 |
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3/5 |
|
(1944) |
|
"...half a Sturges is better than no Sturges at all."
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
3.5/5 |
|
(2005) |
|
"a quieter, less uproarious sort of film than Sex, less intent on smashing conventions of morality and narrative, though likely it will age much better with time"
[movie review] |
|
Filmcritic.com |
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| |
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(2008) |
|
"Watching Mike Leigh's sublimely fresh Happy-Go-Lucky, you could be forgiven for wondering what the rest of humanity is so depressed about, anyway."
[movie review] |
|
PopMatters |
|
|
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2/5 |
|
(2005) |
|
"forgets along the way to tell a compelling story."
[movie review] |
|
Filmcritic.com |
|
|
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| |
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|
(2009) |
|
"At what point did the Harry Potter film franchise become a race against repetition?"
[movie review] |
|
PopMatters |
|
|
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| |
2.5/5 |
|
(2002) |
|
"It's hard to know whether or not to recommend this film because for every thing it does right there's at least one and occasionally two things it gets ever so wrong."
[movie review] |
|
Film Threat |
|
|
|
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| |
4/5 |
|
(1991) |
|
"For a portrait of cinematic obsession and unbridled megalomania... one would be hard pressed to find a more satisfying piece of work than Hearts of Darkness"
[movie review] |
|
Filmcritic.com |
|
|
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| |
5/5 |
|
(1995) |
|
"...one of the greatest crime films of all time."
[movie review] |
|
Film Threat |
|
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2/5 |
|
(1943) |
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"too little to make up for the emptiness that lies at the core of the film’s conceit"
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
3/5 |
|
(2008) |
|
"frustrating but nearly impossible to forget"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(1989) |
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"wildly haphazard"
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
2.5/5 |
|
(2003) |
|
"plays like a lower (much, much lower) budgeted, Jewish version of Malcolm Lee’s funnier Undercover Brother"
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
2/5 |
|
(2005) |
|
"a meek little slip of a film, hardly worthy of any of the talent at hand"
[movie review] |
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Filmcritic.com |
|
|
|
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| |
|
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(2007) |
|
"Helvetica spins its wheels for a good part of its rather short running time, making the same points over and again, with diminishing effect each time."
[movie review] |
|
Film Journal International |
|
|
|
|
| |
4/5 |
|
(2004) |
|
"A feast for the eyes and the heart."
[movie review] |
|
Cineman Syndicate |
|
|
|
|
| |
4/5 |
|
(2005) |
|
"there’s much more roiling beneath the surface here than may be apparent on a single viewing."
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
2/5 |
|
(2005) |
|
"the makers of Hitch – a film that overstays its welcome by a good half-hour – seem to be the only filmmakers in Hollywood to not know how to put together a fast happy ending"
[movie review] |
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Filmcritic.com |
|
|
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| |
4/5 |
|
(2005) |
|
"Adams fans will have to content themselves with the fact that, while the film is not perfect, it is indeed the best they could realistically have hoped for."
[movie review] |
|
Film Threat |
|
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| |
2.5/5 |
|
(2005) |
|
"what should have been a religious experience comes off more like a botched coming-of-age tale with some pungent atmospherics."
[movie review] |
|
Filmcritic.com |
|
|
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| |
2/5 |
|
(2004) |
|
"Whatever reservoir of good will the filmmakers may have built up during the earlier passages is exhausted by the conclusion’s purposeless dramatics."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2/5 |
|
(2006) |
|
"There is less truth in this entire work than in a few minutes of such recent documentaries as The War Tapes or The Ground Truth."
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
9/10 |
|
(1991) |
|
"In Homicide's electric pop of language, Mamet provides a grand kind of stage for the ugly catalyst of jealousy and racial hatred that curdles in just about every character's mind."
[dvd review] |
|
PopMatters |
|
|
|
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| |
2/5 |
|
(2007) |
|
"so lacking in punch or drive that you just start waiting for the thing to end"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
2.5/5 |
|
(1955) |
|
"The limits of the lengths to which dazzling camerawork and curled-lip noir bravado can make up for thoroughly ham-fisted dialogue are tested in Sam Fuller’s gangster picture"
[movie review] |
|
Filmcritic.com |
|
|
|
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| |
|
|
(2007) |
|
"...keeps things moving even when there is actually little going on besides morbid ruminations and deep drifts of sleep."
[movie review] |
|
PopMatters |
|
|
|
|
| |
3.5/5 |
|
(1981) |
|
"You could fashion a good drinking game out of catching all the sight gags"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3/5 |
|
(2004) |
|
"a passionate and worthy assault on an ugly period in our history"
[movie review] |
|
Filmcritic.com |
|
|
|
|
| |
3.5/5 |
|
(2005) |
|
"somehow it pulls through, surpassing all the pimp and wannabe-a-rap-star shtick"
[movie review] |
|
Filmcritic.com |
|
|
