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• ColeSmithey.com
• Daily Radar
Total Reviews: 1213
Cole Smithey
Cole Smithey
Cole Smithey

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C-
     (2007)      "Even A Boy and His Dog (1974) carried a stronger punch [than this] visually transformative but thematically weak movie." [movie review]      ColeSmithey.com   
  
B
     (2009)      "Paul Rudd's understated comic genius comes to the fore in this nuanced romantic comedy that's as much about the intricacies of male bonding as it is about the invisible line between male/female relationships." [movie review]      ColeSmithey.com   
  
B-
     (2009)      "Many pints of beer and blood flow freely in this old school horror reverie." [movie review]      ColeSmithey.com   
  
A-
     (2008)      "Writer/director Jiri Menzel's ambitious filmic adaptation of Bohumil Hrabal's picaresque novel about a diminutive Czech waiter with dreams of becoming a millionaire and of owning his own hotel, is a rich black comedy steeped in wartime experience and sexu" [movie review]      ColeSmithey.com   
  
C-
     (2007)      "Spazzing bubbles of slapstick humor, melodrama, musical numbers and sterile jokes emphasize Rock's unpolished acting and directing abilities." [movie review]      ColeSmithey.com   
  
C-
     (2004)      ""I'm Not Scared" suffers from ill-conceived staging and sluggish pacing. The film's theme that altruism and ignorance are punished is a careless postulate drawn from a kidnapping spree in Italy during the late '70s." [movie review]      ColeSmithey.com   
  
B+
     (2007)      "Here is a virtuosic display of Todd Haynes' capacity for reflecting Dylan's forward thinking via a blend of perfectly coded vignettes. It's not a film for lazy audiences." [movie review]      ColeSmithey.com   
  
B+
     (2008)      "Philippe Claudel is adept at adding emotional filigree to the solid three-act structure." [movie review]      ColeSmithey.com   
  
C
     (2009)      "...never properly invites the audience into its messy world of familial trust." [movie review]      ColeSmithey.com   
  
B-
     (2006)      " As with the first "Ice Age" movie it is Scrat the acorn-obsessed rodent who bookends the movie and steals the most laughs with his hilarious attempts at obtaining an ever-elusive acorn." [movie review]      ColeSmithey.com   
  
6/10
     (2005)      "It's an anti-Christmas black comedy for every card-carrying Grinch." [movie review]      ColeSmithey.com   
  
D
     (2005)      "This dumb-as-a-stump teen girl coming-of-age movie envisions a high school physics geek (Michelle Trachtenberg) who turns into an ice skating pro as a result of her knowledge of physics." [movie review]      ColeSmithey.com   
  
B
     (2008)      "John Cusack is the voice of Igor, a hunchbacked laboratory assistant to the doomed mad scientist Dr. Glickenstein (voiced by John Cleese), in this irresistible animated comedy" [movie review]      ColeSmithey.com   
  
B
     (2009)      "As a primer to modern Italian politics, "Il Divo" is like touring the subject in a candy-apple-red Ferrari. You might not learn much, but you will remember the experience." [movie review]      ColeSmithey.com   
  
B+
     (2006)      "There is a formal reverence for the unspoken loyalty between Eisenheim and Sophie that elegantly expounds on the period aspects of the story to create an atmosphere of timeless devotion and uncommon humility." [movie review]      ColeSmithey.com   
  
B
     (2009)      "While he hasn't made a perfect film, Terry Gilliam preserves the memory of Heath Ledger in a way that appropriately matches his own sense of artistic inspiration." [movie review]      ColeSmithey.com   
  
B
     (2004)      "Sigourney Weaver is impeccable as a distraught mother who resorts to pot to barricade her emotions in writer/director Dan Harris' diamond-sharp treatise on American family dysfunction that makes "The Ice Storm" look like a walk in the park." [movie review]      ColeSmithey.com   
  
B
     (2008)      "Here is an unapologetically irreverent European flick that makes subtle character development as effortless as Colin Ferrell's upward bent eyebrows." [movie review]      ColeSmithey.com   
  
C-
     (2005)      ""In Her Shoes" is an unbalanced movie that teeters between saccharine fluff and preachy self-help sentiment." [movie review]      ColeSmithey.com   
  
C+
     (2005)      "In spite of narrative missteps that negate the possibility of an empathetic protagonist, "In My Country" does viably introduce the African principle of "Ubuntu" whereby evil transgressions are absolved rather than revenged." [movie review]      ColeSmithey.com   
  
A
     (2009)      "...the funniest and smartest political comedy to come along in ages" [movie review]      ColeSmithey.com   
  
A+
     (2007)      "It is so patriotic as to be a radical example of dramaturgy. On top of that, it is executed to perfection." [movie review]      ColeSmithey.com   
  
A
     (2006)      "Director Davis Guggenheim expands Gore's highly polished multimedia lecture into dramatic form with personal footage of Gore that exemplifies his 40-year commitment to a subject that is consuming our Earth." [movie review]      ColeSmithey.com   
  
C-
     (2008)      "Slow pacing and a muted sound production only add to the CGI disaster inflicted on what should have been a believable superhero created with 21st century technology." [movie review]      ColeSmithey.com   
  
A
     (2008)      "This is a movie you will want to revisit again and again." [movie review]      ColeSmithey.com   
  
B+
     (2006)      "Toby Jones' uncanny portrayal of the short, effeminate writer with the funny voice, gives the film its credibility and compassion." [movie review]      ColeSmithey.com   
  
C-
     (2009)      "Oddly, director Steven Soderbergh seems to believe that casting Matt Damon as habitual corporate liar and thief Mark Whitacre constitutes an empathetic protagonist." [movie review]      ColeSmithey.com   
  
C-
     (2009)      "Sublimely awful, director Gregor Jordan's adaptation of Bret Easton Ellis' dystopic vision of '80s era Los Angeles bounces between a slew of unlikable reckless characters." [movie review]      ColeSmithey.com   
  
A+
     (2009)      "Every film that Quentin Tarantino makes is a cinematic event of mammoth proportions, and this one is no different. It lives up to the director's brilliant international reputation and accordingly so does he." [movie review]      Daily Radar   
  
C-
     (2009)      "Winged monkeys and a minotaur you don't get a good look at make up some of the mediocre special effects in an unsatisfying kid's movie." [movie review]      ColeSmithey.com   
  
B+
     (2006)      " The three-hour movie is at once inscrutable and deeply satisfying for its daring high wire act of narrative illusion and passionately charged emotions." [movie review]      ColeSmithey.com   
  
B
     (2005)      "This keen look at the most successful independent film ever made describes how the film's distribution and profits were taken over by the mob, and how its director and actors were affected be the social and political powers that sought to use it as a tool" [movie review]      ColeSmithey.com   
  
C
     (2006)      "Since bankrupting his film production company with dreadful movies like "Bamboozled" and "He Hate Me" Spike Lee now works as a Hollywood gun-for-hire creating a blasé and muddy suspense police drama." [movie review]      ColeSmithey.com   
  
B+
     (1939)      "A remake of the similarly titled Swedish film,"Intermezzo" is a classic tale of romance from 1939. It is also a great glimpse Ingrid Bergman's highly developed talents at just 24-years-old." [movie review]      ColeSmithey.com   
  
C+
     (2009)      "A distant cousin to Daniel Craig's second Bond outing ("Quantum of Solace"), "The International" is still worth seeing for fans of the genre." [movie review]      ColeSmithey.com   
  
B
     (2005)      "Much ballyhooed for its on-location filming in and around the United Nations building in Manhattan "The Interpreter" works better as a captivating drama than it does as an espionage thriller due to some sticking plot points that prevent the audience from" [movie review]      ColeSmithey.com   
  
C
     (2007)      ""Interview" is an actor's showcase movie that could, and should, have been made by a couple of talented student actors trying to break out of their off-off Broadway gigs." [movie review]      ColeSmithey.com   
  
D+
     (2005)      "Even as pure eye-candy "Into The Blue" is a miserable failure." [movie review]      ColeSmithey.com   
  
B+
     (2007)      "For a story so fraught with potential landmines, Sean Penn, the screenwriter, bridges delicate narrative constraints to fulfill expectations of audiences familiar with Krakauer's book." [movie review]      ColeSmithey.com   
  
C-
     (2007)      "Vanishing subplots and all-around poor storytelling plague this weary update of the horror classic "Invasion of the Body Snatchers."" [movie review]      ColeSmithey.com   
  
A+
     (1956)      "Hitchcock couldn't have done a better job of ramping up the suspense in a horror film that is as much fun today as when it shocked audiences in the '50s." [movie review]      Daily Radar   
  
C-
     (2006)      "Screenwriter Brad Gann shares the guilt for this predictable cinematic travesty along with composer Mark Isham whose bombastic musical score is akin to hammering a nail with a shotgun blast." [movie review]      ColeSmithey.com   
  
C-
     (2009)      "Further evidence that Henry Jaglom's filmmaking career is on its last gasp, "Irene In Time" is an all too prosaic story..." [movie review]      ColeSmithey.com   
  
B
     (2008)      "Far from the exploitation movie that you'd expect from its subject matter, "Irina Palm" is a significant piece of cinematic satire that comes straight from the heart." [movie review]      ColeSmithey.com   
  
B-
     (2008)      "For all of it's anti-corporate military themes, "Iron Man" spends too much time watching technology genius Tony Stark tinkering with his super-hero costume design to get around to developing much of a story." [movie review]      ColeSmithey.com   
  
B
     (2009)      "Equal parts sweet and sour, "Is There Anybody There?" is a thoughtful little chamber piece with just the right amount of laugh-out-loud humor." [movie review]      ColeSmithey.com   
  
B-
     (2009)      ""It Might Get Loud" is a compact music documentary that could serve as a great stepping off point for a cable television series, ala the Sundance channel's "Iconoclasts."" [movie review]      ColeSmithey.com   
  
B-
     (2007)      "Realistically filmed, but limited by narrative cuts that hopscotch through time, "It's a Free World" is a flawed film that overflows with ideas. You should never pass up a Ken Loach movie, and this is no exception to the rule." [movie review]      ColeSmithey.com   
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