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• Cinematical
• DVD Angle
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• Lessons of Darkness
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• The Screengrab
• Time Out New York
Total Reviews: 2037
Nick Schager

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2/4
     (2005)      "Were the articulate director a less obnoxious presence, he might have just pulled off his audaciously self-conscious endeavor." [movie review]      Slant Magazine   
  
2/4
     (2004)      "Hinges on a rather unbelievable characterization of fascist kindness." [movie review]      Slant Magazine   
  
2/4
     (2007)      "Unwise use of CGI is eventually no more debilitating a defect than I Am Legend's wayward third act, which begins with Neville cornily reciting lines from Shrek." [movie review]      Slant Magazine   
  
.5/4
     (2008)      "Homophobia in Muslim families and communities is a topic ripe for exploration, but as its eye-rollingly lame titular pun makes clear, I Can't Think Straight isn't the film to do it." [movie review]      Slant Magazine   
  
2.5/4
     (2007)      "At times one clamors for a slightly more creative, probing investigation of the consuming forces that drove Wiesenthal." [movie review]      Slant Magazine   
  
B-
     (2004)      "Maddeningly uneven but mildly amusing." [movie review]      Lessons of Darkness   
  
.5/4
     (2009)      "Underlit and generally shot with an eye toward unattractiveness, Beer in Hell also goes for ugliness in its dialogue." [movie review]      Slant Magazine   
  
3.5/4
     (2007)      "Righteously infuriating in its comprehensive portrait of a system that values public approval ratings and a high conviction rate above the truth." [movie review]      Slant Magazine   
  
3/4
     (2006)      "Matt Mahurin's I Like Killing Flies utilizes extreme close-ups (sometimes with microphones in clear view) to create an appealingly informal aesthetic of proximity." [movie review]      Slant Magazine   
  
C+
     (2009)      "Ends up feeling like a tossed-off Judd Apatow photocopy." [movie review]      Lessons of Darkness   
  
1.5/4
     (2005)      "When Ricci's dreamgirl, finally fed up with Gray's insanity, chastises him with "You're obvious," it's a sentiment also applicable to the film itself." [movie review]      Slant Magazine   
  
D
     (2007)      "One of the year's most stunningly feeble offerings." [movie review]      Lessons of Darkness   
  
1/4
     (2009)      "The cerebral horror of Wendigo and The Last Winter is nowhere to be found in Glenn McQuaid's meandering 19th-century supernatural gothic tale." [movie review]      Slant Magazine   
  
C-
     (1978)      "Simply another crudely made, explicitly violent ‘70s-era exploitation flick." [movie review]      Lessons of Darkness   
  
2/4
     (2007)      "Just because this union of artist and material isn't a complete mind-bender doesn't mean that it works." [movie review]      Slant Magazine   
  
2/4
     (2007)      "Nothing more than the type of casual diversion an agreeable TV star might make with his friends during his primary show's summertime hiatus." [movie review]      Slant Magazine   
  
4/4
     (2004)      "Hodges, working from a bleak Trevor Preston script, is fascinated by the aspirations, desires, and base compulsions that propel society’s murderous fringe population." [movie review]      Slant Magazine   
  
     (2004)      "The bleak I’ll Sleep When I’m Dead may be the year’s nastiest noir, but its low profile won’t improve via this perfunctory DVD." [dvd review]      Slant Magazine   
  
1.5/4
     (2007)      "An intellectual whirligig lacking depth or soul." [movie review]      Slant Magazine   
  
1.5/4
     (2007)      "Sundance homilies and truisms are encased in a meta frame in I'm Reed Fish." [movie review]      Slant Magazine   
  
2/4
     (2004)      "Androids may dream of electric sheep, but I, Robot’s multi-million dollar machines are remnants of summer films gone by." [movie review]      Slant Magazine   
  
3/4
     (2005)      "The Ice Harvest proves that modest, workmanlike film noir need not be accompanied by hipster homages and ironic self-consciousness." [movie review]      Slant Magazine   
  
2/4
     (2005)      "Even for an ugly-duckling-makes-good fairy tale, Ice Princess seems to stretch believability a tad too far." [movie review]      Slant Magazine   
  
C
     (2002)      "A sizzling, orgiastic celebration of bloodshed and depravity." [movie review]      Lessons of Darkness   
  
     (2003)      "This gimmicky whodunit never convinces us that it would be worth slogging through again." [movie review]      Slant Magazine   
  
B-
     (2006)      "An intermittently amusing -- and sometimes lazy -- satire that plays like a so-so episode of Futurama." [movie review]      Lessons of Darkness   
  
1.5/4
     (2006)      "A middling musical mishmash that can't keep a beat." [movie review]      Slant Magazine   
  
1.5/4
     (2008)      "Director Anthony Leondis peppers his tale with a host of leaden cinematic references children will almost surely miss, which is just as well since virtually every film-related gag directed at adults feels like a pitiful attempt at knowing cleverness." [movie review]      Slant Magazine   
  
     (2007)      "Grace is not the film's strong suit. But trashy -- albeit sporadic -- fun is." [movie review]      Cinematical   
  
C+
     (2006)      "A handsomely constructed but decidedly minor sleight of hand." [movie review]      Lessons of Darkness   
  
2/4
     (2006)      "The film's conventionality is what makes it simultaneously progressive and a great, big snooze." [movie review]      Slant Magazine   
   --
     (2002)      Click here to see the review! [dvd review]      DVD Angle   
  
B+
     (2003)      "Superbly evokes the depression, anxiety, joy, misery, and aggravation of family life." [movie review]      Lessons of Darkness   
  
C
     (2005)      "Once the sex stops and the squawking begins ... all is lost." [movie review]      Lessons of Darkness   
  
1.5/4
     (2008)      "Melancholic music and a torpid pace don't make In Bruges profound, but they are symptomatic of this phony, pretentious crime film's schizophrenia." [movie review]      Slant Magazine   
  
1.5/5
     (2005)      "the kind of well-intentioned, but wholly unsuccessful, misfire that makes one desperately pine for a thorough documentary on its real-life subject" [movie review]      Filmcritic.com   
  
C-
     (2001)      "For all its technical virtuosity, the film is so mired in juvenile and near-xenophobic pedagogy that it's enough to make one pine for the day when Godard can no longer handle the rigors of filmmaking." [movie review]      Matinee Magazine   
  
2.5/4
     (2008)      "Boasts an endearingly idiosyncratic, unfussy vibe." [movie review]      Slant Magazine   
  
B+
     (2008)      "Would be trying if not for the confidence, grace and subtlety with which José Luis Guerín handles his deliberately open-ended material." [movie review]      Lessons of Darkness   
  
D
     (2003)      "Like a long-lost relic from an earlier period best forgotten." [movie review]      Lessons of Darkness   
  
1.5/4
     (2007)      "So pillow-soft that its most jarring element is the countenance of Meg Ryan, whose once warm, sunshiny face has been nipped and tucked into a rigid feline Joker grin." [movie review]      Slant Magazine   
  
B+
     (2009)      "A razor-sharp farce that imparts insights from all directions." [movie review]      Lessons of Darkness   
   --
     (2001)      Click here to see the review! [dvd review]      DVD Angle   
  
.5/4
     (2008)      "Only Uwe Boll would assume that the moviegoing public craved a trashy Lord of the Rings rip-off starring Burt Reynolds and Matthew Lillard, and only he could then manage to make such a potentially riotous endeavor so humorless." [movie review]      Slant Magazine   
  
3/4
     (2007)      "Juan Carlos Rulfo's In the Pit is a documentary defined by symbiosis." [movie review]      Slant Magazine   
  
C-
     (2007)      "Tackles its Iraq War subject matter with such sledgehammer clumsiness that it risks giving viewers blunt head trauma." [movie review]      Lessons of Darkness   
  
B-
     (2004)      "Mildly comical for those familiar with (and fond of) adventurous German auteur Werner Herzog." [movie review]      Lessons of Darkness   
  
B
     (2006)      "Cinematic brussel sprouts." [movie review]      Lessons of Darkness   
  
2/4
     (2008)      "No fondness for crummy old television can obscure the general faintheartedness of this saga." [movie review]      Slant Magazine   
  
A-
     (2004)      "The year’s foremost animation showstopper." [movie review]      Lessons of Darkness   
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