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RATING |
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 3/4 |
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(2006) |
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"A charmer in the truest sense of the term by getting to watch Freeman break out and have a lot of fun alongside one of the most beautiful and exciting actresses hopefully starting to get her due in America."
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eFilmCritic.com |
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 3/5 |
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(1999) |
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"Here was a film with a scope far beyond the reaches of a mediocre director like Crichton."
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eFilmCritic.com |
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 3/4 |
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(2007) |
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"While 1408 is no Shining, it's a solid and welcome entry to the kind of begotten supernatural tales all too sparse in contemporary cinema."
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eFilmCritic.com |
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 4/4 |
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(2002) |
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"Deserves all the praise that’s been spread out over Lee’s career into a collective achievement that is both stunningly powerful and delivers the message that has been lacking of late in so many “message” movies."
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eFilmCritic.com |
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 3/5 |
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(2000) |
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Click here to see the review!
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2007) |
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"Mixing it up between outright action and blinding sequences of terror, it's precisely the type of pace a sequel of this sort needs to satisfy fans"
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eFilmCritic.com |
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 3.5/4 |
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(2007) |
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"Every piercing, slashing and beheading is front and center forming the kind of orgiastic tango of bloodletting that would have Peckinpah offering Zack Snyder a cigar."
[movie review] |
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eFilmCritic.com |
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 4/5 |
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(2007) |
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"It honors both the genre and the original film without doing harm to either while containing enough of its own virtues to allow it to stand alone as its own entity."
[movie review] |
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eFilmCritic.com |
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 4/4 |
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(2005) |
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"Wedding Crashers will gross close to $200 million by run's end. If that’s the playing field comedy fans want to set, then The 40-Year Old Virgin deserves to outgross Titanic."
[movie review] |
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eFilmCritic.com |
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 4/4 |
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(2009) |
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"Probably the closest this generation has come to having their own Annie Hall."
[movie review] |
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eFilmCritic.com |
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 3/5 |
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(1998) |
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"A return to form for director Joel Schumacher."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2006) |
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"Very much like the drug which inhabits it; splitting its own persona from paranoid druggie comedy to the sharp spiral of the addictive effects and the hopeless, misguided attempts to end it all."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2001) |
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"Because audiences are so predisposed to a 1-2-3 style of storytelling, one viewing may do an injustice to convince someone of its power."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2002) |
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"One of the true pleasures of About Schmidt is the way in which all of the characters are revealed to be as real as you or I and not just atypical caricatures created for our snickers."
[movie review] |
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eFilmCritic.com |
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 4/4 |
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(2002) |
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"Any writer, whether novelist, screenwriter, or short essayist worth their salt will kneel at the sharp edges of the script, both the paper itself and what’s printed on it."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2005) |
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"Rodriguez would be advised to take a step back from the chintzy, plastic red-and-blue eyewear since what’s on the screen is already more than enough."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2006) |
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"It's the kind of warm-hearted surprise that transcends its trappings and winds up being more Bobby Fischer than Tyler Perry."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2006) |
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"Franken is a master and we need someone like him to both laugh at and pound his fist at the other side for their own God-like attitudes that what they say is the spoken, written and final word on the subject."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2009) |
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"May have an indie budget but equally evokes the rich landscapes of early Terrence Malick and the grimy grindhouse tales of the '70s, converging poetically into its heartmashing climax."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2007) |
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"The Amateurs turns out to be a mini-classic of sweet vulgarity, much in the vicinity if not the exact class of the recent spate of the Judd Apatow canon."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2001) |
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"In a year when so many films dealt with the darker side of "dreams vs. reality" – we're finally offered a cinematic dream that we'd rather not wake from."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2006) |
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"If its opening scenes are like an asthma attack within an iron lung, Weitz stabilizes the material and begins massaging the satire with the brand of human interest that made his other works so distinctive."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2007) |
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"More like a whitewashed blaxploitation effort in the hopes of classing it up without the necessary respect paid to its origin; biography without context, but still an interesting and mostly entertaining one."
[movie review] |
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eFilmCritic.com |
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 4/5 |
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(1998) |
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Click here to see the review!
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2000) |
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"It is a fable, albeit a dark and twisted one destined to be praised by some, abhorred by others and turned into a cult classic by even more."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2003) |
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"Thankfully, in a summer full of theatrical gimmicks the American Wedding audience is not asked to participate in Taste-O-Vision."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2006) |
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"Byler was just warming up with Charlotte Sometimes and somewhere deep down not only gets people - but how filmmaking can translate to those who don't."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2009) |
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"The first two acts are the best with the radiance of Mulligan's performance putting all eyes on her and subsequently seducing us into her discoveries."
[movie review] |
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eFilmCritic.com |
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 4/4 |
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(2004) |
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"The humor of Anchorman is planted deep within a surreal 70s landscape where the jokes zing by so fast, you have zero time to ponder how out there they really are."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2003) |
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"Audiences finally have something this year with which they can use the standard “a fun night at the movies”"
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2006) |
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"Achieves many surprising pleasures during its run, with its splendid animation bursting with a crispness of imagery that puts most of the stylings this year to shame."
[movie review] |
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eFilmCritic.com |
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 5/5 |
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(1998) |
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"Truly one of the most extraordinary visual achievements in film history."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2006) |
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"What's truly challenging about it is the ironic displacement of anyone's God as the all-knowing presence in the face of our fellow man constantly preaching the myths as the key to survival."
[movie review] |
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eFilmCritic.com |
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 5/5 |
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(1995) |
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"The depiction of the rocket launch remains one of the most exhilarating sequences ever captured on film; so realistic that NASA wondered where the filmmakers got the footage."
[movie review] |
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eFilmCritic.com |
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 4/4 |
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(2002) |
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"This is IMAX and Ron Howard’s epic retelling of NASA’s heroic near-tragedy has been blown up to wonderous proportions to behold even while the film itself has been chopped down just as much."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2008) |
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"The bullets may not be comparable to the Yuma remake or Kevin Costner's underrated Open Range, but the men holding the guns are still the same. So what if they're just a little bit different?"
[movie review] |
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eFilmCritic.com |
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 5/5 |
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(1998) |
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Click here to see the review!
[movie review] |
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eFilmCritic.com |
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 4/5 |
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(1999) |
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Click here to see the review!
[movie review] |
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eFilmCritic.com |
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 4/4 |
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(2006) |
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"Its final shot is a beautiful masterstroke of the separation and desire involved in personally connecting with a piece of art and is the kind of frame-worthy moment that more students should be learning about."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2003) |
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"Much like Spike Lee's big-screen version of David Benioff's 25th Hour, Ash Tuesday didn't begin as a tale about 9/11 but it probably helped enrich it."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2005) |
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"Writer/director Elliot Greenebaum perfectly captures the claustrophobic setting of these homes, so that when we finally get out for our catharsis, we want to call our grandparents or parents."
[movie review] |
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eFilmCritic.com |
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 3/5 |
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(1998) |
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Click here to see the review!
[movie review] |
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eFilmCritic.com |
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 4/5 |
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(1999) |
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Click here to see the review!
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2002) |
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"A biopic about Crane’s life in the classic tradition but evolves into what has become of us all in the era of video."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2004) |
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"Scorsese only allegorically gets to kick people while they’re down but possesses enough vision to keep the film on its feet, charging forward with nary a lull in the narrative"
[movie review] |
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eFilmCritic.com |
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 4/4 |
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(2009) |
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"The debut screenplay of Dave Eggers and Vendela Vida have given Sam Mendes quite the gift in just one of the many pieces that make this one of the best films of 2009."
[movie review] |
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eFilmCritic.com |
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 3.5/4 |
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(2006) |
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"Weaves its power through, instead of above us, in the effort of its own testament that the inner horrors of our time on Earth should be a uniter and not a divider, no matter who the decider might be."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2005) |
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"Despite being a rather surprisingly slipshod piece of filmmaking, it's more than saved by a Thornton performance of such vibrant political incorrectness."
[movie review] |
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eFilmCritic.com |
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 3/4 |
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(2002) |
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"Despite its flaws, yhe lengthy sequences we spend in the barbershop give the film a comical & thoughtful weight that would seem most comfortable performed in a single-setting play."
[movie review] |
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eFilmCritic.com |
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 4/5 |
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(2000) |
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Click here to see the review!
[movie review] |
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eFilmCritic.com |
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