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| |
 2.5/5 |
|
(2005) |
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"downright silly and pretentious"
[movie review] |
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Filmcritic.com |
|
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| |

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(2000) |
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"Tells a hard and true, though nostalgic, story."
[movie review] |
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Citysearch |
|
 |
 |
 |
| |
 4/5 |
|
(1941) |
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"sharp and jagged... stripped clean"
[movie review] |
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Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2004) |
|
"Scott’s laudable attempt to push the envelope emotionally can’t quite overcome the screenplay’s limitations"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4/5 |
|
(2008) |
|
"One of the best things about Man on Wire is how little it tries to decipher Petit's actions, even with the copious amount of time it spends interviewing him and his accomplices"
[movie review] |
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Filmcritic.com |
|
 |
 |
 |
| |
 2.5/5 |
|
(2007) |
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"borders on thoughtless"
[movie review] |
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Filmcritic.com |
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 |
 |
 |
| |
 1.5/5 |
|
(2003) |
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"Avert your eyes"
[movie review] |
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Filmcritic.com |
|
 |
 |
 |
| |
 1.5/5 |
|
(2005) |
|
"like catching a second-rate rerun of The Daily Show"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2007) |
|
"a smart and honestly ugly film, with well-toned dialogue and an acute understanding of neurotic compulsion... a minor piece of work"
[movie review] |
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Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2003) |
|
"Strictly for fans of the high seas, history and stirring calls to arms ... the best boy’s adventure of the year."
[movie review] |
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Film Threat |
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 |
 |
 |
| |
 1.5 |
|
(2003) |
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"Once the Wachowskis dragged us down the rabbit-hole, they had nothing left to show, just hokum and ideas stolen from other films."
[movie review] |
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Film Threat |
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 |
 |
 |
| |
 2.5/5 |
|
(2003) |
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"incomplete and exploitative"
[movie review] |
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Filmcritic.com |
|
 |
 |
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| |
 2/5 |
|
(2005) |
|
"the world of the film is so narrow that pre-occupation Japan looks like a feudal Disneyland, where everybody knew their place and the cherry blossoms were always falling"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2005) |
|
"the hollowness of it all becomes deafening"
[movie review] |
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Filmcritic.com |
|
 |
 |
 |
| |
 4/5 |
|
(2007) |
|
"a panicked maelstrom of chases and false leads that all lead to the same murderous finale"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 2/5 |
|
(2005) |
|
"aims for an After Hours-style, nighttime stew of insanity and coincidence but ends up merely showcasing meaningless lives"
[movie review] |
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Filmcritic.com |
|
 |
 |
 |
| |

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(2008) |
|
"There may be a subtle bone somewhere in Spike Lee, but it would take a team of skilled surgeons to find it."
[movie review] |
|
PopMatters |
|
 |
 |
 |
| |
 3/5 |
|
(2005) |
|
"this admittedly stupendous-looking film deserves quite a lot of credit for trying, even if the end result never quite makes it"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3/5 |
|
(2003) |
|
"although Jenkins does seem to be hip to the fact that Wuornos was lying about her supposed motivations for all the killings, the film has a tendency to let her off the hook."
[movie review] |
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Filmcritic.com |
|
 |
 |
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| |

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(2009) |
|
"A sad but clever science-fiction exercise about a man working alone on the Moon, with nothing but a talking computer and tape-recorded calls back to Earth to keep him sane."
[movie review] |
|
Film Journal International |
|
 |
 |
 |
| |

|
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(2009) |
|
"This straightforward history lesson casts Daniel Ellsberg and his leaked Pentagon Papers as the first shot in the war that brought down the Nixon regime."
[movie review] |
|
The Hollywood Reporter |
|
 |
 |
 |
| |
 2/5 |
|
(2005) |
|
"Frears' lazy directing and Sherman's meandering script insistently go for the safe, for the cozy, each and every time the film shows a glimmer of potential."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4/5 |
|
(2005) |
|
"a brave attempt to wrestle with the impossible"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 4/5 |
|
(2009) |
|
"A polarizing family secrets drama whose moment of revelation is continually diverted in favor of enticing new fragments of the truth..."
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2003) |
|
"a film that could have been successful simply as a study of the several structures that are featured in it"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2008) |
|
"mostly a success, though set apart from Wong's previous work in that it won't have people coming back over and over again"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |
 3.5/5 |
|
(2007) |
|
"Maybe the paintings (many of which are quite extraordinarily complex and beautiful) are indeed collaborations of a sort between Mark and Marla; should it matter?"
[movie review] |
|
Filmcritic.com |
|
 |
 |
 |
| |

|
|
(2008) |
|
"...less a greatest-hits package than a reminder of simple joys, like mocking lousy movies."
[movie review] |
|
PopMatters |
|
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