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3/4 |
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(2007) |
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"Despite Shelly's twist of disturbing fate, WAITRESS will be a memorialized nod of a little gem of a film that delivered a slice of pie to our hungry, entertaining expectations"
[movie review] |
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Movie Eye |
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3/4 |
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(2005) |
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"Walk does more than tip toe to the legendary aura of Johnny Cash--it stomps its feet more pleasingly than an overactive Baptist preacher during Sunday services."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2002) |
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"This is for those who appreciate their Dawson Creek fix supersized on the big screen. Taking a Walk to this pandering afterschool premise will make some cry indeed...but unfortunately, for the wrong reasons."
[movie review] |
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Movie Eye |
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3.5/4 |
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(2008) |
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"Triumphant and teary-eyed, WALL-E withstands its mellifluous moments with a welcomed surge of honesty, impishness and introspection...smart, heart-warming and savvy in its observational radar."
[movie review] |
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Movie Eye |
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4/4 |
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(2005) |
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"...a grandly infectious animated showcase that radiates with genuine wit and warmth. Imaginative, riotous and inherently clever..."
[movie review] |
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Movie Eye |
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1.5/5 |
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(2001) |
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"What could have been a delicious hoot about dysfunctional dynamics in a disillusioned workplace merely ends up as a woeful, clunky comedy of errors."
[movie review] |
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Filmcritic.com |
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3/4 |
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(2009) |
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"A nearly 3-hour orgy of orchestrated violent vibrancy designed to perpetuate a whole new appreciation for ambitious, unconventional superhero expositions. Robustly confrontational and impishly raw."
[movie review] |
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Movie Eye |
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3.5/4 |
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(1973) |
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"Wattstax was more than just an elaborate musical gathering of gifted energetic artists out to corral a spirited mood—it was an undeniably ultimate black lyrical experience...this stylish funky forum is infectious."
[movie review] |
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Movie Eye |
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2/4 |
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(2007) |
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"A sluggishly regurgitation of the noteworthy 70's-style cop dramas. The nocturnal naughtiness behind Gray's mean streets saga begs for a compelling ounce of creative daylight"
[movie review] |
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World Voice News |
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1.5/4 |
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(2005) |
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"...plays like a hollow and manipulative gimmicky Lifetime channel television movie. Alertly, one should decline the cheeky invitation to this senseless ceremonial event"
[movie review] |
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Movie Eye |
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2/4 |
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(2002) |
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"Bigelow offers some flashy twists and turns that occasionally fortify this turgid fable. But for the most part, The Weight of Water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness."
[movie review] |
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TheWorldJournal.com |
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2/4 |
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(2008) |
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"Welcome Home Roscoe Jenkins feels like a rudimentary retread of previously outrageous "black attack" farces... needlessly cluttered, unfocused and pointless..."
[movie review] |
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World Voice News |
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--
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(2002) |
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Click here to see the review!
[movie review] |
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Movie Eye |
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2.5/4 |
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(2002) |
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"This goofy gangster yarn never really elevates itself from being yet another earnestly generic crime-busting comic vehicle -- a well-intentioned remake that shows some spunk and promise but fails to register as anything distinctive or daring"
[movie review] |
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TheWorldJournal.com |
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2/4 |
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(2004) |
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"...we’ve seen more funny flexibility from a tedious filibuster in the US Senate. It's basically a political ping pong match being played clumsily without the paddles."
[movie review] |
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Movie Eye |
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3.5/4 |
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(2008) |
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"[A] thoroughly contemplative and reflective small scale feature. Tender and relentlessly subdued in its low-key poignancy...quaint yet [a] gut-wrenching narrative."
[movie review] |
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Movie Eye |
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2/4 |
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(2003) |
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"...[a] generic and syrupy teen comedy...isn’t necessarily what a girl needs—a derivative and excessively perky preteen portrait of a curvy belly-buttoned babe-in-the-woods"
[movie review] |
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Movie Eye |
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2.5/4 |
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(2008) |
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"Although slightly scathing in its cynical look at highly paid Hollywood hacks rambunctiously jumping through artistic creative hoops, Happened is impishly on the spot in its aimless ribbing at movie wheeling-and-dealing madness."
[movie review] |
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Movie Eye |
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2.5/5 |
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(2000) |
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"A flavorless fable that is as hard to swallow as a piece of tough turkey."
[movie review] |
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Filmcritic.com |
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2/4 |
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(2006) |
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"West dials up a wrong number in this flimsy remake of the 1979 B-movie...When A Stranger Calls feels about as flat and plastic as a long distance phone card."
[movie review] |
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Movie Eye |
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2/4 |
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(2005) |
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"...misguided and semi-sensationalistic...Truth plays more like a tension-filled tease than it does a scathing commentary on the rigors of fame and its unpredictable frivolity"
[movie review] |
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Movie Eye |
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1.5/4 |
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(2004) |
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"...so painfully strained and obvious. What did they (The Wayans) do to be inspired by this wreck—sniff crushed crayons as they were developing this ill-conceived prank?"
[movie review] |
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Movie Eye |
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1.5/4 |
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(2005) |
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"...a hollow horrorfest immersed in its own conjured-up clumsiness. Sax’s thin-laced thriller is about as suspenseful as an overdue library book waiting to be returned."
[movie review] |
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Movie Eye |
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2.5/4 |
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(2002) |
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"This soapy gem can be overlooked by the star-studded element that enhances the feminine message of misplaced empowerment. White Oleander is a cinematic flower that could use some more blooming but the scent is still pleasing enough to acknowledge"
[movie review] |
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TheWorldJournal.com |
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1.5/4 |
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(1999) |
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"...a woefully unfunny rap-oriented satire that’s about as amusing as a carjacking...[a] tired and baseless culture comedy"
[movie review] |
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Movie Eye |
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1.5/4 |
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(2002) |
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"Whereas the extremely competent hitman films such as Pulp Fiction and Get Shorty resonate a sardonic verve to their caustic purpose for existing, Who Is Cletis Tout? is an inexpressible and drab wannabe looking for that exact niche."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2006) |
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"LaBute's meandering and goofy-minded horror/suspense thriller Wicker will garner more spontaneous chuckles than an overactive feather tickling a sensitive underarm."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2007) |
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"Wild Hogs are nothing but tame piggies on a highway to hokum. Honk if you think these overpaid hacks should take their bikes to the nearest shop for creative repairs."
[movie review] |
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Movie Eye |
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3/4 |
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(2002) |
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"The drumbeat behind the Thornberrys' energetic exploits may not be as explosive as its celebrated Disney counterpart The Lion King, but it certainly gives off a similar rhythmic radiance nevertheless."
[movie review] |
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Movie Eye |
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2/4 |
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(2007) |
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"There's just not enough psychological mustard to cover this earnest hotdog-of-a-movie about a male loner's breakout infatuation with the studmuffin of his wildest dreams."
[movie review] |
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Movie Eye |
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3/4 |
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(2003) |
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"Morgan’s frightening and frivolous fable has an entrancing hysteria that teeters between a mocking macabre and a nail-biting social commentary...a menacing and hypnotic creep show that has perverse fun tantalizing its voyeuristic audience"
[movie review] |
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Movie Eye |
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2.5/4 |
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(2004) |
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"...innocuously breezy, witty, and acceptably charming in its saccharine-induced appeal...giddy gals will find Tad Hamilton refreshingly spry and spunky in hokey spirit"
[movie review] |
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Movie Eye |
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1.5/4 |
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(2004) |
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"...[a] warped and water-logged laugher...Without a Paddle is a lazy assault on one’s tolerance for exaggerated cruel goofiness."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2008) |
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"Lame and saturated in the dour makeup of an afternoon soap opera, The Women is a transparent chick flick standing on its shaky high heels without much support."
[movie review] |
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Movie Eye |
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3/4 |
|
(2006) |
|
"In the resourceful documentary Wordplay, action doesn't speak louder than words. Instead, these components have the same creative cache worth exploring."
[movie review] |
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Movie Eye |
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3/4 |
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(2006) |
|
"Well, World Trade Center delivers the piercing pathos and reminds us once again that Stone can make the transitional move and be both inventive and viably affecting."
[movie review] |
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Movie Eye |
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| |
3.5/4 |
|
(2008) |
|
"Aronofsky has devised one of the most gritty and intensely authentic sports flicks in recent memory. Rourke is absorbingly raw and reflective...deeply affecting in its razor-like observations"
[movie review] |
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Movie Eye |
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