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Sources
• Apollo Guide
• eFilmCritic.com
• Hollywood Bitchslap
Total Reviews: 966
Erik Childress
Erik Childress
Erik Childress

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3/4
     (2006)      "A charmer in the truest sense of the term by getting to watch Freeman break out and have a lot of fun alongside one of the most beautiful and exciting actresses hopefully starting to get her due in America." [movie review]      eFilmCritic.com   
  
0.5/4
     (2004)      "God knows, a thirteen-year-old would have more sense. But that age is too sophisticated for dreck like this." [movie review]      eFilmCritic.com   
  
3/5
     (1999)      "Here was a film with a scope far beyond the reaches of a mediocre director like Crichton." [movie review]      eFilmCritic.com   
  
3/4
     (2007)      "While 1408 is no Shining, it's a solid and welcome entry to the kind of begotten supernatural tales all too sparse in contemporary cinema." [movie review]      eFilmCritic.com   
  
2/4
     (2006)      "Donner could have put up a large ticking red timer in the top right corner of the screen and the only tension derived would still be waiting for the cigarette burns to appear." [movie review]      eFilmCritic.com   
  
1/4
     (2003)      "When you long for the fantasy of what Hal Needham could have brought to the material, you get the picture." [movie review]      eFilmCritic.com   
  
1/4
     (2008)      "You have a director so inept that he doesn't even understand what genre he's working within and he's helped destroy potentially one of the most riveting and important social statements about Las Vegas the movies could have seen." [movie review]      eFilmCritic.com   
  
4/4
     (2002)      "Deserves all the praise that’s been spread out over Lee’s career into a collective achievement that is both stunningly powerful and delivers the message that has been lacking of late in so many “message” movies." [movie review]      eFilmCritic.com   
  
3/4
     (2007)      "Mixing it up between outright action and blinding sequences of terror, it's precisely the type of pace a sequel of this sort needs to satisfy fans" [movie review]      eFilmCritic.com   
  
2/4
     (2007)      "So the remaining survivors huddle together. A few get bitten and turn. Some splatter kills in-between. Remind me again of what exactly is 'groundbreaking' about this." [movie review]      eFilmCritic.com   
  
3.5/4
     (2007)      "Every piercing, slashing and beheading is front and center forming the kind of orgiastic tango of bloodletting that would have Peckinpah offering Zack Snyder a cigar." [movie review]      eFilmCritic.com   
  
1/4
     (2001)      "It really is true how when you make a copy of a copy of a copy, the most recent one doesn’t pack the most quality." [movie review]      eFilmCritic.com   
  
4/5
     (2007)      "It honors both the genre and the original film without doing harm to either while containing enough of its own virtues to allow it to stand alone as its own entity." [movie review]      eFilmCritic.com   
  
1.5/4
     (2002)      "It’s just a shame that someone wasted their fluids creating a number of the people responsible for this absolute mess." [movie review]      eFilmCritic.com   
  
4/4
     (2005)      "Wedding Crashers will gross close to $200 million by run's end. If that’s the playing field comedy fans want to set, then The 40-Year Old Virgin deserves to outgross Titanic." [movie review]      eFilmCritic.com   
  
2/4
     (2004)      "There’s a very sad romance at the heart of 50 First Dates. It keeps peeking its head through only to be smacked back down." [movie review]      eFilmCritic.com   
  
4/4
     (2009)      "Probably the closest this generation has come to having their own Annie Hall." [movie review]      eFilmCritic.com   
  
2/4
     (2002)      "If this movie had been directed by someone other than Curtis Hanson; I’m talking some nobody shmoe or some flashy music video director, critics would have dismissed this as just another singer-turned-actor star vehicle with no more depth than a shot glass" [movie review]      eFilmCritic.com   
  
1/4
     (2008)      "At times it's almost like Pacino has been lured into a Bobby Bowfinger production except the best blackmail material around to get his permission for release is 88 Minutes itself." [movie review]      eFilmCritic.com   
  
3/5
     (1998)      "A return to form for director Joel Schumacher." [movie review]      eFilmCritic.com   
  
3.5/4
     (2006)      "Very much like the drug which inhabits it; splitting its own persona from paranoid druggie comedy to the sharp spiral of the addictive effects and the hopeless, misguided attempts to end it all." [movie review]      eFilmCritic.com   
  
3.5/4
     (2001)      "Because audiences are so predisposed to a 1-2-3 style of storytelling, one viewing may do an injustice to convince someone of its power." [movie review]      eFilmCritic.com   
  
2.5/4
     (2002)      "Abandon is such a schizophrenic picture (or is that giving away too much?) that you’ll either appreciate what Gaghan was trying to do or scoff at how silly its earnestness is." [movie review]      eFilmCritic.com   
  
3.5/4
     (2002)      "One of the true pleasures of About Schmidt is the way in which all of the characters are revealed to be as real as you or I and not just atypical caricatures created for our snickers." [movie review]      eFilmCritic.com   
  
2.5/4
     (2006)      "In-between the lines there are some truly funny bits in a film that is somewhat as confused as the students who inhabit it." [movie review]      eFilmCritic.com   
  
0.5/4
     (2007)      "You could make the same movie using the music of Huey Lewis. And most likely a less embarrassing one." [movie review]      eFilmCritic.com   
  
4/4
     (2002)      "Any writer, whether novelist, screenwriter, or short essayist worth their salt will kneel at the sharp edges of the script, both the paper itself and what’s printed on it." [movie review]      eFilmCritic.com   
  
2.5/4
     (2009)      "The only real nostaglia on display (much like the overplayed rock soundtrack of the park's speakers) is the feeling that you've just seen and heard this story all before." [movie review]      eFilmCritic.com   
  
3/4
     (2005)      "Rodriguez would be advised to take a step back from the chintzy, plastic red-and-blue eyewear since what’s on the screen is already more than enough." [movie review]      eFilmCritic.com   
  
1/4
     (2004)      "To paraphrase a far greater expert in the heist genre, David Mamet, After The Sunset is like having Elmore Leonard puke and then that puke wrote the script." [movie review]      eFilmCritic.com   
  
3.5/4
     (2006)      "It's the kind of warm-hearted surprise that transcends its trappings and winds up being more Bobby Fischer than Tyler Perry." [movie review]      eFilmCritic.com   
  
3/4
     (2006)      "Franken is a master and we need someone like him to both laugh at and pound his fist at the other side for their own God-like attitudes that what they say is the spoken, written and final word on the subject." [movie review]      eFilmCritic.com   
  
2/4
     (2004)      "Did we learn nothing from John Sayles when he closed Lone Star with the line, “Forget the Alamo?”" [movie review]      eFilmCritic.com   
  
0.5/4
     (2004)      "As if Stone was trying to one-up the legendary Great himself by going all over the map, he reaches for so much and dies so early." [movie review]      eFilmCritic.com   
  
2.5/4
     (2004)      "Alfie plays more like a Republican cautionary tale from the 80s warning against illegitimate parenting, abortion and diseases that infect your penis." [movie review]      eFilmCritic.com   
  
2.5/4
     (2001)      "When an 158-min. film fails to provide less insight into the legend than the barber shop arguments in Coming to America, then its not worthy of our attention" [movie review]      eFilmCritic.com   
  
1/4
          "A documentary that tells you precisely what its about in the first five minutes and then tells you the same thing for the next 85 minutes straight over and over again." [movie review]      eFilmCritic.com   
  
0/4
     (2009)      "I suspect that this is a film that speaks to those who believe Every Breath You Take is a love song." [movie review]      eFilmCritic.com   
  
3/4
     (2009)      "May have an indie budget but equally evokes the rich landscapes of early Terrence Malick and the grimy grindhouse tales of the '70s, converging poetically into its heartmashing climax." [movie review]      eFilmCritic.com   
  
2/4
     (2006)      "The film arrives much like its anti-hero Willie Stark with a lot of passionate arm-flailing and a populace destined to be disappointed in what he ultimately delivers." [movie review]      eFilmCritic.com   
  
2/4
     (2001)      "Where Kiss the Girls fell apart in the last ten minutes, Along Came a Spider unweaves in the entire third act. " [movie review]      eFilmCritic.com   
  
3.5/4
     (2007)      "The Amateurs turns out to be a mini-classic of sweet vulgarity, much in the vicinity if not the exact class of the recent spate of the Judd Apatow canon." [movie review]      eFilmCritic.com   
  
3.5/4
     (2001)      "In a year when so many films dealt with the darker side of "dreams vs. reality" – we're finally offered a cinematic dream that we'd rather not wake from." [movie review]      eFilmCritic.com   
  
2.5/4
     (2001)      "It’s entertaining and funny enough, but like your average quote whore, shows you what you’d like to see, even if it’s not entirely what is deserved." [movie review]      eFilmCritic.com   
  
3.5/4
     (2006)      "If its opening scenes are like an asthma attack within an iron lung, Weitz stabilizes the material and begins massaging the satire with the brand of human interest that made his other works so distinctive." [movie review]      eFilmCritic.com   
  
3/4
     (2007)      "More like a whitewashed blaxploitation effort in the hopes of classing it up without the necessary respect paid to its origin; biography without context, but still an interesting and mostly entertaining one." [movie review]      eFilmCritic.com   
  
3.5/4
     (2000)      "It is a fable, albeit a dark and twisted one destined to be praised by some, abhorred by others and turned into a cult classic by even more." [movie review]      eFilmCritic.com   
  
3/4
     (2003)      "Thankfully, in a summer full of theatrical gimmicks the American Wedding audience is not asked to participate in Taste-O-Vision." [movie review]      eFilmCritic.com   
  
3.5/4
     (2006)      "Byler was just warming up with Charlotte Sometimes and somewhere deep down not only gets people - but how filmmaking can translate to those who don't." [movie review]      eFilmCritic.com   
  
2/4
     (2005)      "When we hear mom uttering 'he tortured Indians on my land' like an Irish Frontierswoman from the 1800s, its time to wrap things up as quickly as possible" [movie review]      eFilmCritic.com   
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