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Other Info
Sources
• GreenCine
• MSN.com
• Nitrate Online
• Parallax View
• Seanax.com
• Seattle Post-Intelligencer
• Seattle Weekly
• St@tic Multimedia
• Turner Classic Movies Online
Total Reviews: 1619
Sean Axmaker
Sean Axmaker
Sean Axmaker

Article type:      Default Sorting (most recent)
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C+
     (2006)      "Hess colors the film with his askew sensibility that twists the slapstick into an oddball realm of droll humor that favors the eccentric over the hilarious." [movie review]      Seattle Post-Intelligencer   
  
D
     (2005)      "It idolizes the idea of spiritual purity without offering any insight into what it really means." [movie review]      Seattle Post-Intelligencer   
  
     (1965)      "[Director Cornel] Wilde strips the ordeal to the essentials... and sets it against the searing austerity and matter-of-fact savagery of the African wilds..." [dvd review]      MSN.com   
  
     (1934)      "[Anna] Sten plays Nana as either a conniving golddigger or girlish romantic but offers little nuance in between..." [movie review]      Turner Classic Movies Online   
  
B-
     (2007)      "A handsome documentary on a brutal subject, Nanking delves into the 1937 Japanese invasion of China and the atrocities committed in the attack..." [movie review]      Seattle Post-Intelligencer   
  
B+
     (2004)      "Imagine a John Hughes teen comedy remade by Jim Jarmusch and dropped into the town that time forgot." [movie review]      Seattle Post-Intelligencer   
  
F
     (2004)      "Priesler plays the whole thing as a flamboyant freak show, smacking the audience... with tasteless gags and grotesque extremes of human behavior and calling it humor." [movie review]      Seattle Post-Intelligencer   
  
     (2007)      "It all feels pretty tired this time around." [dvd review]      MSN.com   
  
     (1987)      "... both ferocious and lyrical, a moody horror film with the frontier community romanticism of a John Ford Western and the violent ferocity of a Sam Peckinpah film." [movie review]      Seanax.com   
  
C+
     (2005)      "Though it's rarely dull, first-time feature director Yasuo Inoue has a better eye for intriguing and unusual imagery than dramatic staging..." [movie review]      Seattle Post-Intelligencer   
  
D
     (2008)      "... spouts a hollow message of nonviolence while celebrating the brutal satisfaction of beating the crap out of someone." [movie review]      Seattle Post-Intelligencer   
  
B+
     (2002)      "... digs beyond the usual portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motivations." [movie review]      Seattle Post-Intelligencer   
  
9/10
     (1998)      Click here to see the review! [movie review]      Seattle Post-Intelligencer   
  
D
     (2002)      "... so disconnected you have to wonder if pages were lost on the way to the set." [movie review]      Seattle Post-Intelligencer   
  
6/10
     (1999)      Click here to see the review! [movie review]      Nitrate Online   
  
     (1977)      "(Martin) Scorsese's love of the classic musicals and the studio style is all over the film, while his own instincts for improvisation and dramatic collision plays counterpoint to the gloss." [dvd review]      MSN.com   
  
C+
     (2001)      "A modest but frank look at adolescent lust, both heterosexual and homosexual." [movie review]      Seattle Post-Intelligencer   
  
C
     (2004)      "The blunt attempts at dark humor merely underscore the film's cynicism..." [movie review]      Seattle Post-Intelligencer   
  
     (2006)      "... just enjoy the slapstick shenanigans and Stiller's smart remarks as he brings a new angle to engaging with history." [dvd review]      MSN.com   
  
     (1968)      "This little seat-of-the-pants regional production chewed up and spit out taboos like raw meat in a feral feeding frenzy." [movie review]      Seanax.com   
  
     (1982)      "Paolo and Vittorio Taviani won the Grand Prix at the 1982 Cannes Film Festival with their delicate and delirious story of war and survival as seen through the eyes of a 6-year-old girl." [dvd review]      MSN.com   
  
B
     (2005)      "The familiar ideas are refreshed by the intriguing shift in culture and setting and the characters sketched in shades of gray." [movie review]      Seattle Post-Intelligencer   
  
B
     (1973)      "The familiar ideas are refreshed by the intriguing shift in culture and setting and the characters sketched in shades of gray." [movie review]      Seattle Post-Intelligencer   
  
     (2006)      "Shinya Tsukamoto... moves into the more traditional J-horror currents of madness without the dark humor or wicked twists of his earlier films." [dvd review]      MSN.com   
  
10/10
     (1957)      "Remains Fellini and Massina's greatest collaboration, and one of the great films of world cinema." [movie review]      Nitrate Online   
  
     (2007)      "... the entire film is designed to look like a Rembrandt canvas, right down to the careful composition of the players within the frame." [movie review]      Seanax.com   
  
A
     (2005)      "Rodrigo Garcia may be the closest thing we have to a master short-story artist working on the big screen." [movie review]      Seattle Post-Intelligencer   
  
B+
     (2002)      "While Bielinsky doesn't bring anything new to the table, he has a smartly engineered scheme and a good poker face, and he's mastered the essential art of misdirection." [movie review]      Seattle Post-Intelligencer   
  
     (2007)      "... the Coen brothers' adaptation of Cormac McCarthy's novel is their masterpiece, a perfect match of story and storyteller." [dvd review]      MSN.com   
  
A
     (2007)      "... strong, evocative storytelling pared to the bone and braced with a sensibility perfectly matched to the material." [movie review]      Seattle Post-Intelligencer   
  
     (1981)      "It's a hard, troubling, provocative film, directed with a mix of street realism and subjective hallucination..." [movie review]      Turner Classic Movies Online   
  
     (2008)      "... as gentle and colorful a mystery series as you will ever find." [movie review]      Seanax.com   
  
          "... as gentle and colorful a mystery series as you will ever find." [movie review]      Seanax.com   
  
A
     (2005)      "Beautiful, elevating and achingly sad." [movie review]      Seattle Post-Intelligencer   
  
     (1965)      "... a familiar lesson in the futility of war, but [director Frank] Sinatra has an easy way with the actors and lets them carry the scenes." [movie review]      Turner Classic Movies Online   
  
F
     (2007)      "... a strange, toneless collection of fat jokes, fart jokes and foul sex gags." [movie review]      Seattle Post-Intelligencer   
   --
     (1999)      Click here to see the review! [short review]      Nitrate Online   
  
     (1922)      "The first great vampire film, F.W. Murnau's silent classic... recreates the famous bloodsucker as a feral ghoul..." [dvd review]      MSN.com   
  
C
     (2009)      "Director Bill Duke can't avoid the stereotypes... or the sermonizing of the lesson." [movie review]      Seattle Post-Intelligencer   
  
     (2009)      "... a smartly made look at an otherwise neglected aspect of film history and culture, packed with colorful stories, witty observations, punky attitude and real history..." [movie review]      Parallax View   
  
C+
     (2008)      "... beneath the cultural color and Spanish exclamations, the dilemmas and conflicts that swirl around the family gatherings are just like the holidays in every such movie." [movie review]      Seattle Post-Intelligencer   
  
C
     (2005)      "For all its good intentions in exploring the grace of death, November never creates a life outside of its all-too-obvious inspirations" [movie review]      Seattle Post-Intelligencer   
  
C-
     (2001)      "Add Novocaine to the growing list of inspired titles wasted on numb films." [movie review]      Seattle Post-Intelligencer   
  
B-
     (2003)      "Link takes few chances as these displaced Europeans in Africa learn a new sense of self-worth and multicultural understanding, but the details of their experience are compelling." [movie review]      Seattle Post-Intelligencer   
  
9/10
     (2000)      "[LaBute] pulls the farce and the violence and the fantasies together with a deft touch and a sweetness rare in American films -- especially his." [movie review]      Seattle Post-Intelligencer   
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