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 A |
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(2001) |
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"The pathological envy, racism, fear and jealousy that drive Shakespeare's "Othello" make a scary sense in the world of modern teenagers.
"
[movie review] |
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Seattle Post-Intelligencer |
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(2009) |
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"Jody Hill's twisted comedy dances with dark material and mines laughs from behavior that would be disturbing in other circumstances..."
[dvd review] |
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MSN.com |
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(2007) |
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"It's all very silly and overdone, but they pull it off..."
[dvd review] |
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MSN.com |
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(2009) |
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"... a wistful, funny, satirical, angry and forgiving portrait."
[movie review] |
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Parallax View |
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(2006) |
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"Panahi isn't shy about confronting the cultural hypocrisy, but it's less through debate than through the lively interplay between the young urban women and the provincial soldiers..."
[dvd review] |
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MSN.com |
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 A |
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(2006) |
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"... the dynamics shift from moment to moment. The beauty of the film is how director Kelly Reichardt brilliantly captures those moments with lucid simplicity."
[movie review] |
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Seattle Post-Intelligencer |
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 C+ |
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(2003) |
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"To call the haphazard string of gags a story is to give it far too much credit, but it is funny in a blunt, profane frat boy way..."
[movie review] |
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Seattle Post-Intelligencer |
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 |
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 B- |
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(2005) |
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"... any intended irony is beaten into submission."
[movie review] |
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Seattle Post-Intelligencer |
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| |

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(1964) |
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"Indifferently acted, crude and sleazy, this fascinatingly bad exploitation artifact of 1960s grindhouses is hilarious camp..."
[movie review] |
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St@tic Multimedia |
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(1964) |
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"For pure exploitation, it doesn't get any more perverse and irredeemably sleazy than Joseph P. Mawra's bargain basement, not-so-Grand Guignol "Olga" films..."
[movie review] |
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St@tic Multimedia |
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 6/10 |
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(2000) |
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"The pingpong repetition of dialogue is more precious than poetic and heavy silences and actorly asides draw out a slim story that packs few dramatic surprises."
[movie review] |
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Seattle Post-Intelligencer |
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 |
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 B- |
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(2001) |
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""The One" is pure pulp junk and Wong embraces it as such, rushing through the mundane details of establishing characters and defining motivation to leap into action..."
[movie review] |
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Seattle Post-Intelligencer |
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 8/10 |
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(2000) |
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Click here to see the review!
[movie review] |
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Seattle Post-Intelligencer |
|
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| |
 B+ |
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(1982) |
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"... simultaneously ahead of its time and delightfully quaint, a simple romantic comedy that revels in the dreamy artifice of a meticulously re-created fantasy Las Vegas."
[movie review] |
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Seattle Post-Intelligencer |
|
 |
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| |
 B |
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(2001) |
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"A spirited, screwball crime-thriller with a sly heart."
[movie review] |
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Seattle Post-Intelligencer |
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 C+ |
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(2005) |
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"... naive and almost crippled by the effusive false modesty of its narration, but within that naivete is a spirit of inquiry."
[movie review] |
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Seattle Post-Intelligencer |
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 |
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 B |
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(2005) |
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"An impressive, adrenaline-boosted action showcase."
[movie review] |
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Seattle Post-Intelligencer |
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 B- |
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(2006) |
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"The irreverent comedy of family feuds, impulsive leaps of (il)logic, and temporary amnesia is more screwball eccentricity than social satire."
[movie review] |
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Seattle Post-Intelligencer |
|
 |
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 |
| |
 B+ |
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(2003) |
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"... benefits from the best qualities of Dogme... while avoiding the movement's tendency to dwell on the worst impulses of human behavior."
[movie review] |
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Seattle Post-Intelligencer |
|
 |
 |
 |
| |
 C |
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(2001) |
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"...Dichter expects us to accept his abrupt transformation from ruthless player to spiritual convert with nothing more than a teary confession."
[movie review] |
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Seattle Post-Intelligencer |
|
 |
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 |
| |
 B+ |
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(2005) |
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"Yedaya is respectful and sensitive of everyone in Or's life and creates a beautiful, complex and rich relationship between mother and daughter..."
[movie review] |
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Seattle Post-Intelligencer |
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| |

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(2007) |
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"... the film revels in spooky scares and goose-pimply eeriness but is grounded in a human drama of loss and sacrifice."
[dvd review] |
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MSN.com |
|
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 B+ |
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(2001) |
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"It has zippy energy, visual imagination, inspired puns and all the fart jokes, booger gags, and vomit spews a 13-year-old could ask for..."
[movie review] |
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Seattle Post-Intelligencer |
|
 |
 |
 |
| |
 C |
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(2008) |
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"... a buffet of romantic comedy comfort food: the good old American standbys complemented by bland international dishes."
[movie review] |
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Seattle Post-Intelligencer |
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 |
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| |

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(1931) |
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"... set around the railroad yards and Wellman fills the film with scenes of the men and machines in action."
[movie review] |
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Parallax View |
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 B- |
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(2003) |
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"Caught up in the spirit and energy inherent in the musical, the beautiful bed-hopping twentysomethings of The Other Side of the Bed wake up in a lighthearted screwball musical."
[movie review] |
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Seattle Post-Intelligencer |
|
 |
 |
 |
| |
 B |
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(2006) |
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"It's as much conceptual art as dispassionate survey of the bloodless assembly line nature of the modern food industry, all process and work, automation and repetition."
[movie review] |
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Seattle Post-Intelligencer |
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 |
| |

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(1959) |
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"... a lampoon of international espionage games and the gullible officers running Britain's MI6 like a old boy's club."
[dvd review] |
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Parallax View |
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| |

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(1959) |
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"... a dryly witty satire of the spy game."
[movie review] |
|
Turner Classic Movies Online |
|
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| |
 B+ |
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(2001) |
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"It's not clear who is telling whose story, but it's obvious this song belongs to them all."
[movie review] |
|
Seattle Post-Intelligencer |
|
 |
 |
 |
| |
 C |
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(2009) |
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"... a skimpy script with unimaginative characters, mundane dialogue and routine plot twists."
[movie review] |
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Seattle Post-Intelligencer |
|
 |
 |
 |
| |

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(1917) |
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"... a gorgeous film and a devastating drama..."
[dvd review] |
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MSN.com |
|
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| |

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(1917) |
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"... [Victor] Sjostrom creates images both beautiful and elemental."
[movie review] |
|
Turner Classic Movies Online |
|
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| |
 C- |
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(2008) |
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"A stumbling romantic lark about a bubbly psychic who throws down with the shrill ghost of her boyfriend's former fiancee, Over Her Dead Body is a stiff of a supernatural comedy."
[movie review] |
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Seattle Post-Intelligencer |
|
 |
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| |
 B- |
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(2006) |
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"Best ignore the sloppy message (along with the flavorless songs by Ben Folds) and have fun with the colorful activity and cartoon slapstick..."
[movie review] |
|
Seattle Post-Intelligencer |
|
 |
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| |
 C |
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(2004) |
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"The caustic cautionary tale of overnight success sabotaged by vanity and arrogance is perversely fascinating, to be sure, but blunt and ineloquent."
[movie review] |
|
Seattle Post-Intelligencer |
|
 |
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 |
| |
 C+ |
|
(2005) |
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"... a combination of gee-whiz reverence and cheesy melodrama..."
[movie review] |
|
Seattle Post-Intelligencer |
|
 |
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| |
 C+ |
|
(2005) |
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"... the plot takes some unlikely turns along familiar romantic rough waters."
[movie review] |
|
Seattle Post-Intelligencer |
|
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