 |
|
|
|
|
|
|
|
|
 |
 |
 |
| |
 C+ |
|
(2004) |
|
"Skimming the surface of its subjects, The Ladykillers is really little more than an acting showcase for its ensemble."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
--
|
|
(1996) |
|
Click here to see the review!
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 A- |
|
(2002) |
|
"Stripped of pretentions, Last Dance offers up a wholly human, tantalizingly imperfect struggle to create beauty and resonance."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 A- |
|
(2006) |
|
"Whitaker and McAvoy inhabit their roles so fully that the film around them transforms into a major document of 1970's cultural myopia."
[movie review] |
|
Modern Fabulousity |
|
 |
 |
 |
| |
 C |
|
(2003) |
|
"Lacking authenticity, history, or understanding of its subject, Zwick, Cruise and Company have simply ripped off Kurosawa's The Seven Samurai."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 B+ |
|
(2004) |
|
"Even as it subscribes to the conventions of modern romantic comedy, it never compromises its characters' truths."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 B |
|
(2003) |
|
"More hagiography than critique, smoothing out Bowery's rough edges to paint him as an irrepressibly charming svengali."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 B- |
|
(1999) |
|
"Stamp is the elder statesman of intelligent counterculture cinema, and his performance here makes what is otherwise a lackluster project come energetically alive."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 A- |
|
(2007) |
|
"This unlikely heist movie is really another showcase for rising star Joseph Gordon-Levitt."
[movie review] |
|
Modern Fabulousity |
|
 |
 |
 |
| |
 A |
|
(2003) |
|
"A dreamy marriage of myth and special effects, of great literature and popcorn entertainment."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 A+ |
|
(2002) |
|
"The most exciting vision captured on cinema, two years running."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 A |
|
(2005) |
|
"Reaches beyond the cinematic frame as far as it can to catch big air, giving its audience a you-are-there viscerality."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 A |
|
(2003) |
|
"Never rushed, never pushed, Coppola's steady hand is felt in almost every frame, gently coaxing her subjects and story to a deeper, invigorating resolution."
[movie review] |
|
Mixed Reviews |
|
 |
 |
 |
| |
 C |
|
(2003) |
|
"Any love these characters may or may not actually share is so innocuous, and so downright false, that it sadly becomes invisible."
[movie review] |
|
Mixed Reviews |
|
 |