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(2003) |
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"Kim Jee-Woon's serious approach has its merits, but it also creates some problems that mar, without ruining, the film's effectiveness."
[movie review] |
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ESplatter |
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(1962) |
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"A lavish-looking, stylish piece of work."
[movie review] |
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ESplatter |
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(1970) |
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"Thematically intriguing %u2014 a sort of broadside attack on Victorian hypocrisy."
[movie review] |
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ESplatter |
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(2008) |
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"Writer-director Mitchell Lichtenstein's low-budget horror film is...more satirical than scary...however, he ultimately delivers the gory goods."
[movie review] |
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ESplatter |
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(2008) |
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"In its own way THE CLONE WARS is quite an achievement: it almost perfectly synthesizes everything that has been wrong with the films since%u2026 oh, well - Return of the Jedi."
[movie review] |
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ESplatter |
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(2008) |
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"Although there is an admirable attempt to stay true to the higher aspirations of the high-class source material, the new effort is undermined by the need to fashion itself as a crowd-pleasing blockbuster, loaded with exciting special effects."
[movie review] |
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Cinefantastique |
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(2007) |
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"This is much more than a typical genre piece; it's a sort of hip, almost punk, combination of drama, science-fiction and horror."
[movie review] |
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ESplatter |
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(1973) |
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"One of the highlight's of Vincent Price's later career, a film that fused his reputation as a horror star with his penchant for self-parody."
[movie review] |
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ESplatter |
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(1982) |
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"Carpenter's rethinking of producer Howard Hawks' classic is an honorable attempt to hew closer to the original story."
[movie review] |
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ESplatter |
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(2005) |
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"There is a BEETLEJUICE-type of manic energy %u2014 a sense of imagination run riot that makes the film always worth watching, even when the story loses traction"
[movie review] |
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ESplatter |
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(2007) |
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"Although clearly derivative, the film works hard to assemble its familiar pieces into something that works in its own right."
[movie review] |
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ESplatter |
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(2008) |
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"As a director, Vigalondo sweeps you up into his tale and keeps you running at what seems like full speed toward the finish line."
[movie review] |
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Cinefantastique |
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(2000) |
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"If you can get past the problems with story and characterization, there are quite a few visual delights waiting for you."
[movie review] |
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ESplatter |
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(2007) |
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"This mediocre computer-generated action flick is packed full of monsters and sword-fights, but the story-telling is about as deft as a turtle turned on its back, struggling to get up but going nowhere fast."
[movie review] |
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ESplatter |
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(2009) |
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"Unfortunately, the weirdness is not always entertaining - in some cases it is merely boring - but there is enough going on to make this interesting for fans of art house cinema."
[movie review] |
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Cinefantastique |
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(1997) |
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"The film seldom reaches the pitch of Goldfinger, but it does stay on tune, thanks to performers who know how to belt out an old favorite."
[movie review] |
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ESplatter |
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(2007) |
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"A laughably bad post-apocalyptic thriller."
[movie review] |
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ESplatter |
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(2007) |
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"Although it strives to appeal to the whole family, it winds up emerging as a kiddie flick on steroids - a big-budget, effects heavy, feature film version of a Saturday morning cartoon."
[movie review] |
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ESplatter |
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(2009) |
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"Michael Bay is an abstract artist... all of that hardware flying around the screen...are simply blobs of light and shadow...like paint spattered on a canvas by Jackson Pollack."
[movie review] |
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Cinefantastique |
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(2006) |
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"Any film that let's Ken Russell direct an episode about killer breasts deserves some kind of credit, almost regardless of the results."
[movie review] |
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ESplatter |
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(1963) |
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"Twice Told Tales features beautiful Technicolor cinematography ... but it suffers from slow pacing and ... dull storytelling."
[movie review] |
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ESplatter |
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(2008) |
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"Within ten years or so, this film (and its inevitable sequels) will look as outdated and ridiculous as the old Beach Party movies, but that shouldn't stop us from sitting back and enjoying the camp with a quiet chuckle."
[movie review] |
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Cinefantastique |
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(1996) |
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"The action starts in the opening frame and never lets up."
[movie review] |
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ESplatter |
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