Online Film Critics Society
Home     About OFCS     Member Profiles     Schedule     Forum     Awards     OFCS Blog
    O.F.C.S. Members: Sign In    

Other Info
Sources
• Aufmuth.com
• Palo Alto Weekly
Total Reviews: 1226
Jeanne Aufmuth
Jeanne Aufmuth
Jeanne Aufmuth

NEWS & FEATURES
Article type:      Default Sorting (most recent)
A  B  C  D  E  F  G  H  ( I )  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 50) of 50  
Sort by
RATING
    
Sort by
TITLE/YEAR
    
Sort by
QUOTE
    
Sort by
SOURCE
  
  
2.5/4
     (2002)      ""Sam" gives good melodrama, but pushes too many TV-disease-of-the-week hot buttons." [movie review]      Palo Alto Weekly   
  
6/10
     (2000)      "I'm beginning to suspect that Basinger's Academy Award winning turn in LA. Confidential was a fluke." [movie review]      Palo Alto Weekly   
  
1.5/4
     (2004)      "Transports characters and altered states with the spunk of a deadly game of Go Fish." [movie review]      Palo Alto Weekly   
  
3/4
     (2008)      "Czech director Jirí Menzel casts a wide net in this fanciful tale of life, love and the relentless march of time." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2004)      "A well-crafted cross-breed that utilizes cruel power-plays of both youngsters and adults to support the ominous mood of a first-rate thriller." [movie review]      Palo Alto Weekly   
  
3/4
     (2007)      "A rag-tag pastiche of genius, wit and irony." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2008)      "A haunting and redemptive film experience." [movie review]      Palo Alto Weekly   
  
2.5/4
     (2004)      "One can’t help but admire a know-how that permits a generation of walking nuts-and-bolts to move effortlessly amongst men." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2002)      ""Ice Age" yields to the temptation of conventional animation standards, but it does so with a clean style and authentic humor." [movie review]      Palo Alto Weekly   
  
2.5/4
     (2005)      "Falls into place too little and too late." [movie review]      Palo Alto Weekly   
  
3/4
     (1997)      "This is a cold and calculating film that will temporarily dampen those fond memories of everything we cherish from two decades back." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2003)      "An unpredictable spine-tingler that has good times written all over its nasty little agenda." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2006)      "Animated musical notes jump from their staffs with frenzied glee and stop motion dancers fly high in a kaleidoscope of color, rhythm and joy. What's not to love?" [movie review]      Palo Alto Weekly   
  
2/4
     (2002)      "Writer/director Burr Steers emphasizes the Q in Quirky, with mixed results." [movie review]      Palo Alto Weekly   
  
3/4
     (2006)      "A stylishly crafted illusion." [movie review]      Palo Alto Weekly   
  
2/4
     (2004)      "Tired dysfunctional family drama that speaks to grief and denial in unwieldy doses." [movie review]      Palo Alto Weekly   
  
2.5/4
     (2003)      "The inherent warmth is enough to tip the scales in the drama’s favor." [movie review]      Palo Alto Weekly   
  
3/4
     (1998)      Click here to see the review! [movie review]      Palo Alto Weekly   
  
3/4
     (2004)      "Dennis Quaid delivers a grounded performance that manages to smooth over the narrative rough patches." [movie review]      Palo Alto Weekly   
  
'3/4'
     (2005)      "Emotionally grounded and endearingly familiar to anyone who endures family on a daily basis." [movie review]      Palo Alto Weekly   
  
1/4
     (2005)      "Ugly secrets unfold in staccato succession with the intent to incite but inspiring only groans." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2001)      "Todd Field has constructed a remarkable first feature, directing with patient, effective pacing and a good eye for detail." [movie review]      Palo Alto Weekly   
  
4/4
     (2007)      "To say these guys still have the Right Stuff is an overwhelming understatement." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2006)      "Illuminating and distressing...a grave message indeed." [movie review]      Palo Alto Weekly   
  
3/4
     (2004)      "From first frame to last the effects are flawlessly detailed and the design fabulously executed." [movie review]      Palo Alto Weekly   
  
3/4
     (1995)      Click here to see the review! [movie review]      Palo Alto Weekly   
  
2.5/4
     (2008)      "The relentless stream of exaggerated action is as taxing as the punchline-laden script." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2006)      "Cunningly emphasizes the vast distinction between the idle rich and the drama's plainspoken wounded." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2001)      "It's high time for a reminder - love and lust are NOT sole ownership of the young." [movie review]      Palo Alto Weekly   
  
1.5/4
     (1995)      Click here to see the review! [movie review]      Palo Alto Weekly   
  
'3/4'
     (2004)      "Director Luis Mandoki helms with a persistently heavy hand rendering the experience emotionally draining but nonetheless haunting." [movie review]      Palo Alto Weekly   
  
3/4
     (2006)      "Spike Lee knows how to coax novelty out of conventional drama." [movie review]      Palo Alto Weekly   
  
3/4
     (2002)      "The hook is the drama within the drama, as an unsolved murder and an unresolved moral conflict jockey for the spotlight." [movie review]      Palo Alto Weekly   
  
3/4
     (1997)      Click here to see the review! [movie review]      Palo Alto Weekly   
  
3/4
     (2004)      "A quirky, Irish six-degrees-of-separation tale that chooses the roundabout route to happily ever after." [movie review]      Palo Alto Weekly   
  
2/4
     (2005)      "The smart political thriller; a classic breed of cinema that faces permanent extinction thanks to soulless efforts like this one." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2007)      "Tension, humor and pathos are wrung out from smart scripting and surprisingly effective performances." [movie review]      Palo Alto Weekly   
   --
3/4
     (2002)      "The atmosphere is thick with conspiracy and the potential for danger." [movie review]      Aufmuth.com   
  
2/4
     (2001)      "Snippets of intrigue reveal themselves too late to salvage the listless storyline." [movie review]      Palo Alto Weekly   
  
2.5/4
     (2004)      "A shrewdly observed analysis of the female psyche." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2007)      "Moving, impressionistic, and worth slowing down for." [movie review]      Palo Alto Weekly   
  
4/4
     (2007)      "Sean Penn steps behind the camera to craft one of the most powerful films of the year." [movie review]      Palo Alto Weekly   
  
1/4
     (2003)      "Color me disappointed. I see Coens beneath the title and I expect quality black comedy." [movie review]      Palo Alto Weekly   
  
3/4
     (2007)      "A smart alternative to summer's bloated blockbusters." [movie review]      Palo Alto Weekly   
  
4/4
     (2001)      ""Iris" is everything a movie should be - tight, spare, and compelling." [movie review]      Palo Alto Weekly   
  
3/4
     (1993)      "An engaging action film that sports some of the most impressive onscreen martial arts of the last decade." [movie review]      Palo Alto Weekly   
  
3.5/4
     (2003)      "A project of vast extremes, a flagrant affirmation of absolute darkness and light." [movie review]      Palo Alto Weekly   
  
2.5/4
     (2009)      "A cookie cutter dramedy that beguiles and rankles." [movie review]      Palo Alto Weekly   
  
1/4
     (2000)      Click here to see the review! [movie review]      Palo Alto Weekly   
  
2.5/4
     (2005)      "In the nick of time the rave vibe finds its own rhythm and humor." [movie review]      Palo Alto Weekly   
A  B  C  D  E  F  G  H  ( I )  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 50) of 50  

powered by ROTTEN TOMATOES
All articles and reviews on this website © the respective authors.
All other content © The Online Film Critics Society (0.26)