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• Cinematical
• DVD Angle
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• Lessons of Darkness
• Matinee Magazine
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• Time Out New York
Total Reviews: 2037
Nick Schager

NEWS & FEATURES
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2/4
     (2009)      "Ultimately seems just as calculated and mechanical a pose as Dumont's previous efforts." [movie review]      Slant Magazine   
  
B-
     (2007)      "Though colorful, cheery and energetic, there's something missing from this song-and-dance routine." [movie review]      Lessons of Darkness   
  
A-
     (1988)      "The defining moment in the auteur’s career-long dedication to lionizing Baltimore’s misfit population." [movie review]      Lessons of Darkness   
  
2/4
     (2006)      "More nuanced than your average Sundance character study, Ryan Fleck's carefully observed Half Nelson still doesn't overcome its origins as a padded-out expansion of the filmmaker's 2002 short Gowanus, Brooklyn." [movie review]      Slant Magazine   
  
2.5/4
     (2007)      "Rob Zombie's gut understanding of what makes '70s horror so great is unfortunately glimpsed in only short, sporadic bursts in Halloween." [movie review]      Slant Magazine   
  
2/4
     (2009)      "Without a new path for its central trio, Halloween II merely rehashes in quick, distracted swipes." [movie review]      Slant Magazine   
  
C
     (2008)      "Might have been brilliantly funny had the film found a way to suitably lay the groundwork for its premise." [movie review]      Lessons of Darkness   
  
1/4
     (2008)      "Remaking Rocky Balboa as a comedy isn't a half-bad idea; remaking it as a comedy starring Adam Carolla, the dreadfully unfunny former host of Loveline and The Man Show, most certainly is a terrible one." [movie review]      Slant Magazine   
  
2/4
     (2008)      "Sheds essential exposition in a mad, foolish dash to the finish line." [movie review]      Slant Magazine   
  
2.5/4
     (2009)      "Director Phillips wrings his scenario for consistent semi-dark humor, letting his odd-couple leads go for broke and wielding mystery as a comedic spur that keeps the proceedings from dragging." [movie review]      Slant Magazine   
  
     (2009)      "The nicest thing one can say about the film is that at least it's not The Suite Life of Zack & Cody: The Movie." [movie review]      Cinematical   
  
2/4
     (2007)      "At what cost, naturalism?" [movie review]      Slant Magazine   
  
1.5/4
     (2008)      "Shyamalan is far better at setup than payoff, and the Sixth Sense director's latest once and for all cements that reputation." [movie review]      Slant Magazine   
  
2/4
     (2005)      "Bereft of the meta elements that characterized the filmmaker’s previous My Wife Is An Actress." [movie review]      Slant Magazine   
  
B+
     (1998)      "Exhibits an almost pitch-perfect balance between condescension and compassion." [movie review]      Lessons of Darkness   
  
C+
     (1980)      "A camp-tastic footnote to the late-'70s, early-'80s slasher flick craze." [movie review]      Lessons of Darkness   
  
1/4
     (2005)      "Even more irritating than the film's third act triumphs is its lack of faith in moviegoers' intelligence." [movie review]      Slant Magazine   
  
A-
     (2006)      "Stands at the very top of the 2006 animated kid's film class." [movie review]      Lessons of Darkness   
  
B+
     (2008)      "[Leigh's] legitimately uplifting film benefits from its own refusal to unduly sentimentalize or moralize." [movie review]      Lessons of Darkness   
  
1.5/4
     (2005)      "Hard Candy's calculated intimations of bloodshed are, like everything else about this faux-grrrl power fiasco, just phony posturing." [movie review]      Slant Magazine   
  
     (2003)      "Writer/director Scott Roberts builds his off-kilter caper with spare parts from every crime film made by the Tarantinos and Guy Richies of the world." [movie review]      Slant Magazine   
  
2.5/4
     (2009)      "A mumblecore-ish debut feature from writer-director Bob Byington that's far less interested in oblique conversational navel-gazing than in dry humor." [movie review]      Slant Magazine   
  
1.5/4
     (2008)      "An amplification of scale and subject matter that isn't, alas, accompanied by an upgrade in humor." [movie review]      Slant Magazine   
  
2/4
     (2004)      "As unsatisfying as its titular fast food chain’s repulsive mini-burgers, Leiner’s film shoots only for scatological silliness." [movie review]      Slant Magazine   
   --
     (1976)      Click here to see the review! [dvd review]      DVD Angle   
  
C
     (2005)      "So bloated and joyless that it makes one pine for the bland mediocrity of Chris Columbus." [movie review]      Lessons of Darkness   
  
2.5/4
     (2009)      "Often feels fruitful thanks to diligent concentration on the romantic plights of its three pubescent protagonists." [movie review]      Slant Magazine   
  
2.5/4
     (2007)      "Now that Harry has ditched childhood, it seems high time the franchise also dispatches with its immature and draggy literal-mindedness." [movie review]      Slant Magazine   
  
B+
     (2004)      "Visually marvelous." [movie review]      Lessons of Darkness   
  
2/4
     (2006)      "The only thing holding together the loopily overwrought Harsh Times is its unintentional humor." [movie review]      Slant Magazine   
  
     (2004)      "A pensive, potent remembrance of collectivism past." [dvd review]      Slant Magazine   
  
3/4
     (2004)      "Marina Razbezhkina's Harvest Time uses nostalgia as more of an emotional than intellectual device." [movie review]      Slant Magazine   
  
2/4
     (2008)      "Quaint and slight." [movie review]      Slant Magazine   
  
1/4
     (2009)      "Haunting of Connecticut doesn't have to worry about line-straddling, its crummy scares and laughable stabs at a faith-restored narrative granting it permanent residence in the realm of C-grade cheese." [movie review]      Slant Magazine   
  
0/4
     (2008)      "For those who find bloody noses and whispered voices bone-chilling, heeeeeeere's The Haunting of Molly Hartley." [movie review]      Slant Magazine   
  
1.5/4
     (2006)      "Structurally indebted to Pulp Fiction but lacking Quentin Tarantino's sense of humor and knack for dramatic rhythm." [movie review]      Slant Magazine   
  
     (2003)      "Very little fun, and, even at ninety minutes, is easily thirty minutes too long." [movie review]      Nitrate Online   
  
     (1948)      "The credits indicate Alfred L. Werker only, but this thriller is of a piece with the noir circle of T-Men and Raw Deal, courtesy of an uncredited Anthony Mann." [movie review]      Slant Magazine   
  
     (2003)      "[Rock] seems to think that expanding his critiques to feature-length form requires a cookie-cutter white southern governor as the enemy and lots of "bling bling" style as a positive counterpoint." [movie review]      Nitrate Online   
  
B
     (2005)      "Ultimately more provocative than insightful." [movie review]      Lessons of Darkness   
  
3.5/4
     (2006)      "Preoccupied with people's longing for unattainable mastery over forces beyond their control and the facades they assume as a means of compensating for their powerlessness." [movie review]      Slant Magazine   
  
C
     (2009)      "So affected and emotionally inaccessible as to be borderline intolerable." [movie review]      Lessons of Darkness   
  
3/5
     (2006)      "Ultimately sabotaged by Argento's own deliriously uncontrollable hysterics." [movie review]      Filmcritic.com   
   --
     (2003)      Click here to see the review! [movie review]      Nitrate Online   
  
3/4
     (2006)      "Uses its copious basketball footage and revealing player interviews to deftly chart Darnellia's trials and tribulations as well as the squad's eventual embrace of a selfless, teamwork-first ethos." [movie review]      Slant Magazine   
   --
     (2001)      Click here to see the review! [dvd review]      DVD Angle   
  
B+
     (1995)      "De Niro delivers a frightening vision of frosty criminal efficiency." [movie review]      Lessons of Darkness   
  
3/4
     (2005)      "Fox's writing makes up for its occasional obviousness with a rigorous interest in character and general avoidance of long-winded homilies." [movie review]      Slant Magazine   
  
1/4
     (2008)      "The second wave of fawning Tarantino imitators commences with Hell Ride, a wannabe badass biker flick that plays like a Kill Bill-Death Proof hybrid minus the genre-deconstruction angle." [movie review]      Slant Magazine   
  
C
     (1973)      "Lacks nearly everything that made its predecessor so groovy." [movie review]      Lessons of Darkness   
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