 |
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4.5/5 |
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(2004) |
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"It would be interesting to see the other side's equivalent argument; but they had their chances to prove their version of the truth and continually failed. Check this one."
[movie review] |
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Cinerina |
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4.5 |
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(1997) |
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"It's Arthur Rackham vs the Adult/Capitalist/Industrial Revolution - the obsession with exploiting the extraordinary and making it ordinary."
[movie review] |
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Cinerina |
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4/5 |
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(2005) |
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"The third act is marred by a moment of triteness that is uncharacteristic of the delicious and subtle complexity of the rest of the movie. Not your standard holiday family drivel!"
[movie review] |
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Cinerina |
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5/5 |
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(2002) |
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"A delightfully complex movie made in the style of the simplistic, idealistic technicolor 1950?s film, though not about the '50's."
[movie review] |
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Cinerina |
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1/5 |
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(2008) |
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"Keith Compton has a lot asked of him in this movie, required by the script and/or the director to make his consuming rage varied and interesting for 96 minutes. Soon, however, the intensity gets exhausting and then tedious, until the anticlimax."
[movie review] |
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Cinerina |
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4.5 |
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(1997) |
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"Many filmmakers would turn the work into a mockery; by the end, you respect & care about them & it makes you think about your place in the world."
[movie review] |
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Cinerina |
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--
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(1998) |
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"I was terrified by the constant peril Dr. Gonzo and Thompson put themselves in, and yet drawn to it, like an accident scene."
[movie review] |
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Cinerina |
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2/5 |
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(2002) |
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"Intense, effective creepiness mated with inept, laughable policework - tragic to behold."
[movie review] |
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Cinerina |
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3/5 |
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(2002) |
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"The seaside splendor and shallow, beautiful people are nice to look at while you wait for the story to get going."
[movie review] |
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Cinerina |
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4.5/5 |
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(2005) |
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"It's nice to have two cute, intelligent, unsure, funny protagonists and still believe in their connection to each other, plus the additional romance of obsessions."
[movie review] |
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Cinerina |
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4/5 |
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(2007) |
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"If this movie's concept appeals to you at all, I urge you to reward the filmmakers by seeing in the theatre if at all possible. It's so small but so special. For you zombie fans, it's a great dessert after all the carnage, but it still delivers what we"
[movie review] |
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Cinerina |
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4.5/5 |
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(2004) |
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"To dissect The Final Cut is to reduce it – Naim has done a beautiful job making this movie about a whole lot of things, while still making it feel delicate and sparse."
[movie review] |
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Cinerina |
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3 |
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(2001) |
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"They are both visually very stunning to look at, both a wee on the wooden side, acting-wise, and both a mite forgettable."
[movie review] |
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Cinerina |
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5/5 |
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(2003) |
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"The amazing thing about Pixar is that in every film, I go in with incredibly high, unrealistic expectations, & they always excel beyond them."
[movie review] |
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Cinerina |
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4.5/5 |
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(2004) |
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"Inspiration for imagination is all around us, if we only will open our eyes and hearts...open yours to this film."
[movie review] |
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Cinerina |
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2.5/5 |
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(2007) |
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"Narcisisstic, un-empathetic, but stumbles into genuine entertainment at times despite that."
[movie review] |
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Cinerina |
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2.5/5 |
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(2005) |
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"If you can forgive the story for being what it is, as I could not, you will probably get your money's worth out of this film. When will they ever learn?"
[movie review] |
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Cinerina |
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4.5/5 |
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(2003) |
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"Sobering, alarming, and fascinating."
[movie review] |
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Cinerina |
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4.5/5 |
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(2009) |
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"His film shows us ugly, faceless corporate greed and its truly fatal consequences, but gives us tools to dismantle or at least throttle back the machine %u2013 and hopefully solve some of the world's ills as well."
[movie review] |
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Cinerina |
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4.5/5 |
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(2008) |
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"Segel is as vulnerable on screen as any actor I can think of in recent memory, and he bookends his character's journey as a writer just perfectly. It's a funny, lovely movie, and I look forward to more from Segel."
[movie review] |
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Cinerina |
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4/5 |
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(2004) |
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"Moore's strength as an actor lifts this film above itself and makes it a fun and exciting ride, as long as you don't know anything going into it."
[movie review] |
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Cinerina |
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4.5 |
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(1997) |
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"It will surely be as elusive to find in the video stores as any of the fake late genius' work, but if you can see it, do see it."
[movie review] |
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Cinerina |
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3.5/5 |
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(2008) |
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"Feels like they wanted to make 5 different holiday movies and couldn't decide which plot line was best, so they rolled them all together, glossing over everything."
[movie review] |
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Cinerina |
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1.5/5 |
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(2002) |
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"Some good ideas went into the meat grinder, but what came out was largely uninteresting absurdist mush."
[movie review] |
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Cinerina |
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4/5 |
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(2003) |
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"The best of all the many body-switching offerings - and it's by Disney no less! Go figure."
[movie review] |
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Cinerina |
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3/5 |
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(2007) |
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"Neither as terrible as it could be nor as funny as it should be, this is a painless way to catch a new holiday movie without getting into a fight about what part was the lamest."
[movie review] |
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Cinerina |
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4/5 |
|
(2002) |
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"A biopic of an intense visual artist like Frida Kahlo could only be directed by a woman such as Julie Taymor, whose prior stage & screen work is so visual as to be iconic."
[movie review] |
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Cinerina |
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5/5 |
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(2006) |
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"If you are a woman, or if you love one, you should see it. You will see yourself somewhere, as with all her movies, and it will change the way you see yourself as well...Holofcener nderstands us better than we admit we understand ourselves"
[movie review] |
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Cinerina |
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1.5/5 |
|
(2002) |
|
"While it does beat watching paint dry, at least watching paint dry gives you a sense of something having been accomplished."
[movie review] |
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Cinerina |
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| |
4.5 |
|
(1997) |
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"The only reason it's matinee price instead of full price is that I felt that it all went too well and too American-style easily."
[movie review] |
|
Cinerina |
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| |
3.5/5 |
|
(2005) |
|
"Instead of being a satire of the boom-time keeping up with the Joneses, it morphs into more of a "consumption is king" reaffirmation of that dangerous attitude...would be funnier if it hadn't hurt so many people."
[movie review] |
|
Cinerina |
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|
