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• Cineman Syndicate
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• ToxicUniverse.com
Total Reviews: 577
Chris Barsanti
Chris Barsanti
Chris Barsanti

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3.5/5
     (2009)      "...spry and spiky satire..." [movie review]      Filmcritic.com   
  
4/10
    
9
(2009)
     "9 is a grey and grim thrill ride packed full of kiddie morality lessons and creepy frightenings, as though Steven Spielberg had induced the Brothers Quay to create a summer blockbuster." [movie review]      PopMatters   
  
     (2009)      "A loping comedy of displacement that snaps off dozens of easy laughs without breaking a sweat..." [movie review]      PopMatters   
  
     (2009)      "Although sadly rife with gut-clenching moments as those, Afghan Star is most thrilling when depicting the show's delicately balanced effort to bring Afghans together despite their fractious ethnic and clan boundaries." [movie review]      The Hollywood Reporter   
  
3/5
     (2009)      "purrs along like a finely-calibrated machine for its first two thirds" [movie review]      Filmcritic.com   
  
5/10
     (2009)      "A finely pedigreed comic road film that, when all is said and done, is too finely-tooled for the NPR set to have much life left in it." [movie review]      PopMatters   
  
4/5
     (2009)      "Krasinski stitches these raw blasts of the subconscious with interludes that exude a pleasing, Woody Allen-esque tone, all fall colors and potent theorizing over white wine" [movie review]      Filmcritic.com   
  
3/5
     (2009)      "burns bright with brilliance before sputtering out in the end" [movie review]      Filmcritic.com   
  
3/5
     (2009)      "often inscrutable but still fresh and surprising" [movie review]      Filmcritic.com   
  
3/5
     (2009)      "A beautiful tissue-paper piece of art that falls to shreds should you so much as blow upon it" [movie review]      Filmcritic.com   
  
     (2009)      "A beautifully shot, would-be-penetrating drama about a closeted teacher in a small Czech village falls victim to a wandering plot and muffled characterizatio" [movie review]      Film Journal International   
  
3/5
     (2009)      "while Berlinger allows the film to get a little too star-struck, spending less time with the winningly humble patchwork alliance doing the lawsuit's hard work, Crude at least acknowledges the reason behind this shift" [movie review]      Filmcritic.com   
  
4/10
     (2009)      "Those who enjoy virtual roller-coaster rides and long falls from high places are encouraged to attend." [movie review]      PopMatters   
  
3/5
     (2009)      "The film threads enough thoughtful commentary into its whirligig media-fractured action plot to mostly make up for its lapses into cliché." [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "a dashing and bright entertainment that aims to please without scraping the floor for your approval" [movie review]      Filmcritic.com   
  
5/5
     (2009)      "While its ending notes may be those of possible catastrophe, Planet Earth can't be anything but hopeful, as really less a nature show than a series of snapshots of reasons to live." [movie review]      Filmcritic.com   
  
3/5
     (2009)      "It's not to say that the filmmakers should have resorted to pulp dramatics, but in correctly straining to not exploit their subjects, they forgot to fill in the spaces left behind." [movie review]      Filmcritic.com   
  
3/5
     (2009)      "...a more real piece of work than one would expect." [movie review]      Filmcritic.com   
  
8/10
     (2009)      "...uncharacteristically revolutionary among today's issue documentaries, and all the more refreshing for its bluntness." [movie review]      PopMatters   
  
7/10
     (2009)      "...crafts a crackling thriller out of the tangle of crafty maneuvering that ended apartheid." [movie review]      PopMatters   
  
3.5/5
     (2009)      "essentially the story of people auditioning for a show about auditions" [movie review]      Filmcritic.com   
  
4.5/5
     (2009)      "It's like a treehouse for grownups..." [movie review]      Filmcritic.com   
  
1.5/5
     (2009)      "Enough is enough" [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "it's hard not to feel by the end of this film that one is looking into the giggling face of evil." [movie review]      Filmcritic.com   
  
2/5
     (2009)      "a so utterly disposable comic-book film that one forgets it before it ends" [movie review]      Filmcritic.com   
  
1.5/5
     (2009)      "it's all pose, with hardly a laugh in sight" [movie review]      Filmcritic.com   
  
4/5
     (2009)      "A mob film that's as far from the genre's standard operating procedure as could be imagined" [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "A generally superb model of how to make a pop documentary" [movie review]      Filmcritic.com   
  
4/5
     (2009)      "the tale of an unlikely friendship, one that reaches across generational and cultural barriers" [movie review]      Filmcritic.com   
  
     (2009)      "At what point did the Harry Potter film franchise become a race against repetition?" [movie review]      PopMatters   
  
     (2009)      "Glenn McQuaid's microbudgeted debut is a jauntily gothic period spook story." [movie review]      The Hollywood Reporter   
  
3.5/5
     (2009)      "Il Divo is as showy as Gomorrah was spare, sometimes taking your breath away with its gutsy leaps of brilliance and sometimes acting like a bratty child desperate for attention." [movie review]      Filmcritic.com   
  
     (2009)      "Tarantino seems to have gotten high on the fumes of his own (admittedly addictive) creation here and just not known when to quit." [movie review]      PopMatters   
  
7/10
     (2009)      "...isn't just some vanity piece for boomer rock fans...It asks how music gets made, and occasionally why." [movie review]      PopMatters   
  
2.5/5
     (2009)      "could have been a perfectly fine B-grade thriller, but Bornedal overestimates his cleverness" [movie review]      Filmcritic.com   
  
     (2009)      "The soul shivers at the film's cold beauty." [movie review]      Film Journal International   
  
     (2009)      "A sad but clever science-fiction exercise about a man working alone on the Moon, with nothing but a talking computer and tape-recorded calls back to Earth to keep him sane." [movie review]      Film Journal International   
  
     (2009)      "This straightforward history lesson casts Daniel Ellsberg and his leaked Pentagon Papers as the first shot in the war that brought down the Nixon regime." [movie review]      The Hollywood Reporter   
  
4/5
     (2009)      "A polarizing family secrets drama whose moment of revelation is continually diverted in favor of enticing new fragments of the truth..." [movie review]      Filmcritic.com   
  
2/5
     (2009)      "one more cultural artifact lost in translation" [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "What with all the fatal accidents, deadly diseases, bar fights, and virtual stalking going on, this could almost be an American film." [movie review]      Filmcritic.com   
  
     (2009)      "As a kind of Rorschach-blot interpretation of cinema, The Pervert's Guide to Cinema contains all kinds of wicked fascinations." [movie review]      PopMatters   
  
2/5
     (2009)      "Were it not for the jangly screwball energy ... The Proposal would be just another desperate attempt to jam as many winning formula elements into one graceless package as possible." [movie review]      Filmcritic.com   
  
4/5
     (2009)      "delicate and indefinable, with only a thin reed of a story." [movie review]      Filmcritic.com   
  
2.5/5
     (2009)      "seems already dated" [movie review]      Filmcritic.com   
  
3/5
     (2009)      "both leads are at the top of their game in a story that normally brings out the worst in actors of this caliber" [movie review]      Filmcritic.com   
  
4.5/5
     (2009)      "a greatly satisfying parable of happenstance" [movie review]      Filmcritic.com   
  
     (2009)      "And just think, they haven't gotten to the Klingons yet..." [movie review]      PopMatters   
  
2.5/5
     (2009)      "The portrait may be accurate but Schmid's overly muted take on the story hardly does justice to the stark terror and injustice that lies at its core." [movie review]      Filmcritic.com   
  
     (2009)      "Mill's towering righteousness is just too much for this weak little film, whose only interest is in affirming the white patriarchal prerogative." [movie review]      PopMatters   
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