 |
|
|
|
|
|
|
Sort by
SOURCE |
|
|
|
|
| |
2.5/4 |
|
(2002) |
|
"Predictable storyline and by-the-book scripting is all but washed away by sumptuous ocean visuals and the cinematic stylings of director John Stockwell."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2/4 |
|
(2001) |
|
"..stumbles under the burden of two-hours of focused, exaggerated emotion..."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3.5/4 |
|
(2004) |
|
"Sexy, deliciously perverse and oozing with immorality."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2/4 |
|
(2003) |
|
"Sounds good on flimsy colored paper, but for a comic book adaptation to work onscreen there has to be decent scripting and A-list production values."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3/4 |
|
(2002) |
|
"A glossy female fantasy about losing it all and throwing it right back atcha."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2/4 |
|
(2004) |
|
"Rife with clichés and precocious artsy-craft."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3/4 |
|
(2002) |
|
"Climax is intentionally, brutally violent, resulting in a bitter, melodramatic aftertaste."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
10/10 |
|
(2001) |
|
"A mesmerizing work, exploring the darkest recesses of the human spirit."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3/4 |
|
(2002) |
|
"Todd Haynes goes out on a limb to make his point, sometimes in inches but more often miles."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
4/4 |
|
(2003) |
|
"Pixar has interlaced its energetic storyline with the moody strains of a classic Thomas Newman score, lending an element of darkness that ingeniously penetrates the perpetual submarine light."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3/4 |
|
(2000) |
|
"Alternately clumsy and clever, it’s nonetheless the new order of Shakespeare."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3/4 |
|
(2006) |
|
"Director Laurent Cantet dabbles in the waters of change with great subtlety."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3/4 |
|
(2003) |
|
"Ang Lee’s imprint is on every frame; pulsing with passion and the desire to construct the best product possible."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
--
3/4 |
|
(2002) |
|
"The atmosphere is thick with conspiracy and the potential for danger."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3/4 |
|
(2003) |
|
"Quentin Tarantino comes out of the box with a vengeance, intent on the idea of parlaying hardcore grind-house into trendy art-house."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
9/10 |
|
(2001) |
|
"Reads like a perfectly nuanced short story."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2/4 |
|
(2003) |
|
"A mildly satisfying entertainment many moons shy of potential greatness."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
4/4 |
|
(2003) |
|
"Subtly realized and finely nuanced, this is fresh and unspoiled filmmaking."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
1.5/4 |
|
(2003) |
|
"Only hardcore fans will delight at the surface slick to which the brothers Wachowski have succumbed to conclude their philosophical opus."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
'3/4' |
|
(2005) |
|
"Heavily nuanced and weighty with tension."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3/4 |
|
(2002) |
|
"The mark of a respectable summer blockbuster is one of two things: unadulterated thrills or genuine laughs."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
4/4 |
|
(2002) |
|
"Violent, graphic, and breathtaking in its emotional ugliness, this is a classic, ambitious film that restores diminishing faith in the world's most influential medium."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
1/4 |
|
(2002) |
|
"It's impossible to even categorize this as a smutty guilty pleasure."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
10/10 |
|
(1959) |
|
"Viewer friendly, refreshingly undated, and worth as many repeat viewings as one can stomach."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3.5/4 |
|
(2002) |
|
"A finely nuanced character study of insecurity and suppressed malevolence."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
'3/4' |
|
(2005) |
|
"Simple, reflective, and uncomfortably relevant."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2/4 |
|
(2004) |
|
"Saturated with vengeance, betrayal, and melodrama, Mel Gibson's sadistic take on Jesus’ final twelve hours screams bloody murder."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2/4 |
|
(2002) |
|
"The fetid underbelly of fame has never looked uglier."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2.5/4 |
|
(2004) |
|
"Maybe it’s the hype but I’m not feeling the love."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3.5/4 |
|
(2003) |
|
"A glossy look and a stable of A-list stars elevate this prosaic John Grisham story from movie melodrama to smart mystery thriller."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3.5/4 |
|
(2004) |
|
"Lampoons a number of fairy-tale conventions but engages in the conflict and warmth of un-enchanted humanity."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
3/4 |
|
(2005) |
|
"Relentless, shocking, and admirably experimental."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2/4 |
|
(2003) |
|
" Robert Downey, Jr. is the only saving grace of this incoherent crime caper based on the classic British mini-series."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
1.5/4 |
|
(2002) |
|
"A surprisingly dull adaptation of the classic 1961 science-fiction novel by Stanislaw Lem."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2/4 |
|
(2002) |
|
"Millions of dollars heaped upon a project of such vast proportions need to reap more rewards than spiffy bluescreen technique and stylish weaponry."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
'3/4' |
|
(2005) |
|
"Sure to please diehard fans and fringe folk alike."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
4/4 |
|
(2004) |
|
"Fraught with tension and nerve-wracking delirium, this innovative documentary is a powerful life-force in the guise of an adventure package."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
1.5/4 |
|
(2004) |
|
"Plotless, pointless, horror-fest."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
'3.5/4' |
|
(2005) |
|
"A thought-provoking and mood altering experience."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
|
|
(2001) |
|
"Charming but awkward ode to the travails along the path to true romance."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
'1.5/4' |
|
(2005) |
|
"Has a soft-porn hue that sculpts its narrative into a sordid rainbow of slimy emotion."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
2/4 |
|
(2006) |
|
"Oliver Stone's take on one of history's most notorious and devastating days is white-washed with the sentimental veneer of the Lifetime Channel."
[movie review] |
|
Aufmuth.com |
|
|
|
|
| |
1.5/4 |
|
(1996) |
|
Click here to see the review!
[movie review] |
|
Palo Alto Weekly |
|
|
|
|
| |
2/4 |
|
(2000) |
|
Click here to see the review!
[movie review] |
|
Palo Alto Weekly |
|
|
|
|
| |
2/4 |
|
(1995) |
|
"Distinctly lacking in sentiment. Give me cataclysm, but at least act like you care."
[movie review] |
|
Palo Alto Weekly |
|
|
|
|
| |
3/4 |
|
(2004) |
|
"Doesn't have an original bone in its narrative body, but coasts through on a large dose of Jennifer Garner charm."
[movie review] |
|
Palo Alto Weekly |
|
|
|
|
| |
4/10 |
|
(1999) |
|
"Stilted dialogue, ridiculous storyline and spurting arteries combine for a very ugly filmgoing experience."
[movie review] |
|
Palo Alto Weekly |
|
|
|
|
| |
3/4 |
|
(2001) |
|
"A couple of surprise twists and catchy POV-video imagery add to the uniquely unpredictable character of this explosive thriller"
[movie review] |
|
Palo Alto Weekly |
|
|
|
|
| |
'3.5/4' |
|
(2005) |
|
"An oblique ode to the enduring intrigues of unrequited love."
[movie review] |
|
Palo Alto Weekly |
|
|
|
|
| |
3/4 |
|
(2008) |
|
"Jim Sturgess turns up the heat as an untapped genius who takes a walk on the wild side."
[movie review] |
|
Palo Alto Weekly |
|
|
