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2/4 |
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(2002) |
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"Abandon has its wincing moments here and there, but for the most part this lackluster teen drama is about as chilling and calculating as a cold half-eaten pork chop."
[movie review] |
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Movie Eye |
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2/4 |
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(2007) |
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"Alas, this is another faceless frightfest in which its so-called boisterous boo is not conducive to its creepy-crawling bite."
[movie review] |
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Movie Eye |
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3.5/4 |
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(2002) |
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"About Schmidt is solidly a wry, smart and intuitive showcase. Payne has proven time and time again that he is a crafty social satirist whose finger is constantly on the pulse regarding his comical and caustic commentaries."
[movie review] |
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Movie Eye |
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2/4 |
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(2006) |
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"Unfortunately for Accepted, the movie's make-the-grade spunkiness as a collegiate cut-up has been emphatically Denied."
[movie review] |
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Movie Eye |
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2/4 |
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(2007) |
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"Somehow, the Beatles' precious diamonds are glaringly missing from Lucy's sky if not in Julie's unevenly charismatic but cluttered and customary Universe."
[movie review] |
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World Voice News |
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3/4 |
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(2007) |
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"Deliciously profane, dark and somber, Denmark's Adam's Apples is fiendishly ripe for the picking."
[movie review] |
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TheWorldJournal.com |
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3.5/4 |
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(2002) |
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"The collaboration of Jonze's unorthodox direction and screenwriter Charlie Kaufman's script hasn't been this delightfully solid since their surrealistic joyride in 1999's wonderfully erratic comedy Being John Malkovich."
[movie review] |
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Movie Eye |
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3/4 |
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(2009) |
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"...a refreshing take on "the teen turmoil scene" where the uncertainty and inherent fear of a gifted mind is explored with the legitimacy of doubt and disappointment."
[movie review] |
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Movie Eye |
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1/4 |
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(2002) |
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"The Adventures of Pluto Nash is an inane, tacky and stultifying experience for anyone to endure. Gee, talking about a meteoric miscalculation! What did you ever do to deserve this idiotic rocket-sized ruse?"
[movie review] |
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Movie Eye |
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1.5/4 |
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(2005) |
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"...sci-fi jolting gibberish. Did we already mention witnessing Theron in skin-hugging get-ups acting like a curvaceous contortionist experiencing PMS?"
[movie review] |
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Movie Eye |
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2/4 |
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(2004) |
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"...[a] hollow heist flick. Alas, After the Sunset maintains having the trivial tension of a fifth grade spelling bee contest. Repeat after me…Paradise Lost."
[movie review] |
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Movie Eye |
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2/4 |
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(2003) |
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"Against The Ropes is the latest sucker punch that arrives in the arena of unbearable boxing sagas complete with built-in sporting cliches and forged bravado"
[movie review] |
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Movie Eye |
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--
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(2003) |
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Click here to see the review!
[movie review] |
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Movie Eye |
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2/4 |
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(2003) |
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"Although director Harald Zwart does fortify this intentionally cheesy high-tech showcase with a sledgehammer of energetic flair and silliness, his juiced-up narrative cannot overcome the inevitable comparisons to the far superior Spy Kids flicks."
[movie review] |
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TheWorldJournal.com |
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1.5/4 |
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(2004) |
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"disposable kid-driven vehicle that has no unique spark or sense of imagination. Destination London is one interminable mission that definitely needs to be aborted"
[movie review] |
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Movie Eye |
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2/4 |
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(2004) |
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"...a boorish and bloated costume epic that has all the exciting appeal of a prolonged high school social studies lesson during the thankless hazy days of summer"
[movie review] |
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Movie Eye |
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3/4 |
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(2001) |
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"But you still can admire director Michael Mann's fortitude in trying to present the boxing world's "black Superman" on the big screen in the dazzling but spotty Ali. Mann's project is ambitious and rapid fire in its presentation."
[movie review] |
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Movie Eye |
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2.5/4 |
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(2009) |
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"...gently wacky. Although breezy and sketchy on the easy laughs at times, Alien Trespass does promise to entertain for the sole purpose of its campy off-kilter makeup."
[movie review] |
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Movie Eye |
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2/4 |
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(2004) |
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"...a murky and ludicrous thriller...a dyspeptic and droll display that yearns to breathe life into two forgotten frightfest franchises"
[movie review] |
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Movie Eye |
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2/4 |
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(2006) |
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"Zallian's examination of corruption and wayward idealism of political plight is nothing but a meager melodrama searching for its scandalous sentiments."
[movie review] |
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Movie Eye |
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1/4 |
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(2005) |
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"Woefully murky and meaningless...The world’s most durable and heavy duty flashlight couldn’t bring an ounce of brightness to the underwhelming Alone in the Dark"
[movie review] |
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Movie Eye |
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2/4 |
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(2004) |
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"Along Came Polly is a scattershot and tiring romantic ruse that depends on its notable players to sell the relentlessly lame, run-of-the-mill package of witless high jinks"
[movie review] |
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Movie Eye |
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2.5/4 |
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(2007) |
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"...ponderous and relentlessly padded in its moral morass... Grace manages to work effectively as a crusading costume drama drenched in consciousness and conviction."
[movie review] |
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TheWorldJournal.com |
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3.5/4 |
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(2001) |
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"Amelie From Montmartre is pragmatic, lighthearted, imaginative and clearly one of the best romantic charmers to come along in a year that has been dominated by posturing fluff."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2008) |
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"Overall, Zucker's cinematic middle finger is about as funny as an exploding toilet seat for hemorrhoid-induced senior citizens...a dreary picture mired in sophomoric sludge."
[movie review] |
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Movie Eye |
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2/4 |
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(2006) |
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"The off-the-cuff slaphappy material feels too stretched out and relentlessly spotty to emphasize any pinpoint intellectual political humor. Slight in its sarcastic overtones..."
[movie review] |
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Movie Eye |
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3/4 |
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(2007) |
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"American Gangster dares to look in the menacing mirror and reflect the scabrous priorities that define some handsomely yet disillusion others hauntingly."
[movie review] |
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World Voice News |
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1.5/4 |
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(2006) |
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"Solomon's flimsy fright fable An American Haunting couldn't scare a lobbyist from a Washington D.C. politician's picnic...a sluggish period piece boofest."
[movie review] |
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Movie Eye |
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3.5/4 |
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(2003) |
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"...has surprisingly captured the eccentric spunkiness of the pioneering Pekar...American Splendor is weirdly captivating in its offbeat intimacy."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2005) |
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"Douglas feels like conjuring up a cliched creep show that has all the eerie vibes of a creaking screen door in need of some oil on its rusty hinges."
[movie review] |
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Movie Eye |
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2/4 |
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(2002) |
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"In short, all the bouncing bullets in the world couldn't garner any gunpowder of fresh ideas to lift this gang of rehashed thugs and their sordid activities beyond the stagnation of comical creativity being served on a recycled platter."
[movie review] |
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Movie Eye |
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2/4 |
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(2003) |
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"The strikingly superficial Anger Management is too callow to warrant anyone getting an enjoyable hissy fit over...has all the trivial frustration of a brat holding his breath because his parents told him to clean his filthy bedroom."
[movie review] |
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Movie Eye |
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2.5/4 |
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(2002) |
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"Washington and Luke give honest, touching performances in an African-American exposition that refreshingly puts the spotlight on black aggression from a different, subtle point of view -- riveting in spite of its uneven and saccharine-coated tendencies"
[movie review] |
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Movie Eye |
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3/4 |
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(2009) |
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"Gervasi uncovers the obscurity blanket from [these] veteran Canadian metal rockers and gives them a cinematic salute in the outrageously entertaining Anvil!"
[movie review] |
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Movie Eye |
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2/4 |
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(2003) |
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"Anything Else dangerously embraces the vibes of mediocrity and that’s a crying shame for an artist so capably adventurous as Allen once was in his heyday of potent hilarity."
[movie review] |
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Movie Eye |
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4/4 |
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(1997) |
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"Oscar-winning actor Robert Duvall has directed, produced, and wrote what very well may be the most intensifying, gut-wrenching, powerful and complexed movies that has hit the big screen in ages"
[movie review] |
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rec.arts.movies.reviews |
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2.5/4 |
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(2007) |
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"Bottom line: consider the engagingly outlandish Aqua Teen Hunger Force as feisty food for incomprehensible thought."
[movie review] |
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Movie Eye |
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2/4 |
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(2007) |
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"So are we done yet with his snarl for self-deprecating giggles? Sadly, this is one bad rap session that shouldn't be featured on a future Ice Cube-inspired CD."
[movie review] |
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Movie Eye |
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1.5/4 |
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(2005) |
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"So Are We There Yet? The answer is yes—we arrived and from the looks of this fettered fluff we could ask an equally appropriate inquiry: Is it too late to go back?"
[movie review] |
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Movie Eye |
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2/4 |
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(2004) |
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"[a] feeble and flighty excuse for family fare. It’s too bad that this inflated romp doesn’t have the intended impact of a Jackie Chan animated chop to the head."
[movie review] |
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Movie Eye |
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2.5/4 |
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(2008) |
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"Travel is an ambitious, involving and extensive travelogue that challenges the imagination. [A] feasible fable that allows one to remain contemplative and connected"
[movie review] |
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Movie Eye |
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3/4 |
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(2007) |
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"Aside from the movie's mouthful title, this [is a] contemplative and carousing exposition. [The] prairie-induced pathos is plenty to digest with absolute reverence."
[movie review] |
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World Voice News |
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3/4 |
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(2004) |
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"...a razor sharp character study about internal disillusionment and overwhelming disappointment...ambitiously seedy and intimate spectacle of a damaged man’s moral breakdown"
[movie review] |
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Movie Eye |
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2.5/4 |
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(2005) |
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"...[a] disjointed but jolting jailhouse shoot-‘em-up showcase...a frenetic and formulaic action-drama guaranteed to get the adrenaline pumping."
[movie review] |
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Movie Eye |
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2/4 |
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(2007) |
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"It's too bad that it takes a mess of rocket fuel to spark The Astronaut Farmer beyond its sugary surrealism...the sky's limit is applied to this heart-filled hokum."
[movie review] |
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TheWorldJournal.com |
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2.5/4 |
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(2006) |
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""ATL" doesn't explore any new ground in the genre of black teen disillusionment but this is an affecting urban cautionary tale that sparkles in its own self-reflection."
[movie review] |
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Movie Eye |
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2/4 |
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(2002) |
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"Although the eurphoria is apparent for Austin Powers-mania, why risk the need of squeezing out another installment of a revered movie character dangerously looking to overstay his cinematic welcome in exhausting fashion?"
[movie review] |
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Movie Eye |
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2.5/4 |
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(2002) |
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"Auto Focus is a revealing albeit uneven biopic about one man's quiet depravity and the concoction of temptation that fueled his quest for compulsive, risque pleasures."
[movie review] |
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Movie Eye |
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3/4 |
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(2004) |
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"A masterful and stylistic epic concocted by the skillful Scorsese and his trademark visionary flourishes of detail and determination."
[movie review] |
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Movie Eye |
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