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1.5/4 |
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(2010) |
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"A barren soap opera of a film that puts more emphasis on Lennon's mood swings than what made his music so great."
[movie review] |
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Cinematical |
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3/4 |
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(2010) |
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"Tighten the screws a few more times around the middle and we could have had a genuine classic on our hands. Alas, it is still probably a very good hour-long Twilight Zone episode."
[movie review] |
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Cinematical |
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2.5/4 |
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(2010) |
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"Thanks to an earnest performance by James Gandolfini anchoring it, we can almost forget the weight of Kristen Stewart dragging it down with every hair flip and tug."
[movie review] |
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Cinematical |
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3/4 |
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(2010) |
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"It manages to succeed with a pastiche of great casting and an unapologetic slant towards being anti-touchy-feely. Until it needs to be."
[movie review] |
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Cinematical |
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1.5/4 |
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(2010) |
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"Just a couple of unappetizing scenes in an otherwise painfully dull picture with no grasp on the tightening noose against Tom nor the development of the portrait of a seriously disturbed serial killer."
[movie review] |
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eFilmCritic.com |
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1/4 |
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(2010) |
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"Sympathy For Delicious doesn't just go from bad to worse with each passing scene but dives wheelchair first into downright laughable waters during its final ten minutes."
[movie review] |
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eFilmCritic.com |
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4/4 |
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(2010) |
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"This is one of the more probing indictments of the post-9/11 government and is not inspired by liberal red state hatred but by a family who had a true American taken away from them way too soon. And for what?"
[movie review] |
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eFilmCritic.com |
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4/4 |
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(2010) |
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"The temptation to call Debra Granik's latest film, Frozen River Jr., will be great. But the longer the buzz builds for it and for Jennifer Lawrence's star-making performance, it will become abundantly clear that this is the Senior of the two films."
[movie review] |
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eFilmCritic.com |
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1.5/4 |
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(2010) |
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"Leave it to Sundance to program a film like this and have it not live up to its title."
[movie review] |
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eFilmCritic.com |
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3/4 |
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(2010) |
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"Holofcener always gives us more to chew on than originally meets the eye in her films and she writes female characters with an intelligence, sensitivity and realism that blows the Sex and the City foursome away any day of the week."
[movie review] |
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eFilmCritic.com |
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1/4 |
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(2010) |
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"Throughout the film we get about 87 montages, characters behaving like shallow idiots and not backing it up with the wit necessary to dare criticize Woody Allen."
[movie review] |
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eFilmCritic.com |
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2/4 |
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(2010) |
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"It's a mixture of styles that may have worked well if concentrated on one over another. Instead the subject matter struggles to find a distinct voice."
[movie review] |
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eFilmCritic.com |
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3/4 |
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(2010) |
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"These are two guys who know how to make a movie. They may not be perfect ones, but one can't deny it is not for a lack of effort."
[movie review] |
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eFilmCritic.com |
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2/4 |
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(2009) |
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"Rob Marshall has neither the personal touch to connect to his main character nor the foresight to realize that a dreamlike cinematic musical about the cinema may not be best served on a damn soundstage."
[movie review] |
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eFilmCritic.com |
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4/5 |
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(2009) |
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"The result is not just a filmmaker retracing the Faustian elements of his career but something far more poignant than he could have ever imagined in a film appropriately labeled as coming from 'Heath Ledger and friends.'"
[movie review] |
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eFilmCritic.com |
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3/4 |
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(2009) |
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"What we get is a larger metaphor about change that is as adaptable now to our current Commander-In-Chief as it is to many difficult transitions throughout history."
[movie review] |
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eFilmCritic.com |
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1.5/4 |
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(2009) |
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"If I want to spend 90 minutes with better lighting on the ninja's body than the fighting, give me Lucinda Dickey in Ninja III: The Domination any day of the week."
[movie review] |
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eFilmCritic.com |
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2.5/4 |
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(2009) |
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"Wishing it was Chicken Run and never achieving the depth of Where The Wild Things Are, Anderson and Baumbach create a half-fun, half-humdrum affair that I'm sure they will enjoy watching over and over."
[movie review] |
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eFilmCritic.com |
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3/4 |
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(2009) |
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"Hopefully someday we'll look at Taking Chances as just a flash of a very specific time in our nation's history and we'll be able to laugh at more than just the elements that make it a really solid comedy."
[movie review] |
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eFilmCritic.com |
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1.5/4 |
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(2009) |
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"Anyone who enjoys this film and feels that the 'point' had been made must sit in their own padded cell with nothing but a copy of the documentary Dear Zachary to see what a true miscarriage of justice looks like."
[movie review] |
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eFilmCritic.com |
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4/4 |
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(2009) |
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"The sort of innovative storytelling that will see Where the Wild Things Are mentioned in the same breath as some of the best family films ever made."
[movie review] |
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eFilmCritic.com |
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1.5/4 |
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(2009) |
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"A giant black hole in the center of the comedy universe sucking in the best ideas and situations from other entities into an inescapable ride to nothingness."
[movie review] |
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eFilmCritic.com |
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3/4 |
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(2009) |
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"Guys may remember this film as the finest collection of ladies who almost take it all off ever assembled. But in-between all the underwear and fetish outfits is a rather amusing collection of stories described by its very title."
[movie review] |
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eFilmCritic.com |
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3.5/4 |
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(2009) |
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"Mary and Max has the look of a kids picture but is another chapter in the growing evolution of animation for grown-ups."
[movie review] |
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eFilmCritic.com |
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3.5/4 |
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(2009) |
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"The chemistry between the two of them is so beautiful and the astonishing poignancy of the final scene, done with all of just one line of dialogue is applause-worthy in and of itself."
[movie review] |
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eFilmCritic.com |
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3/4 |
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(2009) |
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"The first two acts are the best with the radiance of Mulligan's performance putting all eyes on her and subsequently seducing us into her discoveries."
[movie review] |
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eFilmCritic.com |
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3.5/4 |
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(2009) |
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"Despite films like Transformers and G.I. Joe cleaning up at the box office, Zombieland, even with its earned R-rating, is the one true film this year that reminds us of what its like to be a kid at the movies."
[movie review] |
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eFilmCritic.com |
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2.5/4 |
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(2009) |
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"Whip It is the kind of film that you can't quite recommend but certainly wouldn't begrudge other people for liking either."
[movie review] |
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eFilmCritic.com |
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0/4 |
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(2009) |
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"May be the first film from the perspective of a Van Wilder villain and by the time this vile, amateurish and supposed true story is over, you may feel as if you've just spent 100 minutes looking through Michael Myers' first mask."
[movie review] |
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eFilmCritic.com |
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1/4 |
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(2009) |
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"A pathetically worthless horror piece from nearly top to bottom that fails in virtually every genre and subgenre it wanders into."
[movie review] |
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eFilmCritic.com |
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4/4 |
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(2009) |
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"The Invention of Lying deserves to take its place as a modern American comedy classic right alongside such worthy counterparts as Groundhog Day and Idiocracy."
[movie review] |
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eFilmCritic.com |
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0/4 |
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(2009) |
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"I suspect that this is a film that speaks to those who believe Every Breath You Take is a love song."
[movie review] |
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eFilmCritic.com |
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3/4 |
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(2009) |
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"The film's performances and a selection of perfectly timed comic conversations are individually better than anything seen in this year's big comedy hits, The Hangover or Paul Blart: Mall Cop."
[movie review] |
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eFilmCritic.com |
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3/4 |
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(2009) |
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"After two and a half hours, it's impossible to question the greatness within but hard to ignore what also makes it his most laboring and flawed feature to date."
[movie review] |
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eFilmCritic.com |
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3.5/4 |
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(2009) |
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"Robin Williams' best work since his psycho double-dip in 2002 with Insomnia and One Hour Photo and that's paired with Goldthwait's finest outing as both a writer and director."
[movie review] |
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eFilmCritic.com |
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1/4 |
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(2009) |
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"Struggling to fill out its 80 minutes before the final codas, The Goods has the definitive feel of a film that has been chopped up and left for dead. Of course you have to wonder how bad the cut footage is if this is all we're seeing."
[movie review] |
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eFilmCritic.com |
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2.5/4 |
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(2009) |
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"As a writer herself and a woman in an even more cutthroat business, you would think that Ephron might shed off her usual goody-goody fantasies and stick one to Powell. Heh, ridicule in a Nora Ephron film? Even Julia Child would raspberry that one."
[movie review] |
|
eFilmCritic.com |
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2.5/4 |
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(2009) |
|
"Park's welcome streak for dark comedy does overcome the monotony here and there, but when the sun finally comes up we're left with little but scattered particles of something that tried to do something good, but ultimately failed."
[movie review] |
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eFilmCritic.com |
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(2009) |
|
"This is a far more complex and thoughtful examination of the transition to adulthood and how we deal with death rather than just another zombie flick."
[movie review] |
|
Hollywood Bitchslap |
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3.5/4 |
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(2009) |
|
"Sandler has turned in his best performance to date and Apatow has joined the ranks of other distinguished writer/directors like James L. Brooks and Cameron Crowe."
[movie review] |
|
eFilmCritic.com |
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3.5/4 |
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(2009) |
|
"These remarkable individuals contribute to a story that is not just indescribably moving but is a timeless metaphor for our country."
[movie review] |
|
eFilmCritic.com |
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3/4 |
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(2009) |
|
"This is a poorly directed wannabe horror film that nevertheless contains more laughs than The Proposal, The Ugly Truth, Ghosts of Girlfriends Past and Land of the Lost combined. Is that a compliment? Kind of."
[movie review] |
|
eFilmCritic.com |
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0.5/4 |
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(2009) |
|
"While it may have been directed by a man, albeit one with all the talent of a water bra, it's screenplay is credited to three women who have managed to make Defending the Caveman seem like the height of exposing our Martian tendencies."
[movie review] |
|
eFilmCritic.com |
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3.5/4 |
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(2009) |
|
"Can you remember the last time you saw a topical political satire with rapid-fire obscenity (morally and literally) and character exchanges that would rival the best of the screwball era?"
[movie review] |
|
eFilmCritic.com |
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4/4 |
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(2009) |
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"Probably the closest this generation has come to having their own Annie Hall."
[movie review] |
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eFilmCritic.com |
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4/4 |
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(2009) |
|
"A film that stands on its own, The Half-Blood Prince is the purest example of virtuoso storytelling we have seen all summer and maybe all year joining a short list that includes Up, Away We Go and The Hurt Locker."
[movie review] |
|
eFilmCritic.com |
|
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0/4 |
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(2009) |
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"A film so badly executed that you have to wonder if Larry Doyle (who serves as screenwriter) ever read his own book, let alone wrote it."
[movie review] |
|
eFilmCritic.com |
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2.5/4 |
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(2009) |
|
"While there are some big laughs to be had, Bruno ultimately fails at its more grandiose intentions as a sharp satire about our obsessions with celebrity and tendencies towards homophobia."
[movie review] |
|
eFilmCritic.com |
|
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3/4 |
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(2009) |
|
"Those who seek it out, I suspect, will have no problem in another decade citing the names of the Coens, the Wachowskis and the Edgertons on their list of siblings who used noir to find the light towards a successful and acclaimed filmmaking resume."
[movie review] |
|
eFilmCritic.com |
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2/4 |
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(2009) |
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"We've been left with a film that can't settle on which history it wants to tell and ends up dispelling the myth that a new film by Michael Mann is a cause worth celebrating."
[movie review] |
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eFilmCritic.com |
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