Online Film Critics Society
Home     About OFCS     Member Profiles     Schedule     Forum     Awards     OFCS Blog
    O.F.C.S. Members: Sign In    

Other Info
Sources
• Cineman Syndicate
• Citysearch
• Elites TV
• Film Journal International
• Film Threat
• Filmcritic.com
• Hollywood Reporter
• PopMatters
• Reel.com
• Slant Magazine
• ToxicUniverse.com
Total Reviews: 577
Chris Barsanti
Chris Barsanti
Chris Barsanti

NEWS & FEATURES
Article type:      Default Sorting (most recent)
A  B  C  D  E  F  ( G )  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 27) of 27  
Sort by
RATING
    
Sort by
TITLE/YEAR
    
Sort by
QUOTE
    
Sort by
SOURCE
  
  
2/5
     (2009)      "a so utterly disposable comic-book film that one forgets it before it ends" [movie review]      Filmcritic.com   
  
1/5
     (2004)      "doomed to late-night rotation on some high-digit, bargain-basement cable channel" [movie review]      Filmcritic.com   
  
3/4
     (2004)      "A flawed but funny and heartfelt film that suggests: maybe you can go home again—even if that means coming back to Jersey." [movie review]      Slant Magazine   
  
2.5/5
     (1944)      "a moderately entertaining variation on the old gothic thriller" [movie review]      Filmcritic.com   
  
4/5
     (2008)      "By the end of these seven episodes, viewers will easily feel that they know and understand each of these very unique men, even if you wouldn't want them within 50 yards of your sister." [movie review]      Filmcritic.com   
  
1.5/5
     (2009)      "it's all pose, with hardly a laugh in sight" [movie review]      Filmcritic.com   
  
3/5
     (2008)      "a tasty cocktail of romance and jealousy" [movie review]      Filmcritic.com   
  
     (2006)      "Giuliani Time ultimately includes much useful information ... [but] anybody who reads The Village Voice will find nothing here to surprise them." [movie review]      Film Journal International   
  
     (2007)      "The film is nothing more than a rapidly tiresome gag that barely seems to understand the knotty philosophical problems being posited by its lusty fembot heroine." [movie review]      Film Journal International   
  
     (2008)      "A completely charming piece of work that's as unassuming and winning as the man himself." [movie review]      Film Journal International   
  
4/5
     (2008)      Click here to see the review! [movie review]      Filmcritic.com   
  
4/5
     (2009)      "A mob film that's as far from the genre's standard operating procedure as could be imagined" [movie review]      Filmcritic.com   
  
4/5
     (2006)      "Noirs this good don't come along every day, or even every year." [movie review]      Filmcritic.com   
  
3.5/5
     (2009)      "A generally superb model of how to make a pop documentary" [movie review]      Filmcritic.com   
  
4/5
     (2005)      "Clooney and Co. have given us a civics lesson. But you could hardly ask for a better one." [movie review]      Filmcritic.com   
  
4/5
     (2006)      "ambitious, multilayered" [movie review]      Filmcritic.com   
  
4/5
     (2009)      "the tale of an unlikely friendship, one that reaches across generational and cultural barriers" [movie review]      Filmcritic.com   
  
2.5/5
     (2003)      "not terribly original" [movie review]      Filmcritic.com   
  
3.5/5
     (2007)      "delivers a certain kind of Midwestern pathos that's understated almost to the point of invisibility" [movie review]      Filmcritic.com   
  
3.5/5
     (1940)      "The trademark Sturges dialogue is in rare form here, each character armed with a quiver full of tart jabs and put-downs." [movie review]      Filmcritic.com   
  
2.5/5
     (2005)      "Sometimes you can have the best story a filmmaker could ask for, a giant pile of money and all the best intentions, only to end up with a sub-par piece of work." [movie review]      Filmcritic.com   
  
2.5/5
     (2004)      Click here to see the review! [movie review]      Filmcritic.com   
  
2.5/5
     (2005)      "Dare it be said that a Fox sitcom was more groundbreaking than a no-holds-barred IFC production? Dare, dare." [movie review]      Filmcritic.com   
  
     (2008)      "...never makes a strong case for its necessity." [movie review]      PopMatters   
  
3/5
     (2006)      "...loses a grand opportunity: to preach to the unconverted." [movie review]      Filmcritic.com   
  
3/5
     (2005)      "not quite as rogue as its filmmakers appear to think," [movie review]      Filmcritic.com   
  
1.5/5
     (2001)      "By the end, you’ll wish to never see another flowing scarf or hear another Fleetwood Mac song ever again." [movie review]      Cineman Syndicate   
A  B  C  D  E  F  ( G )  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 27) of 27  

powered by ROTTEN TOMATOES
All articles and reviews on this website © the respective authors.
All other content © The Online Film Critics Society (0.11)