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Sources
• Cinematical
• DVD Angle
• Filmcritic.com
• Lessons of Darkness
• Matinee Magazine
• MovieWeb
• Nitrate Online
• PopMatters
• Slant Magazine
• The Screengrab
• Time Out New York
Total Reviews: 2037
Nick Schager

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     (1960)      Click here to see the review! [dvd review]      DVD Angle   
  
A
     (2006)      "A rigorously austere masterpiece infused with intense humanism." [movie review]      Lessons of Darkness   
  
C+
     (2007)      "Marion Cotillard is the only reason to sit through La Vie En Rose, a biopic that compounds its basic tediousness by fracturing its narrative in a vain effort to mask a stale rise-and-fall arc." [movie review]      Lessons of Darkness   
  
.5/4
     (2009)      "A promotional film best suited for broadcast in an office lobby." [movie review]      Slant Magazine   
  
     (1986)      "The MPAA was more lenient during the 80s, but that’s still no explanation for how David Bowie’s crotch-hugging Labyrinth pants made it into a PG-rated children’s fable." [dvd review]      Slant Magazine   
  
2/4
     (1986)      "For all its visual inventiveness, there’s something inert about the late Jim Henson’s 1986 fantasy adventure Labyrinth." [movie review]      Slant Magazine   
  
     (2006)      "One. Of. The. Most. Sluggish. Erotic-Lit. Movies. Ever." [movie review]      Cinematical   
   --
     (1941)      Click here to see the review! [dvd review]      DVD Angle   
  
D
     (2006)      "A case study of an increasingly defensive filmmaker falling off the auteurist deep end." [movie review]      Lessons of Darkness   
  
     (2004)      "A lukewarm live-action Loony Tunes cartoon." [movie review]      Lessons of Darkness   
  
B
     (1955)      "Most of the slapstick set pieces warrant a polite smile rather than a hearty guffaw." [movie review]      Lessons of Darkness   
   --
     (2001)      Click here to see the review! [dvd review]      DVD Angle   
  
3/4
     (2007)      "Provides gruesome, incontrovertible images to complement its deliberations about morality." [movie review]      Slant Magazine   
  
1.5/4
     (2008)      "Are we really supposed to stomach a thriller in which the root of all evil is intelligent black men in power who can't stomach, to the point of going full-on psychotic, the sight of a white man married to a black woman?" [movie review]      Slant Magazine   
  
A
     (1971)      "Speaks volumes about the intrinsic human desire for empathetic communion." [movie review]      Lessons of Darkness   
  
1.5/4
     (2006)      "A sour satirical cocktail blended with ingredients oft-used in the recipes of Terry Gilliam and Paul Verhoeven." [movie review]      Slant Magazine   
  
2/4
     (2009)      "Land of the Lost is halfway toward amusing, which means it's just as close to awful." [movie review]      Slant Magazine   
  
1.5/4
     (2007)      "Lars and the Real Girl is an SNL sketch reconfigured as quirky-corny Sundance pap." [movie review]      Slant Magazine   
  
C+
     (1991)      "The apotheosis of the modern interracial-buddy action film genre." [movie review]      Lessons of Darkness   
   --
     (2001)      Click here to see the review! [dvd review]      DVD Angle   
  
C-
     (2008)      "Feigns serious interest in the trickiness of later-in-life love while indulging in corny humor and even worse bathos." [movie review]      Lessons of Darkness   
  
4.5/5
     (2005)      "embraces an avant-garde aesthetic concerned with finding truth through non-linear storytelling and a focus on environmental tone and texture" [movie review]      Filmcritic.com   
  
3/4
     (2009)      "Gone is the original's early campiness, here replaced by eye-of-the-storm calm that portends tragedy, as well as its later over-the-top grindhouse gore, now swapped for taut suspense punctuated by visceral brutality." [movie review]      Slant Magazine   
  
B
     (2006)      "A stinging rebuke to both do-gooder white-man's-burden fantasies and the disingenuous, Africa-exoticizing movies that promote them." [movie review]      Lessons of Darkness   
  
C-
     (2002)      "Repackages messy human dilemmas into something neat, tidy and oh-so-manipulatively inspiring." [movie review]      Lessons of Darkness   
  
     (2008)      "The Last Mistress' fervent energy is derived from its titular mistress' explode-at-any-second volatility." [movie review]      Cinematical   
  
2/4
     (2003)      "A squishy, serious-minded lesson about embracing one’s heritage and cherishing the virtues of valor and respect." [movie review]      Slant Magazine   
  
1.5/4
     (2006)      "Seemingly developed at the David Mamet Institute for Twist-Laden Salesmen Dramas." [movie review]      Slant Magazine   
  
3/4
     (2007)      "What with his interest in using B movies as vehicles for intelligent political and psychological inquiries, Larry Fessenden is the type of genre craftsman easy to champion." [movie review]      Slant Magazine   
  
3/5
     (2001)      "A serio-comic look at marriage that treats issues of love, passion and familial obligations and expectations as more than just excuses for moronic sitcom hijinks." [dvd review]      Slant Magazine   
  
3.5/5
     (1944)      "Nothing says romance like a few smokes, a bottle of liquor, and some quality alone time with the mesmerizing painting of a recently murdered dame." [dvd review]      Slant Magazine   
  
4/4
     (1944)      "A masterfully complex -- and frequently campy -- portrait of all-consuming romantic self-delusion." [movie review]      Slant Magazine   
   --
     (2003)      Click here to see the review! [movie review]      Nitrate Online   
  
C+
     (2009)      "So blatantly nonsensical that the action quickly tips over into campiness." [movie review]      Lessons of Darkness   
  
B
     (1987)      "Almodóvar’s affection for his characters ... makes his engagingly loopy narrative more than a simple Telemundo-on-acid joke." [movie review]      Lessons of Darkness   
   --
     (2002)      Click here to see the review! [movie review]      Nitrate Online   
  
2.5/4
     (2005)      "Matthew Vaughn's confident debut's reserved pace and composed nastiness lends the action a matter-of-fact menace." [movie review]      Slant Magazine   
  
A-
     (1970)      "The epitome of neo-noir stylishness." [movie review]      Lessons of Darkness   
  
3.5/4
     (1962)      "Le Doulos roots itself in traditional noir themes of providence, of loyalty and betrayal, of male codes of honor, and ultimately of man's inability to escape his lot in life." [movie review]      Slant Magazine   
  
     (1962)      "Le Doulos proves it: No one rocks the trenchcoat and fedora (or beats a snitching woman cuffed to a radiator) quite like Jean-Paul Belmondo." [dvd review]      Slant Magazine   
  
B
     (2006)      "[A] respectable portrait of inhibiting zealotry." [movie review]      Lessons of Darkness   
  
     (1967)      "A poised tiger navigating an urban jungle, Delon's samouraï is the epitome of noir cool." [dvd review]      Slant Magazine   
  
4/4
     (1967)      "Achieves an atmosphere of mesmerizing, otherworldly beauty and grace." [movie review]      Slant Magazine   
  
3/4
     (2005)      "Captures the way in which unassuming, workmanlike skill increasingly has no place in a sports-entertainment culture driven by short attention span-grabbing shock tactics. " [movie review]      Slant Magazine   
  
D+
     (1989)      "A failed attempt by New Line to reinvent the titular chainsawer into a Freddy Krueger-style villain." [movie review]      Lessons of Darkness   
  
C
     (2008)      "A 1920s football saga that blends rusty screwball comedy and perfunctory romance under a period piece veneer." [movie review]      Lessons of Darkness   
  
     (2004)      "A phantasmagoric family film with both bite and heart." [movie review]      Lessons of Darkness   
  
B+
     (1971)      "One of Herzog's earliest - and most evocative - cinematic essays on the uneasy relationships between man and Earth, unaffected reality and orchestrated drama." [movie review]      Lessons of Darkness   
  
B+
     (2008)      "[Melds] genres with a haunting poignancy that's mildly undercut by a script that, during its last act, bounces around like a jeep on a dirt road." [movie review]      Lessons of Darkness   
  
3/4
     (2006)      "In spite of its cases of explanatory handholding, there remains a stirring potency to Letters' exploration of loyalty, responsibility, and nobility." [movie review]      Slant Magazine   
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