschew any real investigation into the movement's history, pioneers, influences, and multicultural variations." [movie review]      Slant Magazine   
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