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Sources
• Bad Movie Night
• Film Freak Central
• L.A. Weekly
• Strange Horizons
Total Reviews: 1855
Walter Chaw

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2.5/4
     (2004)      "Provides a sort of middlebrow mainstream rom-com conventions-satisfied satisfaction." [movie review]      Film Freak Central   
  
1.5/4
     (1994)      "a nice starting point for an important conversation with your child about why so many cartoons think children are stupid." [movie review]      Film Freak Central   
  
3/4
     (2006)      "A lovely trifle not unlike other well-done bits of instantly-forgotten prestige." [movie review]      Film Freak Central   
  
3.5/4
     (2005)      "Solondz's first spiritual film." [movie review]      Film Freak Central   
  
4/4
     (2006)      "The kind of familiar that astonishes with our inability to imagine it better than the way del Toro has." [movie review]      Film Freak Central   
  
2.5/4
     (2002)      "Not even the expansion of Psycho's peephole into a bank of video monitors can convince of Panic Room's purported heritage." [movie review]      Film Freak Central   
  
0/4
     (2004)      "Loathsome doesn't begin to describe it. How about "toxic"?" [movie review]      Film Freak Central   
  
4/4
     (2007)      "This is how post-modernism should always behave: like an acid trip narrated by Derrida." [movie review]      Film Freak Central   
  
3/4
     (2005)      "Doesn't ascribe morality so much as paint a picture of confusion, anger, and desperation." [movie review]      Film Freak Central   
  
2/4
     (1997)      "With a lack of tension in the resiliency of the women, there is little in the way of overall tension nor, ultimately, point in their endless suffering." [dvd review]      Film Freak Central   
  
4/4
     (1992)      "The picture is sure-footed and accomplished and, to this point, the auteur's most satisfying marriage of head and heart." [movie review]      Film Freak Central   
  
2/4
     (2004)      "Preaching to the choir and doing so in shorthand." [movie review]      Film Freak Central   
  
1/4
     (2003)      "It's a shame that more care wasn't taken in the handling of the characters or the multiple plot threads." [movie review]      Film Freak Central   
  
0.5/4
     (2004)      "Key revelation is that Shore is a bitter, unpleasant, petty, humourless little man--and that his stoned weasel song and dance isn't doing that great a job of hiding it." [movie review]      Film Freak Central   
  
0.5/4
     (2003)      "At the end of John Woo's latest Hollywood misstep, Ben Affleck hefts two bags of manure on his back and stumbles around, effectively defusing anything cogent I could say." [movie review]      Film Freak Central   
  
0.5/4
     (1993)      "If only The Pelican Brief were purposefully controversial." [movie review]      Film Freak Central   
  
1.5/4
     (2003)      "Tweaking emotions is a fragile pastime, and there's a thin line between "tribute" and "mawkish."" [movie review]      Film Freak Central   
  
3/4
     (1995)      "Sensuous and lush with a hint of Allende's magical realism in the bleeding of a man's broken heart and a string of rose petals trailing a line along the belly of a new lover." [movie review]      Film Freak Central   
  
1/4
     (2004)      "I've seen the future, and all I can say is...go back." [movie review]      Film Freak Central   
  
3.5/4
     (1970)      "We were always building monuments to our power and we always will be--performance is just one avenue to that same old immortality." [movie review]      Film Freak Central   
  
3/4
     (1988)      "Somehow balances the silliness of being seventeen with the beauty and the horror of it." [movie review]      Film Freak Central   
  
3.5/4
     (2007)      "Illustrates that the extent to which fundamentalism has tightened its band around our artistic selves is leading both countries (ours and hers) into that old danse macabre." [movie review]      Film Freak Central   
  
2.5/4
     (2002)      "Confuses its message with an ultimate desire to please, and contorting itself into an idea of expectation is the last thing any of these three actresses, nor their characters, deserve." [movie review]      Film Freak Central   
  
3.5/4
     (2003)      "It's not a good movie, but it's almost a great one." [movie review]      Film Freak Central   
  
3/4
     (2004)      "Drenched in a golden sadness." [movie review]      Film Freak Central   
  
2.5/4
     (2003)      "High-concept hokum invested equally in the Catholic and the apocalyptic." [movie review]      Film Freak Central   
  
3/4
     (2002)      "It is in essence irrefutable, brutal evidence of a coven, and even we doubt poor Rosemary." [movie review]      Film Freak Central   
  
1.5/4
     (2006)      "Beyond that? Not much." [movie review]      Film Freak Central   
  
4/4
     (1959)      "Bresson's films are the most sublime expression of the powerful, illicit sexuality of the movement of moving pictures against a subjective audience." [movie review]      Film Freak Central   
  
2/4
     (2003)      "A white fantasy of helpful, unflaggingly one-dimensional minorities." [movie review]      Film Freak Central   
  
2/4
     (2008)      "Tied together by a performance from Franco that has the misfortune of being familiar and human in the middle of a lot of low-aspiring blarney." [movie review]      Film Freak Central   
  
2/4
     (2001)      "Pinero is a disingenuous huck about a disingenuous huckster." [movie review]      Film Freak Central   
  
1/4
     (1949)      "Pinky is 1949's Patch Adams, doing for half-breeds what that film did for assclowns." [movie review]      Film Freak Central   
  
2/4
     (2007)      "And so it goes." [movie review]      Film Freak Central   
  
1/4
     (2006)      "Yo ho-hum." [movie review]      Film Freak Central   
  
3.5/4
     (2003)      "One foot of the film is in Terry Gilliam's ethics of the stratum surreal, with the other in Spielbergian theme park attraction." [movie review]      Film Freak Central   
  
1/4
     (2001)      "In a film at least tangentially about evolution it strikes me as poignant that in 31 years, this Planet of the Apes is actually a good deal dumber than the original." [movie review]      Film Freak Central   
  
     (2001)      "A failure of sense, a failure of cohesion, and, most remarkably for director Tim Burton, a failure of atmosphere." [dvd review]      Film Freak Central   
  
3/4
     (1991)      "Keanu Reeves is Johnny Utah. F*** yeah!" [movie review]      Film Freak Central   
  
3/4
     (1982)      "Spielberg clockwork." [movie review]      Film Freak Central   
  
3/4
     (1982)      "Spielberg clockwork: great suburbs, great special effects, great abuse of an expositive score, great overuse of the slow push-in, great hot mom, great irrelevant dad, great plucky little kids." [movie review]      Film Freak Central   
  
1.5/4
     (1994)      "Comes a point where cultural specificity is such that there's really no point in defending something that just doesn't translate." [movie review]      Film Freak Central   
  
1/4
     (2003)      "A poster of The Color of Money in one poolhall is less homage than ironic." [movie review]      Film Freak Central   
  
0/4
     (2006)      "A waste of life, a waste of cash, and a step backwards somehow from the original waste of life upon which it's based." [movie review]      Film Freak Central   
  
1/4
     (2002)      "A miserable bit of landscape pornography bound to a somehow more miserable pair of sweaty romances." [movie review]      Film Freak Central   
  
2/4
     (2002)      "A really funny fifteen-minute short stretched beyond its limits to fill an almost feature-length film." [movie review]      Film Freak Central   
  
0/4
     (2007)      "I like that they use crows, because the stink of this carrion has flushed out a few guilty jackdaws." [movie review]      Film Freak Central   
  
4/4
     (2005)      "An alchemical brew of balls and technical brilliance." [movie review]      Film Freak Central   
  
3/4
     (2006)      "It lodges itself as not much more than a (perhaps shockingly) bitter little pill." [movie review]      Film Freak Central   
  
2.5/4
     (1991)      "It occurs to me that the feeling of ordinariness suffusing Presumed Guilty perhaps speaks more to the state of our post-O.J. savvy than to any real shortcoming in the film's approach." [movie review]      Film Freak Central   
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