 |
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2/5 |
|
(2005) |
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"A film that works overtime to offend each and every ethnic group and economic class that makes up the smoggy purgatory of Los Angeles while simultaneously patting itself on the back for being so putatively daring."
[movie review] |
|
Filmcritic.com |
|
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3/5 |
|
(1990) |
|
"Just another action movie, with the usual tenuous-at-best grip on reality."
[movie review] |
|
Filmcritic.com |
|
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4/5 |
|
(1941) |
|
"...as powerful a feminist statement as it is a smart comedy, and all the more so for hardly seeming to break a sweat in the process."
[movie review] |
|
Filmcritic.com |
|
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2/5 |
|
(2008) |
|
"so mild-mannered it only occasionally registers a pulse"
[movie review] |
|
Filmcritic.com |
|
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1.5/5 |
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(2005) |
|
"...less art than a joyless exercise in poorly conceived perversity."
[movie review] |
|
Film Threat |
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3/5 |
|
(2003) |
|
"If only all of this could have meant something. Because for all the beauty and savagery on display here ... it seems at times arbitrary."
[movie review] |
|
Film Journal International |
|
|
|
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3/5 |
|
(2003) |
|
"Zwick has an ace up his sleeve, in addition to all the glorious scenery and pulse-pounding battles, and that’s Ken Watanabe."
[movie review] |
|
Film Threat |
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4/5 |
|
(2007) |
|
"takes a smart and terrifying scenario and plays it out to the logical extreme"
[movie review] |
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Filmcritic.com |
|
|
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| |
3.5/5 |
|
(2005) |
|
"Although ultimately no less artificial than hyperactive laddie gangster flicks like Snatch ... just an uncommonly good one."
[movie review] |
|
Film Threat |
|
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| |
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(2008) |
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"...effectively dark-minded Swedish chiller."
[movie review] |
|
Film Journal International |
|
|
|
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| |
3/5 |
|
(2004) |
|
"Sure, it’s in essence a love letter to Barney Frank, but from the looks of things, he seems to deserve it."
[movie review] |
|
Filmcritic.com |
|
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| |
3.5/5 |
|
(2006) |
|
"achieves greatness by making us more privy to these men's inner lives"
[movie review] |
|
Filmcritic.com |
|
|
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| |
3.5/5 |
|
(2004) |
|
"This may a film composed only of little moments, ah, but what moments they are."
[movie review] |
|
Filmcritic.com |
|
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| |
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(2009) |
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"The soul shivers at the film's cold beauty."
[movie review] |
|
Film Journal International |
|
|
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| |
3/5 |
|
(1962) |
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"An iconic representation of a time, less so now."
[movie review] |
|
Filmcritic.com |
|
|
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| |
|
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(2006) |
|
"Burns seems not nearly as engaged with his story as one would hope. And why should he be? He could write another like this before lunch."
[movie review] |
|
Film Journal International |
|
|
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| |
2.5/5 |
|
(2005) |
|
"it’s a point weakly made, with depressingly little to back it up"
[movie review] |
|
Filmcritic.com |
|
|
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| |
2.5/5 |
|
(2008) |
|
"whatever meaning the film might have had about China's disaffected, new striving capitalists is lost in the chaos and clutter"
[movie review] |
|
Filmcritic.com |
|
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| |
2.5/5 |
|
(2003) |
|
"Could it be that for his directorial debut, Curtis decided not to actually write a new film, but to simply empty out his hard drive of uncompleted sketches?"
[movie review] |
|
Film Threat |
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| |
2.5/5 |
|
(2003) |
|
"The hollowness of the stories that lie behind each of these shameless heart-grabbers, laugh-getters and tear-jerkers becomes quickly apparent."
[movie review] |
|
Film Threat |
|
|
|
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| |
2.5/5 |
|
(2006) |
|
"not quite enough to make this the explosive debut he no doubt was wishing for."
[movie review] |
|
Filmcritic.com |
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|
