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2.5/4 |
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(2005) |
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"Vin Diesel reports to diaper duty in the charmingly dippy Disney flick The Pacifier. Diesel’s willingness to appear foolish lends this movie its offbeat appeal"
[movie review] |
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Movie Eye |
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3/4 |
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(2004) |
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"...captivating and provocative in its exquisite spirit. The Passion of the Christ is an ambitious and visceral undertaking that demands acceptance."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2003) |
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"How appropriate that Woo’s awkward sci-fi nutty narrative is about memory loss seeing as though this convoluted clunker is utterly forgettable."
[movie review] |
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Movie Eye |
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2/4 |
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(2001) |
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"Bay's clunky and mammothly plodding Pearl Harbor is one movie that tries to do too many things at once without concentrating on any one specific point...the romance and action sequences are fussed over yet they deliver nothing really spectacular"
[movie review] |
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Movie Eye |
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1.5 |
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(2005) |
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"Inherently mawkish, simplistic and exceedingly numbing, this movie is woefully incomplete—much like a stale Twinkie treat without the creamy filling inside."
[movie review] |
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Movie Eye |
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2/4 |
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(2004) |
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"The Perfect Score is not very academic...doesn’t make the grade as convincingly as it should have in its showcase of mischievous adolescence."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2007) |
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"Relentlessly cheesy, exhaustive and about as stimulating as a cold medicine tablet...In short, take this lofty advice and try not to talk to this particular Stranger."
[movie review] |
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TheWorldJournal.com |
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2.5/4 |
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(2003) |
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"Visually vibrant and mystical in its charming presentation, Hogan’s take on Peter Pan is an exquisite and sparkling celluloid fable that pops into life."
[movie review] |
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Movie Eye |
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3/4 |
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(2003) |
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"Phone Booth is a subversively dandy escapist flick that uses its confinement and crassness as its wickedly hysterical calling card...won’t leave anybody disconnected from its action-packed gaudiness."
[movie review] |
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Movie Eye |
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3.5/4 |
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(2002) |
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"'For The Pianist, the starkness is real in its inherent absorption -- looking at a grotesque period in history was never so revealing, oddly poetic and heartwarming.'"
[movie review] |
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Movie Eye |
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4/4 |
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(2002) |
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"Brash, intelligent and erotically perplexing, Haneke's portrait of an upper class Austrian society and the suppression of its tucked away demons is uniquely felt with a sardonic jolt."
[movie review] |
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Movie Eye |
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3/4 |
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(2003) |
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"...a solid and quirky dysfunctional family comedy-drama...sharply touching and carries the appropriate tone of wit and genuine forethought to heighten its redemptive vibes."
[movie review] |
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Movie Eye |
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3/5 |
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(2001) |
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"Overall, Ichaso's mosaic of a celebrated misfit has the potential moodiness to resonate as something engagingly reflective."
[movie review] |
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Filmcritic.com |
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2/4 |
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(2006) |
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"...only manages to conjure up our nostalgic appreciation for the late and great Peter Sellers--this flaccid farce doesn't look pretty in Pink the millionth time around."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2002) |
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"This overproduced piece of dreck is shockingly bad and absolutely unnecessary. Hmmm…might I suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener?"
[movie review] |
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TheWorldJournal.com |
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3/4 |
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(2005) |
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"...a quaint and sweet-toothed animated film that sends a constructive message...a zesty fun-filled fantasy punctuated by catchy tunes and contemplative forethought"
[movie review] |
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Movie Eye |
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3/4 |
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(2007) |
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"Although not the best imaginative movie title ever to grace a matinee sign, The Pope's Toilet resonates with a distinctive warmth and sense of reality and purpose."
[movie review] |
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Movie Eye |
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2/4 |
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(2006) |
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"Sadly, this flamboyant floatable fantasy sinks faster than a battered buoy in the harbor. Overblown and overproduced....an arbitrary and impersonal big event flick."
[movie review] |
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Movie Eye |
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2.5/4 |
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(2002) |
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"If you let Possession grow on you, it's a winsome yet flawed endeavor...even the talented and courageous camera lens of LaBute couldn't hold a candle to Byatt's prize-winning creative pages."
[movie review] |
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Movie Eye |
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2/4 |
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(2007) |
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"This faceless frightfest begs the only one genuinely true psychological question at large: what prompted Bullock to be drawn to this mindless, moping mystical material?"
[movie review] |
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Movie Eye |
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3/4 |
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(2006) |
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"Visually spry and contemplative, what more can one say about a forceful film that asks us to unmask our hidden Houdini within? Hey, it's just plain magic!"
[movie review] |
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Movie Eye |
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3/4 |
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(2005) |
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"Lavishly presented and tranquil in its sumptuousness...Wright's disciplined direction and Knightley's high-spirited performance fortifies this profound production."
[movie review] |
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Movie Eye |
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2/4 |
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(2005) |
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"Prime is an amiable but woefully predictable clunky comedy in search for refreshing wackiness spearheaded by its May/December kissy-poo combatants."
[movie review] |
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Movie Eye |
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4/5 |
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(2002) |
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"This is a raw and disturbing tale that took five years to make, and the trio's absorbing narrative is a heart-wrenching showcase indeed."
[movie review] |
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Filmcritic.com |
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2/4 |
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(2007) |
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"Reflectively transparent, inconsequential and slightly contrived in the same-sex love entanglement sweepstakes. Sadly, Maggenti's tepid romantic comedy gets lost in the perfunctory shuffle."
[movie review] |
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TheWorldJournal.com |
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3.5/4 |
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(2002) |
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"Who would ever think that an annoying frat boy performer such as Adam Sandler would ever appear in a sensible and refreshingly vigorous thoughtful romantic comedy?"
[movie review] |
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Movie Eye |
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