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Sources
• GreenCine
• MSN.com
• Nitrate Online
• Parallax View
• Seanax.com
• Seattle Post-Intelligencer
• Seattle Weekly
• St@tic Multimedia
• Turner Classic Movies Online
Total Reviews: 1619
Sean Axmaker
Sean Axmaker
Sean Axmaker

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     (2006)      "Gela Babluani creates tension with a stripped-down style and an unflinching camera and drives the film with a crisp pace that feels both out-of-control and achingly protracted." [movie review]      GreenCine   
  
     (2007)      "Jensen doesn't pretend it's cute and/or harmless -- there's a fascinating ambiguity to the happy fantasy laid over the misery and failure." [movie review]      GreenCine   
  
     (2008)      "... the debut feature from French director Audrey Estrougo has echoes of Abdellatif Kechiche's L'Esquive... but has its own sensibility and its own vivid surprises." [movie review]      GreenCine   
  
     (2005)      "[Director Christoffer] Boe offers us a vision of love as a beautiful thing that leaves destruction and pain in its wake." [movie review]      GreenCine   
  
     (2008)      "The portraits of these kids often feel honest, sometimes intrusive, and occasionally they come off a little camera-conscious, which may simply be the nature of the beast." [movie review]      GreenCine   
  
     (1969)      "If anything, the vision is more fatalistic than any of Melville's crime classics." [movie review]      GreenCine   
  
     (1930)      " ... a mix of poetic realism and expressionism in a story set around a corporate department store that is crushing its competition by design..." [movie review]      GreenCine   
  
     (2008)      "[Director Stuart] Townsend believes in the politics and the passion of the protesters; he makes their concerns heard over the media noise focused on the spectacle of conflict." [movie review]      GreenCine   
  
     (2008)      "A fascinating true story... is buried in a mundane story of generational conflict." [movie review]      GreenCine   
  
     (2005)      "... more than simply a love letter to the stylized artificiality of silent expressionist horror... the most faithful screen translation of the author's work to date." [movie review]      GreenCine   
  
     (2008)      "... for all the glorification of the mercenary methods of this elite squad, it's still a fascinating portrait of a nightmarish police and crime culture and a vivid narrative." [movie review]      GreenCine   
  
     (2007)      "The poverty and desperation is palpable, but where Slingshot showed the constant hustling and thieving in a male-dominated culture, Foster Child is anchored by women..." [movie review]      GreenCine   
  
     (2006)      "Crafted with a budget-minded luscious sense of period detail to distract from the rudimentary direction and clumsy screenwriting..." [movie review]      GreenCine   
  
     (2008)      "[Jessica] Chastain does a great job of igniting Jolene's mix of street-wise survivalist instinct and romantic soul. Her performance anchors a film that has no solid grounding" [movie review]      GreenCine   
  
     (2005)      "Tanovic turns the drama of three damaged sisters... into a full-blooded opera with performances to match." [movie review]      GreenCine   
  
     (2008)      "... the cinema is at its best when it's invisible and we can get lost in her amazing, funny, serious and moving monologue..." [movie review]      GreenCine   
  
     (1976)      "Max Havelaar works because it's not about Max's heroism -- it's about how his idealism is shattered and the hypocrisy of his entire service is laid bare." [movie review]      GreenCine   
  
     (2008)      "I found the texture of the relationships and the sly humor winning..." [movie review]      GreenCine   
  
     (2009)      "... almost indistinguishable from any other portrait of the aimless American male who is jolted from passivity to action by a reckless pal." [movie review]      GreenCine   
  
     (2006)      "Altman enjoys the company of the characters and their swirl of sweet-and-sour chemistry but has little luck creating any drama from the situation..." [movie review]      GreenCine   
  
     (2006)      "Nick Cave's sinewy script looks austere and stripped down but echoes with a rich set of characters and conflicts..." [movie review]      GreenCine   
  
     (2006)      "The laid-back film is mostly easygoing talk, but Freeman makes you believe this self-effacing superstar genuinely enjoys the company of everyone he meets..." [dvd review]      MSN.com   
  
     (2008)      "... a dull, dumb compendium of recycled adventure epic clichés." [dvd review]      MSN.com   
  
     (1957)      "Sidney Lumet... effectively modulates the drama without ever taking the camera out of the jury room until the verdict is in and the jury is out." [dvd review]      MSN.com   
  
     (2007)      "It's cute and funny and prickly, with a humor that cushions the conflicts humming just under the surface." [dvd review]      MSN.com   
  
     (1957)      "As in the best of Harryhausen's creations, the creature from outer space has an endearing personality that comes through its skittish movements and uncomprehending face." [dvd review]      MSN.com   
  
     (2007)      "Fresnadillo drives the scenes of zombie mayhem with a jumpy camera and a fractured editing style that adds a sense of panic to the chaos..." [dvd review]      MSN.com   
  
     (2007)      "Forget realism, this is Greek history as "The Lord of the Rings" myth and spectacle, with thousands of gigabytes of black CGI blood spilled and spattered across the screen." [dvd review]      MSN.com   
  
     (2007)      "It's a brutal film about brutal people on the frontier, where even the "good guys" are often thugs in it for the money..." [dvd review]      MSN.com   
  
     (1957)      "Set during a drought in the empty, parched West, this is a film defined by emptiness and dust, its players alone and vulnerable in the eerie landscape." [dvd review]      MSN.com   
  
     (1929)      "An Indian cast, a German director, and a mix of European and Indian financing came together to create this delicious 1929 silent romantic adventure..." [dvd review]      MSN.com   
  
     (1951)      "Billy Wilder is the American cinema's most famous cynic, but nothing in his career is as scathing as his indictment of the American media circus..." [dvd review]      MSN.com   
  
     (1988)      "The celebration of storytelling and the magic of fantasy is not really a kids film... but the whimsical treat does capture the spirit of innocent wonder, even with the nightmare ripples." [dvd review]      MSN.com   
  
     (1992)      "[Tony] Scott's epic treatment is well crafted but lacks the drama of the modern crime classics his film evokes." [dvd review]      MSN.com   
  
     (1964)      "It's overripe melodrama with an overtone of camp, a comically lush score, and plenty of heaving décolletage from (Michele) Mercier." [dvd review]      MSN.com   
  
     (1960)      "... behind the sharp satire of corporate and personal ethics is a genuinely sweet and affecting romantic comedy." [dvd review]      MSN.com   
  
     (2006)      "... a gripping, adrenaline-pounding, old-fashioned adventure epic with modern tools and a craftsman's eye for image, drama and primal emotion." [dvd review]      MSN.com   
  
     (2007)      "... you can feel [John Woo's] presence in the two-handed gun battles, slow-motion acrobatics, and spent shell casings waterfalling to the ground." [dvd review]      MSN.com   
  
     (2007)      "It's either utterly brilliant, dementedly puerile, or a crassly commercial knockoff ... or possibly all three." [dvd review]      MSN.com   
  
     (2007)      "... bristles with life, lust, jealousy, betrayal and tragedy with a small t, the kind reserved for us mere mortals." [dvd review]      MSN.com   
  
     (2007)      "... the "Oliver Twist" knockoff forgoes the social commentary of Dickens to play up the gooey romantic fantasy of music as the language of love." [dvd review]      MSN.com   
  
     (2007)      "[Director Daniele] Thompson has a light touch and an upbeat style that keeps the film flowing through the stories..." [dvd review]      MSN.com   
  
     (2009)      "It's hard to warm to a film so determined to ridicule, even when it steadies out in the final act as they find more centered and emotionally generous folks..." [movie review]      MSN.com   
  
     (2007)      "Straczynski is a better writer than director... and despite the fine visual effects it all feels constrained by the low budget." [dvd review]      MSN.com   
  
     (2007)      "... the sometimes awkward, sometimes easy interactions of former national enemies who don't speak the same language but manage to find common ground nonetheless." [dvd review]      MSN.com   
  
     (2008)      "... a terrific piece of heist filmmaking made with a rough-and-tumble attitude and old-school professionalism." [dvd review]      MSN.com   
  
     (1925)      "Eisenstein orchestrates the film like a visual symphony, enhancing the movement of the action on-screen through the rhythm of the editing..." [dvd review]      MSN.com   
  
     (2008)      "For Michel Gondry, [the film] becomes a kind of folk art spin on Hollywood gloss and a tribute to his own preferred style of filmmaking..." [dvd review]      MSN.com   
  
     (1964)      "... what seemed majestic and theatrically impressive back then feels plodding and stodgy today..." [dvd review]      MSN.com   
  
     (2007)      "Director Sidney Lumet digs deep into the tawdry souls, peeling back the layers of arrogance and anger and self-delusion until all that's left is fury and fear and hate." [movie review]      MSN.com   
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