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Other Info
Sources
• Cineman Syndicate
• Citysearch
• Elites TV
• Film Journal International
• Film Threat
• Filmcritic.com
• Hollywood Reporter
• PopMatters
• Reel.com
• Slant Magazine
• ToxicUniverse.com
Total Reviews: 577
Chris Barsanti
Chris Barsanti
Chris Barsanti

NEWS & FEATURES
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5/5
     (1952)      "The Wages of Fear is a frantic, vicious, existentialist howl that still manages to laugh; it goes grinning into the void." [movie review]      Filmcritic.com   
  
2.5/5
     (2006)      "not quite worthy of those on screen" [movie review]      Filmcritic.com   
  
5/5
     (2001)      "Waking Life takes a peek into that other ninety percent of the possibilities of the cinematic medium that nobody ever explores. Hopefully, others will follow." [movie review]      Film Threat   
  
5/5
     (2001)      "If there is justice in this world, this is the movie that will get people talking again about the excitement of film." [movie review]      Film Threat   
  
3.5/5
     (2005)      "...will win few points for art...but its subject matter provides such a wealth of material that subtlety is hardly required, nor even desired." [movie review]      Filmcritic.com   
  
     (2008)      "...[a] loud and damning indictment of consumerism." [movie review]      PopMatters   
  
4/5
     (2006)      "These men have a point of view, plenty of them in fact, they just may not make sense to mere civilians. And that's as it should be." [movie review]      Filmcritic.com   
  
     (2006)      "...so thinly contrived and poorly executed that one would imagine this was the director's first film." [movie review]      Film Journal International   
  
     (2009)      "Aron Gaudet's film rages with quiet dignity against the dying of the light." [movie review]      The Hollywood Reporter   
  
1.5/5
     (2008)      "astoundingly irritating" [movie review]      Filmcritic.com   
  
     (2009)      "...rough-cut but fascinating." [movie review]      PopMatters   
  
4/5
     (2003)      "Smart!" [movie review]      Filmcritic.com   
  
2/5
     (1985)      Click here to see the review! [movie review]      Filmcritic.com   
  
2/5
     (2004)      "About as middle of the road as comedies get." [movie review]      Film Threat   
  
     (2008)      "A vibrant account of a remarkable place that will find a warm home in the heart of just about any music fan." [movie review]      Film Journal International   
  
2.5/5
     (2008)      "Though hardly a failure, What Doesn't Kill You is in the final measure definitely not what it could have been." [movie review]      Filmcritic.com   
  
     (2008)      "A thinly dramatized slice of music history better suited for broadcast on an MTV offshoot than cinematic release." [movie review]      Film Journal International   
  
3.5/5
     (1966)      "reminds you of a time when Allen didn't have to try so hard" [movie review]      Filmcritic.com   
  
     (2001)      "Limp, sketchy material." [movie review]      Citysearch   
  
3/5
     (2006)      "hard for us to take too seriously" [movie review]      Filmcritic.com   
  
2.5/5
     (2006)      "Instead of producing an inflammatory piece of agitprop, Paine's film is more like an especially edgy Saturn commercial." [movie review]      ToxicUniverse.com   
  
     (2006)      "...raises more questions than it answers in a fumbled attempt to get to the bottom of America's increasingly permanent state of war." [movie review]      Film Journal International   
  
2/5
     (2004)      "Straining for the aw-factor, “Win a Date with Tad Hamilton!” piles it all on poor Bosworth shoulders; it’s just not fair, you see how narrow they are." [movie review]      Film Threat   
  
3.5/5
     (2007)      "A passionate and pitiless piece of work that fails only near the end when its internal political dogmatism outstrips and undercuts the story itself." [movie review]      ToxicUniverse.com   
  
4/5
     (1987)      "Wonderfully imperfect, but a gem to those willing to follow along" [movie review]      Filmcritic.com   
  
5/5
     (1972)      "War is hell; Winter Soldier shows that this was true of the Vietnam War, only more so." [movie review]      Filmcritic.com   
  
10/10
          "...A whole teeming world of perfectly flawed humanity that just gets richer the more one digs into it." [movie review]      PopMatters   
  
     (2002)      "The best crime show out there, deserving of any and all hype." [dvd review]      Slant Magazine   
  
5/5
          "...nothing short of emotionally devastating." [movie review]      Filmcritic.com   
  
4.5/5
     (2004)      "...not just the best show currently on television, but also possibly the most important." [movie review]      Filmcritic.com   
  
2/5
     (2008)      "little more than a cursory glance at a particularly eventful period in history, one that deserves art of a more thoughtful nature." [movie review]      Filmcritic.com   
  
4/5
     (2006)      "has an elliptical rhythm to it that's extremely reminiscent of French romantic films" [movie review]      Filmcritic.com   
  
     (2008)      "Diane English's version of "The Women" barely nudges from its Martha Stewart interiors, exchanging insights for platitudes. It's a cup of lukewarm tea, without even a biscuit on the side." [movie review]      PopMatters   
  
3.5/5
     (2003)      "painstakingly teased out" [movie review]      Filmcritic.com   
  
3.5/5
     (2004)      "...this film stands out in a season of mushy emoting, looking long and hard at the unthinkable, hardly blinking." [movie review]      Filmcritic.com   
  
     (2008)      "...a scrupulously-controlled exercise in humiliation and expurgation, where both Aronofsky and Rourke look to cleanse themselves of past excesses with their tale of transcendent pain." [movie review]      PopMatters   
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