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(2008) |
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"That it ultimately falls short reflects less a failing than a raising of the bar: when you aim this high, you can beat all the competition even if you fail to set a new world record."
[movie review] |
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Cinefantastique |
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(1995) |
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"The third Wallace and Gromit film ... manages to top its predecessor with a series of even more impressively staged sight gags and action sequences."
[movie review] |
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ESplatter |
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(1990) |
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"In retrospect, the film is entertaining but not as impressive as its successors"
[movie review] |
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ESplatter |
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(1993) |
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"The technique employed (camera placement and movement, editing, and lighting) are as carefully employed as in any live-action film."
[movie review] |
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ESplatter |
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(2005) |
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"It's not as good as the Oscar-winning shorts The Wrong Trousers and A Close Shave, but it is good."
[movie review] |
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ESplatter |
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(1953) |
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"Producer George Pal's 1953 movie version of the H.G. Wells novel is lavishily mounted and visually stunning, thanks to imaginative production design and impressive technical effects."
[dvd review] |
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ESplatter |
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C |
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(1977) |
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"Too derivative to stand on its own four furry paws, but it has enough feline grace to thrill fans of [Italian giallo thrillers]."
[movie review] |
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ESplatter |
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(2009) |
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"Ponderous and dull, this filmic adaptation of the famous graphic novel proves that great source material, a healthy budget, and technical competence are not enough to make a good movie."
[movie review] |
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Cinefantastique |
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(2007) |
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"... we are able to sit back and enjoy the fun without ever losing sight of the sadness underneath."
[movie review] |
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ESplatter |
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(1998) |
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"The film lurches ... toward greatness, dazzling the viewer with a spectacular view of heaven that is not only beautiful but also profoundly moving."
[movie review] |
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ESplatter |
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(2000) |
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"The film never lives up to the brilliance of its own premise."
[movie review] |
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ESplatter |
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(1971) |
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"It's all wonderfully colorful and imaginative, and filled with a multitude of references and jokes that will be understood only by adults."
[movie review] |
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ESplatter |
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(2004) |
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"All the familiar elements are back in place (the dark-haired ghost girl, the girls-school setting, etc)... but [the] scenario is a jumbled mess that doesn't hold together as a coherent movie."
[movie review] |
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Cinefantastique |
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(1968) |
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"... a must-have for any fan of Vincent Price, '60s British horror, or [director] Michael Reeves."
[dvd review] |
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ESplatter |
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(2005) |
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"For all its efforts at avoiding the usual slasher movie nonsense, it does fall back on some familiar, lame plot devices."
[movie review] |
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ESplatter |
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(1941) |
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"A classic despite its flaws."
[movie review] |
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ESplatter |
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(1999) |
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"The film tries very hard, and sometimes the effort pays off, but overall this is a compromised effort that recalls LICENCE TO KILL in the wrong way: it wants to be different but lapses back into the same old, obligatory set pieces."
[movie review] |
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ESplatter |
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