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Sources
• Cinematical
• DVD Angle
• Filmcritic.com
• Lessons of Darkness
• Matinee Magazine
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• Nitrate Online
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• Slant Magazine
• The Screengrab
• Time Out New York
Total Reviews: 2037
Nick Schager

NEWS & FEATURES
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B-
     (2005)      "The early sequences’ chilling suspense winds up getting hidden amidst its crowded, clumsy allegorical concerns." [movie review]      Lessons of Darkness   
  
2/4
     (2008)      "Visually and narratively flat." [movie review]      Slant Magazine   
  
     (2004)      "Hou doing Ozu--what more could a cineaste want?" [dvd review]      Slant Magazine   
  
3.5/4
     (2004)      "A languorous rumination on the relationship between the inescapable past, hesitant present, and daunting future." [movie review]      Slant Magazine   
  
1/4
     (2007)      "Redundant, artless, and lacking anything approaching directorial restraint." [movie review]      Slant Magazine   
  
C
     (2005)      "A glossy rehash that's far less interesting and frightening than the classics upon which it's unimaginatively modeled." [movie review]      Lessons of Darkness   
  
1/4
     (2006)      "An Australian rendition of Requiem for a Dream in which pretty people live in filth, steal from their relatives, and turn tricks in order to satiate their narcotics cravings." [movie review]      Slant Magazine   
  
C-
     (1981)      "The most shocking thing about Cannibal Ferox is that it remains a somewhat popular entry in the largely worthless Italian cannibal genre." [movie review]      Lessons of Darkness   
  
D
     (1980)      "The actual savages involved with Cannibal Holocaust are the ones behind the camera." [movie review]      Lessons of Darkness   
   --
     (1962)      Click here to see the review! [dvd review]      DVD Angle   
   --
     (1991)      Click here to see the review! [dvd review]      DVD Angle   
  
B-
     (2005)      "Redeemed by Hoffman, who magnificently captures the shrill, needy egotism of the legendary author." [movie review]      Lessons of Darkness   
  
     (1935)      "Shiver me timbers, that Flynn's got some pretty hair for a pirate." [dvd review]      Slant Magazine   
  
3/4
     (1935)      "Not nearly as exciting as 1940's The Sea Hawk but a sturdy first swashbuckling foray for Flynn." [movie review]      Slant Magazine   
  
2.5/4
     (2008)      "There's a trenchant cultural critique lurking beneath its occasionally cloying melodrama." [movie review]      Slant Magazine   
  
3.5/4
     (2008)      "Balabanov imbues his uncompromisingly matter-of-fact horror show material with a shrewd politicized consciousness." [movie review]      Slant Magazine   
  
2/4
     (2006)      "Musty, corny, and largely devoid of any enchanting magic, it's also the pioneering Pixar's first effort that, trailblazing technical virtuosity be damned, feels disappointingly regressive." [movie review]      Slant Magazine   
  
1/4
     (2005)      "Nothing short of a complete stylistic and thematic renovation would improve Hallström's tediously conventional treacle. " [movie review]      Slant Magazine   
  
B+
     (2006)      "The first Bond film to actually prize three-dimensional characters and moral dilemmas over action-film flash." [movie review]      Lessons of Darkness   
  
3/4
     (2007)      "Casting About may be a definitive account of the cinematic audition process." [movie review]      Slant Magazine   
  
C
     (1990)      "A butchered mess of a movie that only superficially resembles the Elmore Leonard novel on which it's based." [movie review]      Lessons of Darkness   
  
1.5/4
     (2007)      "If grief were as easily overcome as it is in Catch and Release, Prozac sales would be in dire trouble." [movie review]      Slant Magazine   
  
2/4
     (2005)      "Despite its slightly overblown histrionics, Castellitto's furious performance gives the film a welcome measure of righteous indignation." [movie review]      Slant Magazine   
  
D
     (2004)      "An avalanche of de-clawed idiocy." [movie review]      Lessons of Darkness   
  
1/4
     (2005)      "Remember: CPR doesn't properly work on women unless their cleavage is visible." [movie review]      Slant Magazine   
  
3/4
     (2006)      "The friction between her real-life protagonist clan's traditional customs and the outlying modern world remains the backbone of Davaa's ethnographic cinema." [movie review]      Slant Magazine   
  
B
     (2000)      "Mildly scabrous." [movie review]      Lessons of Darkness   
  
2.5/4
     (2004)      "It's Ellis’s dedication to providing an unrelenting series of silly B-movie set pieces that makes the ridiculous Cellular ring." [movie review]      Slant Magazine   
   --
     (2001)      Click here to see the review! [dvd review]      DVD Angle   
  
1.5/4
     (2007)      "The definition of a missed opportunity." [movie review]      Slant Magazine   
  
C-
     (2008)      "There are three or four movies competing for attention within Changeling, and unfortunately for Clint Eastwood, they're all equally dreadful melodramatic drivel." [movie review]      Lessons of Darkness   
  
3/5
     (2003)      "Even if Chaos is hampered by a desire to be all things to all people, Serreau's nimble touch bestows this schizophrenic genre pastiche with an infectiously zany verve." [movie review]      Filmcritic.com   
  
1/4
     (2008)      "At one point, Chapman confesses that he doesn't enjoy the movies because they're "so goddamn phony," and with regard to the superficial, ugly-as-dirt Chapter 27, he's right on the money." [movie review]      Slant Magazine   
  
2/4
     (2005)      "With a surprisingly docile tone that's more peculiar than petrifying, Burton's foray to the famous factory becomes something of a gooey mess. " [movie review]      Slant Magazine   
  
C
     (2007)      "Neither [Roberts] nor her illustrious co-stars can compensate for a facile screenplay without many laughs or insights into our government's inner workings." [movie review]      Lessons of Darkness   
  
2/4
     (2004)      "Bubblegum pop-songstress turned budding thespian Mandy Moore once again transforms a dreadful teen-oriented romance into something moderately watchable." [movie review]      Slant Magazine   
  
C+
     (2008)      "A strikingly constructed, handsomely HD-filmed museum display piece." [movie review]      Lessons of Darkness   
  
1.5/4
     (2003)      "The only thing more outdated than Cheaper by the Dozen’s soundtrack is its hokey life lessons concerning the importance of family over career." [movie review]      Slant Magazine   
  
1.5/4
     (2005)      "Concerned with pat platitudes about learning to say goodbye, the importance of family, and the superiority of parental leniency over authoritarian strictness." [movie review]      Slant Magazine   
   --
     (2002)      Click here to see the review! [dvd review]      DVD Angle   
  
     (2008)      "A TV movie in disguise." [movie review]      Cinematical   
  
2.5/4
     (2009)      "The finale is an extended tour de force equal parts Bruce Lee, Tony Jaa, and Donkey Kong." [movie review]      Slant Magazine   
  
C+
     (2008)      "Aside from a few choice sequences, Gregg's script largely comes up short on the transgressive or poignant front." [movie review]      Lessons of Darkness   
  
2.5/4
     (2007)      "With Chop Shop, Ramin Bahrani exhibits a restraint not found in his 2005 debut Man Push Cart, focusing more intently on his tale's neorealist particulars than its symbolic potential." [movie review]      Slant Magazine   
  
2/5
     (2005)      "Desperate to be labeled 'Dickensian'" [movie review]      Filmcritic.com   
  
     (2007)      "A real-life romance to put all those rom-com fairy tales to shame." [movie review]      Cinematical   
  
B+
     (2008)      "A Christmas Tale's expansive stew of physical and psychological illness, death, betrayal, longing, religion, and ritual ultimately proves invigoratingly lush." [movie review]      Lessons of Darkness   
  
1.5/4
     (2008)      "C.S. Lewis meets Teen Beat." [movie review]      Slant Magazine   
  
2/4
     (2005)      "To say that it's all more than a bit simplistic and heavy-handed would be a severe understatement." [movie review]      Slant Magazine   
  
1.5/4
     (2004)      "Eschewing the claustrophobic minimalism of its predecessor Pitch Black, The Chronicles of Riddick is an extravagant orgy of used sci-fi parts." [movie review]      Slant Magazine   
A  B  ( C )  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
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