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4.5/5 |
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(1942) |
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"...screwball comedy of the highest order."
[movie review] |
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Filmcritic.com |
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4/5 |
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(2006) |
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"In Pan's Labyrinth, del Toro pays as much attention to his humans as he does to his beasts, unleashing a story with all the shivering intensity and satisfying denouement of the darkest Grimm's fairy tale."
[movie review] |
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Filmcritic.com |
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3.5/5 |
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(2009) |
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"What with all the fatal accidents, deadly diseases, bar fights, and virtual stalking going on, this could almost be an American film."
[movie review] |
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Filmcritic.com |
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3/5 |
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(2007) |
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"Practically giddy with energy."
[movie review] |
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Filmcritic.com |
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3/5 |
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(2003) |
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"Culkin and Green, both just as fabulous and pretentious as they can be, pull it off."
[movie review] |
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Filmcritic.com |
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(2008) |
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"When it comes to the music, Dream of Life almost makes up for all its other wandering failings."
[movie review] |
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Film Journal International |
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3.5/5 |
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(2003) |
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"'Paycheck' is a speedy thing, both in story and appearance, Woo having given the film a clean, tooled-steel appearance."
[movie review] |
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Film Threat |
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3.5/5 |
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(1970) |
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"The last half of the film is sheer nonsense, and less interesting nonsense than that which preceded it"
[movie review] |
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Filmcritic.com |
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5/5 |
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(2007) |
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"A work of art that's light as a feather. A true masterpiece."
[movie review] |
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Filmcritic.com |
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(2009) |
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"As a kind of Rorschach-blot interpretation of cinema, The Pervert's Guide to Cinema contains all kinds of wicked fascinations."
[movie review] |
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PopMatters |
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(1936) |
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"A ripping thriller shadowed with overtones of societal decay and Darwinian selection.
"
[dvd review] |
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Slant Magazine |
|
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3.5/4 |
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(1936) |
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"Huch of what’s on display here evokes a society on the decline."
[movie review] |
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Slant Magazine |
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2/5 |
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(2004) |
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"A rather hysterical oddity."
[movie review] |
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Filmcritic.com |
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2/5 |
|
(1936) |
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"a rather hysterical oddity"
[movie review] |
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Filmcritic.com |
|
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4/5 |
|
(1959) |
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"...the slow-burn of LaSalle's performance may be simplicity itself but it's hard to shake afterward."
[movie review] |
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Filmcritic.com |
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2.5/5 |
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(2008) |
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"The action and comedy mix has never been an easy one to manage, and unfortunately Pineapple Express fails in that respect almost completely."
[movie review] |
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Filmcritic.com |
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3/5 |
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(2007) |
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"At World's End, shows that Hollywood excess, when combined with the right combination of actors and an occasionally smart script, can work out quite nicely, thank you very much."
[movie review] |
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Filmcritic.com |
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(2006) |
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"A plangent record of the landmark group's 2004 reunion tour that should dispel any remaining romantic notions about the rock lifestyle."
[movie review] |
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Film Journal International |
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3.5/5 |
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(2008) |
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"As any good film that culminates in a dance competition must, it hypes the pounding music, cheering crowds, and mawkish family backstories to the extreme."
[movie review] |
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Filmcritic.com |
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5/5 |
|
(2007) |
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"less a nature show than a series of snapshots of reasons to live."
[movie review] |
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Filmcritic.com |
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4/5 |
|
|
|
"Problematic as it is, this is that rare kind of political film that makes a good faith effort at getting its viewers to look at the world in a different way."
[movie review] |
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Filmcritic.com |
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3/5 |
|
(2003) |
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"could have gone further with the situation’s opportunities for black humor"
[movie review] |
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Filmcritic.com |
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3.5/5 |
|
(2006) |
|
"A perplexingly kooky comedy about death, [it] manages to do what Altman has almost never done before: allow a different artist their own voice."
[movie review] |
|
ToxicUniverse.com |
|
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3.5/5 |
|
(2005) |
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"a welcome reminder of how accurate a weapon the right satire can be"
[movie review] |
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Filmcritic.com |
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3/5 |
|
(1986) |
|
"It is perhaps too much to ask that a John Hughes film bear the standard for class warfare in the 1980s, especially when the film was so tone-deaf in depicting its subculture's milieu."
[movie review] |
|
ToxicUniverse.com |
|
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4/5 |
|
(2005) |
|
"not just another black comedy about a manipulative high school *****"
[movie review] |
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Filmcritic.com |
|
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2/5 |
|
(2005) |
|
"barely delivers the goods necessary for the genre"
[movie review] |
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Filmcritic.com |
|
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| |
2/5 |
|
(2009) |
|
"Were it not for the jangly screwball energy ... The Proposal would be just another desperate attempt to jam as many winning formula elements into one graceless package as possible."
[movie review] |
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Filmcritic.com |
|
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| |
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(2006) |
|
"The finest, strangest and most uncompromising western to hit screens since Unforgiven."
[movie review] |
|
Film Journal International |
|
|
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| |
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(1931) |
|
"Cagney shoots a horse, and gets himself a career.
"
[dvd review] |
|
Slant Magazine |
|
|
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| |
3.5/4 |
|
(1931) |
|
"Contrary to popular opinion, the best moment in the film isn’t when Jimmy Cagney shoves a grapefruit in his girlfriend’s face."
[movie review] |
|
Slant Magazine |
|
|
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| |
3.5/5 |
|
(1971) |
|
"a troubling document from a time when the country seemed about to tip into chaos"
[movie review] |
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Filmcritic.com |
|
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| |
7/10 |
|
(1978) |
|
"...an addlebrained and occasionally droning but nevertheless vital window onto a revolt while it's in progress."
[movie review] |
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PopMatters |
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