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Other Info
Sources
• Cineman Syndicate
• Citysearch
• Elites TV
• Film Journal International
• Film Threat
• Filmcritic.com
• Hollywood Reporter
• PopMatters
• Reel.com
• Slant Magazine
• ToxicUniverse.com
Total Reviews: 577
Chris Barsanti
Chris Barsanti
Chris Barsanti

NEWS & FEATURES
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9/10
     (1964)      "Being suppressed by those who wanted [I Am Cuba] made in the first place is a vindication of sorts. Mere propaganda only reinforces the status quo. True art is revolutionary." [movie review]      PopMatters   
  
     (2007)      "Given the powerful drama of life in this city...it is frustrating in the extreme to see a filmmaker turn so dramatically away from it, and choose banality." [movie review]      Film Journal International   
  
4/5
     (1990)      Click here to see the review! [movie review]      Filmcritic.com   
  
     (2009)      "Glenn McQuaid's microbudgeted debut is a jauntily gothic period spook story." [movie review]      The Hollywood Reporter   
  
3/5
     (2007)      "should be less disappointing than it is." [movie review]      Filmcritic.com   
  
3.5/5
     (2004)      "more ghost story than revenge tale" [movie review]      Filmcritic.com   
  
3/5
     (2005)      "It's sort of an elaborate home movie mixed with social studies, but an impressive effort, nonetheless." [movie review]      Filmcritic.com   
  
3/5
     (2005)      "a smart and angst-ridden piece of crime existentialism that loses only its nerve, never its brain." [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "Il Divo is as showy as Gomorrah was spare, sometimes taking your breath away with its gutsy leaps of brilliance and sometimes acting like a bratty child desperate for attention." [movie review]      Filmcritic.com   
  
2/5
     (2006)      "so much disappointment, tinged with boredom." [movie review]      Filmcritic.com   
  
3.5/5
     (2004)      "unusually bold and affecting" [movie review]      Filmcritic.com   
  
4/5
     (2008)      "a fantastic start to a new career." [movie review]      Filmcritic.com   
  
2.5/5
     (2004)      "There’s a fantastic movie buried somewhere in here, and maybe Cameron Crowe or James L. Brooks could have pulled it out" [movie review]      Filmcritic.com   
  
2.5/5
     (2004)      "deserves something much stranger, far more unreal" [movie review]      Filmcritic.com   
  
4/5
     (2007)      "achingly sad" [movie review]      Filmcritic.com   
  
3/5
     (2006)      "This may be the first documentary in memory that will have audiences clamoring, "More hard data! More charts!"" [movie review]      ToxicUniverse.com   
  
     (1981)      "There should be room in our collective imagination for a hero who makes mistakes, lots of them, and still saves the day." [dvd review]      PopMatters   
  
     (2008)      "With moviegoers facing a grim season of pallid CGI battle-toons ... even the problematic adventures of one Indiana Jones can feel like a rich banquet in comparison." [movie review]      PopMatters   
  
3/5
     (2003)      "It’s a cop movie that’s constantly trying to convince you it’s not just a cop movie" [movie review]      Filmcritic.com   
  
     (2009)      "Tarantino seems to have gotten high on the fumes of his own (admittedly addictive) creation here and just not known when to quit." [movie review]      PopMatters   
  
     (2006)      "David Lynch slingshots audiences to the dark side of the moon with a three-hour nightmare of a vision that single-handedly returns him to the forefront of filmmakers." [movie review]      Film Journal International   
  
     (2004)      "...builds to its climax with inexorable precision, yet never hits audiences over the head with manufactured emotional moments." [movie review]      Film Journal International   
  
3.5/5
     (2005)      "moves like a bullet, running through its subjects with punch-drunk glee and stitching it all together with a pounding K-Tel Super Hits of the Seventies soundtrack" [movie review]      Filmcritic.com   
  
4.5/5
     (2006)      "A film that swaggers." [movie review]      Filmcritic.com   
  
     (2007)      "Already easily ranks as one of the great cinematic documents of our time." [movie review]      Film Journal International   
  
4/5
     (2003)      "Probably the Coen's funniest movie since Raising Arizona." [movie review]      Film Threat   
  
4/5
     (2003)      "A great movie." [movie review]      Film Threat   
  
     (2001)      "Alluring, but ultimately insubstantial." [movie review]      Citysearch   
  
3.5/5
     (2006)      "there's an undeniable rage at work here which one has to hope would influence somebody of importance somewhere. There's always hope." [movie review]      Filmcritic.com   
  
4/5
     (2006)      "Told in tones both wondrous and horrible." [movie review]      Filmcritic.com   
  
4/5
     (1999)      "The kind of movie that Disney should be making, if they were still doing their job." [dvd review]      Elites TV   
  
7/10
     (2009)      "...isn't just some vanity piece for boomer rock fans...It asks how music gets made, and occasionally why." [movie review]      PopMatters   
  
2/5
     (2003)      "a distant and distinctly minor piece of work" [movie review]      Filmcritic.com   
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