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Sources
• Apollo Guide
• eFilmCritic.com
• Hollywood Bitchslap
Total Reviews: 966
Erik Childress
Erik Childress
Erik Childress

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3.5/4
     (2007)      "Hairspray arrives as a big, bundle of fun, infectious to the core and accomplishes more often than not what the best musicals are prone to do." [movie review]      eFilmCritic.com   
  
5/10
     (2000)      "Never have I seen a more lifeless presentation of a Shakespeare play." [movie review]      eFilmCritic.com   
  
2/4
     (2008)      "By the expedited conclusion it all feels less like a Peter Berg film and just another chapter in Will Smith's tentpole history of major creative failures." [movie review]      eFilmCritic.com   
  
0.5/4
     (2009)      "With The Hangover Todd Phillips has officially become the Uwe Boll of comedy." [movie review]      eFilmCritic.com   
  
2.5/4
     (2001)      "Leaving the viewer looking for seconds." [movie review]      eFilmCritic.com   
  
0/4
     (2008)      "The greatest excuse yet to get that anti-M. Night petition started. The last thing we want is a future of Shyamalan films with the knowledge that we all could have done something sooner." [movie review]      eFilmCritic.com   
  
4/5
     (1998)      Click here to see the review! [movie review]      eFilmCritic.com   
  
4/4
     (2006)      "The oddity of Miller's devices helps elevate it to the front line where the Babe films rest as superior family entertainment that is also, arguably, one of the most beautifully rendered animated works I've ever seen." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "This is an extremely well-made film that pushes precisely the right buttons." [movie review]      eFilmCritic.com   
  
2.5/4
     (2003)      "The Hard Word is not a complete failure, just a familiarized one that’s not going to woo away any fans of the directors who know how to do it right. And hundreds of times before." [movie review]      eFilmCritic.com   
  
1.5/4
     (2001)      "Movies like Hardball (with it's cut down "PG-13" rating) shy away from reality in order to appease a mass audience." [movie review]      eFilmCritic.com   
  
3.5/4
     (2002)      "When it was all over, I could easily proclaim The Chamber of Secrets as a vastly superior film on every level, one that I’ll be willing to devote more time to again and again in the future." [movie review]      eFilmCritic.com   
  
3/4
     (2005)      "As we come to the midpoint of J.K. Rowling's tales, it may have finally turned the page for the better." [movie review]      eFilmCritic.com   
  
4/4
     (2009)      "A film that stands on its own, The Half-Blood Prince is the purest example of virtuoso storytelling we have seen all summer and maybe all year joining a short list that includes Up, Away We Go and The Hurt Locker." [movie review]      eFilmCritic.com   
  
3.5/4
     (2007)      "Weaves the beginning of the series' backend into maybe the best of the series to date leaving us in a state of anticipatory bliss of how it will all end." [movie review]      eFilmCritic.com   
  
2.5/4
     (2004)      "At some point you have to start asking with all the mystical potions and gifts of foresight, how do these wizards keep fingering the wrong people for these crimes?" [movie review]      eFilmCritic.com   
  
2.5/4
     (2001)      "In a perpetual state of Petrificus Totalus, Columbus contributes a pedestrian direction as if he was looking for his own place in Hufflepuff “where they are just & loyal.”" [movie review]      eFilmCritic.com   
  
1.5/4
     (2002)      "Opens as promising as any war/adventure film you’ll ever see and dissolves into a routine courtroom drama, better suited for a movie titled “Glory: A Soldier’s Story.”" [movie review]      eFilmCritic.com   
  
1.5/4
     (2004)      "Its depressing just how much worse you could do, especially when a Bad Boys sequel has more of a Cuban revolution than this film." [movie review]      eFilmCritic.com   
  
1/4
     (2006)      "Writer/director Frank E. Flowers is way too occupied with finding throwaway dots to connect within the multi-linear framework of the 6,000 short stories he’s trying to tell." [movie review]      eFilmCritic.com   
  
2/4
     (2004)      "Head in the Clouds wants us to use the word 'sprawling' to describe its epic nature. Please, even Red Dawn sprawled several months." [movie review]      eFilmCritic.com   
  
2/4
     (2007)      "Let's hope that with the seemingly endless array of projects Apatow's people have lined up that they never resort to repeating themselves with something as frequently unfunny as The Heartbreak Kid." [movie review]      eFilmCritic.com   
  
3/4
     (2001)      "Heartbreakers is the first worthy comedy in a first quarter dedicated to the inferior ones" [movie review]      eFilmCritic.com   
  
2.5/4
     (2001)      "The film version plays like a series of three underdeveloped subplots in search of a movie" [movie review]      eFilmCritic.com   
  
2.5/4
     (2005)      "There's little to applaud and only a base "what a shame" kind of anger. All in all, Heavens Fall is an introduction to history; a prologue whose past should be better explored." [movie review]      eFilmCritic.com   
  
3/4
     (2001)      "While Heist doesn’t exactly rank alongside classics like House of Games and The Spanish Prisoner, it certainly has a beat that you can dance to." [movie review]      eFilmCritic.com   
  
70/100
     (1968)      Click here to see the review! [movie review]      Apollo Guide   
  
2/4
     (2004)      "Hellboy is as magnificent looking a comic book film as I’ve ever seen, but an increased sense of boredom detached me about midway through." [movie review]      eFilmCritic.com   
  
2/4
     (2005)      "Aside from one unintentionally hilarious dialogue scene involving giving up & Herbie squirting a load all over Lohan’s chest, it's about as innocuous as family fare can get." [movie review]      eFilmCritic.com   
  
2/4
     (2004)      "If I bought tickets at Arlington Park and made a wager, the last thing I want to see is a jockey leave his mount to go rescue someone’s daughter" [movie review]      eFilmCritic.com   
  
1.5/4
     (2002)      "If A Few Good Men told us that we “can’t handle the truth” than High Crimes poetically states at one point in this movie that we “don’t care about the truth.”" [movie review]      eFilmCritic.com   
  
2.5/4
          "As the poster tells us four things about Stuey (“Gambler. Addict. Loser. Legend”) it’s disappointing that the final film can only fulfill on three of the four." [movie review]      eFilmCritic.com   
  
1.5/4
     (2005)      "None of the actors are strong enough to adapt to the improvisation clearly on display and that leaves us wondering if they are behaving naturally or are just bad actors." [movie review]      eFilmCritic.com   
  
1.5/4
     (2006)      "I don't know how much you'll be able to extract out of 50 mins of some dude playing Missile Command, but when that's all you have to document %u2013 it's more of a home movie and not a film." [movie review]      eFilmCritic.com   
  
2.5/4
     (2005)      "I find myself both enjoying the unapologetic bloodfest of Haute Tension and extending certain digits at it for trying to be overly clever." [movie review]      eFilmCritic.com   
  
1/5
     (2000)      "You know a sequel serves no other purpose than to make money when it has no respect for the rules and history it has set up for itself." [movie review]      eFilmCritic.com   
  
2.5/4
     (2006)      "As for Aja's future in horror he better find some original material because hitching a ride on other people's glories will always be the other's glory." [movie review]      eFilmCritic.com   
  
0.5/4
     (2004)      "The Hillside Strangler is like the not-to version of Spike Lee’s Summer of Sam with a dose of castor oil and raw eggs on the motion sickness ride to cinematic hell." [movie review]      eFilmCritic.com   
  
3.5/4
     (2005)      "A story of revenge that keeps Cronenberg on the path of exploration but he eases his audience into it with images of violence we’ve come to accept as forms of entertainment." [movie review]      eFilmCritic.com   
  
2/4
     (2005)      "Mark Twain said, 'the human race has one really effective weapon, and that is laughter.' Perhaps that page was torn out of the filmmakers’ used copy of The Hitchhiker’s Guide" [movie review]      eFilmCritic.com   
  
0.5/4
     (2007)      "If there is someone out there willing to support Hitman and who believes that it conforms to the basic attributes of a cinematic experience, then there is something wrong with you." [movie review]      eFilmCritic.com   
  
3/4
     (2007)      "This is some of the best work of Richard Gere's career as he blends the breezy charm with a more self-effacing ooze that makes Irving the weaker man that he is." [movie review]      eFilmCritic.com   
  
3.5/4
     (2003)      "Adventures, quirkiness, mystery, violence and valuable life lessons are just the things I want youngsters to be reading and Holes is just the kind of movie I want made based on those readings." [movie review]      eFilmCritic.com   
  
1.5/4
     (2006)      "If Nancy Meyers were to have sex with James L. Brooks, she still wouldn't have enough of him in her to craft worthwhile material." [movie review]      eFilmCritic.com   
  
2.5/4
     (2002)      "This film may have its titular Hollywood Ending, but Allen needs to open his eyes and concentrate once again on what made his films great in the first place." [movie review]      eFilmCritic.com   
  
2/4
     (2003)      "When the marketers can't decide what the film is, what would YOU expect when the lights go out?" [movie review]      eFilmCritic.com   
  
1.5/4
     (2006)      "More closely resembles a poorly made tabloid instead of a film with just an identity problem." [movie review]      eFilmCritic.com   
  
2/5
     (1998)      "Nothing in this film works except for an occasionally frantic funny line reading from Goldblum and maybe a couple of the products being sold." [movie review]      eFilmCritic.com   
  
1.5/4
     (2004)      "It’s rarely a good idea to film a movie partially about sexual confusion when the audience is just as confused as the characters." [movie review]      eFilmCritic.com   
  
2/5
     (1998)      Click here to see the review! [movie review]      eFilmCritic.com   
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