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 2.5/4 |
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(2004) |
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"Provides a sort of middlebrow mainstream rom-com conventions-satisfied satisfaction."
[movie review] |
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Film Freak Central |
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 |
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 |
| |
 1.5/4 |
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(1994) |
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"a nice starting point for an important conversation with your child about why so many cartoons think children are stupid."
[movie review] |
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Film Freak Central |
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 3/4 |
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(2006) |
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"A lovely trifle not unlike other well-done bits of instantly-forgotten prestige."
[movie review] |
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Film Freak Central |
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 3.5/4 |
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(2005) |
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"Solondz's first spiritual film."
[movie review] |
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Film Freak Central |
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| |
 4/4 |
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(2006) |
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"The kind of familiar that astonishes with our inability to imagine it better than the way del Toro has."
[movie review] |
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Film Freak Central |
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| |
 2.5/4 |
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(2002) |
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"Not even the expansion of Psycho's peephole into a bank of video monitors can convince of Panic Room's purported heritage."
[movie review] |
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Film Freak Central |
|
 |
 |
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| |
 0/4 |
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(2004) |
|
"Loathsome doesn't begin to describe it. How about "toxic"?"
[movie review] |
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Film Freak Central |
|
 |
 |
 |
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 4/4 |
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(2007) |
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"This is how post-modernism should always behave: like an acid trip narrated by Derrida."
[movie review] |
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Film Freak Central |
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 3/4 |
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(2005) |
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"Doesn't ascribe morality so much as paint a picture of confusion, anger, and desperation."
[movie review] |
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Film Freak Central |
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 |
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 2/4 |
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(1997) |
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"With a lack of tension in the resiliency of the women, there is little in the way of overall tension nor, ultimately, point in their endless suffering."
[dvd review] |
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Film Freak Central |
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 4/4 |
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(1992) |
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"The picture is sure-footed and accomplished and, to this point, the auteur's most satisfying marriage of head and heart."
[movie review] |
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Film Freak Central |
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 2/4 |
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(2004) |
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"Preaching to the choir and doing so in shorthand."
[movie review] |
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Film Freak Central |
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 1/4 |
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(2003) |
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"It's a shame that more care wasn't taken in the handling of the characters or the multiple plot threads."
[movie review] |
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Film Freak Central |
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 0.5/4 |
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(2004) |
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"Key revelation is that Shore is a bitter, unpleasant, petty, humourless little man--and that his stoned weasel song and dance isn't doing that great a job of hiding it."
[movie review] |
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Film Freak Central |
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| |
 0.5/4 |
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(2003) |
|
"At the end of John Woo's latest Hollywood misstep, Ben Affleck hefts two bags of manure on his back and stumbles around, effectively defusing anything cogent I could say."
[movie review] |
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Film Freak Central |
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 |
 |
 |
| |
 0.5/4 |
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(1993) |
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"If only The Pelican Brief were purposefully controversial."
[movie review] |
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Film Freak Central |
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| |
 1.5/4 |
|
(2003) |
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"Tweaking emotions is a fragile pastime, and there's a thin line between "tribute" and "mawkish.""
[movie review] |
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Film Freak Central |
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 3/4 |
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(1995) |
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"Sensuous and lush with a hint of Allende's magical realism in the bleeding of a man's broken heart and a string of rose petals trailing a line along the belly of a new lover."
[movie review] |
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Film Freak Central |
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 |
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| |
 1/4 |
|
(2004) |
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"I've seen the future, and all I can say is...go back."
[movie review] |
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Film Freak Central |
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| |
 3.5/4 |
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(1970) |
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"We were always building monuments to our power and we always will be--performance is just one avenue to that same old immortality."
[movie review] |
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Film Freak Central |
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| |
 3/4 |
|
(1988) |
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"Somehow balances the silliness of being seventeen with the beauty and the horror of it."
[movie review] |
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Film Freak Central |
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 3.5/4 |
|
(2007) |
|
"Illustrates that the extent to which fundamentalism has tightened its band around our artistic selves is leading both countries (ours and hers) into that old danse macabre."
[movie review] |
|
Film Freak Central |
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 |
| |
 2.5/4 |
|
(2002) |
|
"Confuses its message with an ultimate desire to please, and contorting itself into an idea of expectation is the last thing any of these three actresses, nor their characters, deserve."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 3.5/4 |
|
(2003) |
|
"It's not a good movie, but it's almost a great one."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 3/4 |
|
(2004) |
|
"Drenched in a golden sadness."
[movie review] |
|
Film Freak Central |
|
 |
 |
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| |
 2.5/4 |
|
(2003) |
|
"High-concept hokum invested equally in the Catholic and the apocalyptic."
[movie review] |
|
Film Freak Central |
|
 |
 |
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| |
 3/4 |
|
(2002) |
|
"It is in essence irrefutable, brutal evidence of a coven, and even we doubt poor Rosemary."
[movie review] |
|
Film Freak Central |
|
 |
 |
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| |
 1.5/4 |
|
(2006) |
|
"Beyond that? Not much."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 4/4 |
|
(1959) |
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"Bresson's films are the most sublime expression of the powerful, illicit sexuality of the movement of moving pictures against a subjective audience."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 2/4 |
|
(2003) |
|
"A white fantasy of helpful, unflaggingly one-dimensional minorities."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 2/4 |
|
(2008) |
|
"Tied together by a performance from Franco that has the misfortune of being familiar and human in the middle of a lot of low-aspiring blarney."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 2/4 |
|
(2001) |
|
"Pinero is a disingenuous huck about a disingenuous huckster."
[movie review] |
|
Film Freak Central |
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 |
 |
 |
| |
 1/4 |
|
(1949) |
|
"Pinky is 1949's Patch Adams, doing for half-breeds what that film did for assclowns."
[movie review] |
|
Film Freak Central |
|
 |
 |
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| |
 2/4 |
|
(2007) |
|
"And so it goes."
[movie review] |
|
Film Freak Central |
|
 |
 |
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| |
 1/4 |
|
(2006) |
|
"Yo ho-hum."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 3.5/4 |
|
(2003) |
|
"One foot of the film is in Terry Gilliam's ethics of the stratum surreal, with the other in Spielbergian theme park attraction."
[movie review] |
|
Film Freak Central |
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 |
 |
 |
| |
 1/4 |
|
(2001) |
|
"In a film at least tangentially about evolution it strikes me as poignant that in 31 years, this Planet of the Apes is actually a good deal dumber than the original."
[movie review] |
|
Film Freak Central |
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 |
 |
| |

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|
(2001) |
|
"A failure of sense, a failure of cohesion, and, most remarkably for director Tim Burton, a failure of atmosphere."
[dvd review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 3/4 |
|
(1991) |
|
"Keanu Reeves is Johnny Utah. F*** yeah!"
[movie review] |
|
Film Freak Central |
|
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 |
 |
| |
 3/4 |
|
(1982) |
|
"Spielberg clockwork."
[movie review] |
|
Film Freak Central |
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| |
 3/4 |
|
(1982) |
|
"Spielberg clockwork: great suburbs, great special effects, great abuse of an expositive score, great overuse of the slow push-in, great hot mom, great irrelevant dad, great plucky little kids."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 1.5/4 |
|
(1994) |
|
"Comes a point where cultural specificity is such that there's really no point in defending something that just doesn't translate."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 1/4 |
|
(2003) |
|
"A poster of The Color of Money in one poolhall is less homage than ironic."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 0/4 |
|
(2006) |
|
"A waste of life, a waste of cash, and a step backwards somehow from the original waste of life upon which it's based."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 1/4 |
|
(2002) |
|
"A miserable bit of landscape pornography bound to a somehow more miserable pair of sweaty romances."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 2/4 |
|
(2002) |
|
"A really funny fifteen-minute short stretched beyond its limits to fill an almost feature-length film."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 0/4 |
|
(2007) |
|
"I like that they use crows, because the stink of this carrion has flushed out a few guilty jackdaws."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 4/4 |
|
(2005) |
|
"An alchemical brew of balls and technical brilliance."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 3/4 |
|
(2006) |
|
"It lodges itself as not much more than a (perhaps shockingly) bitter little pill."
[movie review] |
|
Film Freak Central |
|
 |
 |
 |
| |
 2.5/4 |
|
(1991) |
|
"It occurs to me that the feeling of ordinariness suffusing Presumed Guilty perhaps speaks more to the state of our post-O.J. savvy than to any real shortcoming in the film's approach."
[movie review] |
|
Film Freak Central |
|
 |