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 5/5 |
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(1952) |
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"The Wages of Fear is a frantic, vicious, existentialist howl that still manages to laugh; it goes grinning into the void."
[movie review] |
|
Filmcritic.com |
|
 |
 |
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| |
 2.5/5 |
|
(2006) |
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"not quite worthy of those on screen"
[movie review] |
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Filmcritic.com |
|
 |
 |
 |
| |
 5/5 |
|
(2001) |
|
"Waking Life takes a peek into that other ninety percent of the possibilities of the cinematic medium that nobody ever explores. Hopefully, others will follow."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 5/5 |
|
(2001) |
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"If there is justice in this world, this is the movie that will get people talking again about the excitement of film."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2005) |
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"...will win few points for art...but its subject matter provides such a wealth of material that subtlety is hardly required, nor even desired."
[movie review] |
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Filmcritic.com |
|
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 |
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| |

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(2008) |
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"...[a] loud and damning indictment of consumerism."
[movie review] |
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PopMatters |
|
 |
 |
 |
| |
 4/5 |
|
(2006) |
|
"These men have a point of view, plenty of them in fact, they just may not make sense to mere civilians. And that's as it should be."
[movie review] |
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Filmcritic.com |
|
 |
 |
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| |

|
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(2006) |
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"...so thinly contrived and poorly executed that one would imagine this was the director's first film."
[movie review] |
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Film Journal International |
|
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 |
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| |

|
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(2009) |
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"Aron Gaudet's film rages with quiet dignity against the dying of the light."
[movie review] |
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The Hollywood Reporter |
|
 |
 |
 |
| |
 1.5/5 |
|
(2008) |
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"astoundingly irritating"
[movie review] |
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Filmcritic.com |
|
 |
 |
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| |

|
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(2009) |
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"...rough-cut but fascinating."
[movie review] |
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PopMatters |
|
 |
 |
 |
| |
 4/5 |
|
(2003) |
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"Smart!"
[movie review] |
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Filmcritic.com |
|
 |
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| |
 2/5 |
|
(1985) |
|
Click here to see the review!
[movie review] |
|
Filmcritic.com |
|
 |
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| |
 2/5 |
|
(2004) |
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"About as middle of the road as comedies get."
[movie review] |
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Film Threat |
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 |
 |
 |
| |

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(2008) |
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"A vibrant account of a remarkable place that will find a warm home in the heart of just about any music fan."
[movie review] |
|
Film Journal International |
|
 |
 |
 |
| |
 2.5/5 |
|
(2008) |
|
"Though hardly a failure, What Doesn't Kill You is in the final measure definitely not what it could have been."
[movie review] |
|
Filmcritic.com |
|
 |
 |
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| |

|
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(2008) |
|
"A thinly dramatized slice of music history better suited for broadcast on an MTV offshoot than cinematic release."
[movie review] |
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Film Journal International |
|
 |
 |
 |
| |
 3.5/5 |
|
(1966) |
|
"reminds you of a time when Allen didn't have to try so hard"
[movie review] |
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Filmcritic.com |
|
 |
 |
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| |

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(2001) |
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"Limp, sketchy material."
[movie review] |
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Citysearch |
|
 |
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| |
 3/5 |
|
(2006) |
|
"hard for us to take too seriously"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2.5/5 |
|
(2006) |
|
"Instead of producing an inflammatory piece of agitprop, Paine's film is more like an especially edgy Saturn commercial."
[movie review] |
|
ToxicUniverse.com |
|
 |
 |
 |
| |

|
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(2006) |
|
"...raises more questions than it answers in a fumbled attempt to get to the bottom of America's increasingly permanent state of war."
[movie review] |
|
Film Journal International |
|
 |
 |
 |
| |
 2/5 |
|
(2004) |
|
"Straining for the aw-factor, “Win a Date with Tad Hamilton!” piles it all on poor Bosworth shoulders; it’s just not fair, you see how narrow they are."
[movie review] |
|
Film Threat |
|
 |
 |
 |
| |
 3.5/5 |
|
(2007) |
|
"A passionate and pitiless piece of work that fails only near the end when its internal political dogmatism outstrips and undercuts the story itself."
[movie review] |
|
ToxicUniverse.com |
|
 |
 |
 |
| |
 4/5 |
|
(1987) |
|
"Wonderfully imperfect, but a gem to those willing to follow along"
[movie review] |
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Filmcritic.com |
|
 |
 |
 |
| |
 5/5 |
|
(1972) |
|
"War is hell; Winter Soldier shows that this was true of the Vietnam War, only more so."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 10/10 |
|
|
|
"...A whole teeming world of perfectly flawed humanity that just gets richer the more one digs into it."
[movie review] |
|
PopMatters |
|
 |
 |
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| |

|
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(2002) |
|
"The best crime show out there, deserving of any and all hype."
[dvd review] |
|
Slant Magazine |
|
 |
 |
 |
| |
 5/5 |
|
|
|
"...nothing short of emotionally devastating."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4.5/5 |
|
(2004) |
|
"...not just the best show currently on television, but also possibly the most important."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2/5 |
|
(2008) |
|
"little more than a cursory glance at a particularly eventful period in history, one that deserves art of a more thoughtful nature."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4/5 |
|
(2006) |
|
"has an elliptical rhythm to it that's extremely reminiscent of French romantic films"
[movie review] |
|
Filmcritic.com |
|
 |
 |
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| |

|
|
(2008) |
|
"Diane English's version of "The Women" barely nudges from its Martha Stewart interiors, exchanging insights for platitudes. It's a cup of lukewarm tea, without even a biscuit on the side."
[movie review] |
|
PopMatters |
|
 |
 |
 |
| |
 3.5/5 |
|
(2003) |
|
"painstakingly teased out"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2004) |
|
"...this film stands out in a season of mushy emoting, looking long and hard at the unthinkable, hardly blinking."
[movie review] |
|
Filmcritic.com |
|
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 |
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| |

|
|
(2008) |
|
"...a scrupulously-controlled exercise in humiliation and expurgation, where both Aronofsky and Rourke look to cleanse themselves of past excesses with their tale of transcendent pain."
[movie review] |
|
PopMatters |
|
 |