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Other Info
Sources
• GreenCine
• MSN.com
• Nitrate Online
• Parallax View
• Seanax.com
• Seattle Post-Intelligencer
• Seattle Weekly
• St@tic Multimedia
• Turner Classic Movies Online
Total Reviews: 1619
Sean Axmaker
Sean Axmaker
Sean Axmaker

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     (1997)      "... this operatic 1997 action thriller remains John Woo's most satisfying and exhilarating film since leaving Hong Kong for Hollywood." [dvd review]      MSN.com   
  
C-
     (2006)      "... full of praise for God in place of foul language and biblical quotes in place of deeds. It preaches to the converted -- literally." [movie review]      Seattle Post-Intelligencer   
  
B
     (2006)      "That view from abroad gives this askew look at a life of drift and impermanence a subdued, modest grace." [movie review]      Seattle Post-Intelligencer   
  
A-
     (2008)      "It's like a Terry Gilliam fantasy directed by Zhang Yimou and reimagined by a child..." [movie review]      Seattle Post-Intelligencer   
  
     (1928)      "A strange mix of Gothic design, modern austerity, expressionist angles, graceful camerawork and surreal effects, it's an atmospheric classic..." [movie review]      Parallax View   
  
     (1964)      "Mann's direction is strong, and the lavish sets and costumes and massive crowd scenes are truly magnificent..." [dvd review]      MSN.com   
  
     (1964)      "... surely the most magnificent period piece of its era." [movie review]      Turner Classic Movies Online   
  
C+
     (2005)      "... pleasant enough company, but it's a bit like playing charades with the same titles over and over." [movie review]      Seattle Post-Intelligencer   
  
C
     (2007)      "... (Director Tim) Story can't sustain anything resembling a mood, let alone a sense of gravity." [movie review]      Seattle Post-Intelligencer   
  
     (1973)      "Weird, lush landscapes and bizarre imagery create an alien world of wonder and terror, which (Rene) Laloux presents from an eerie remove." [dvd review]      MSN.com   
  
     (2009)      "... downshifts into a pulp fantasy in muscle cars and revenge movie clichés with a big budget and lots of digital effects." [dvd review]      MSN.com   
  
C
     (2006)      "... the high-octane mix of high speed, slick style and gear-head stupidity is the same in the third installment of the street-racing cinema brand name." [movie review]      Seattle Post-Intelligencer   
  
A
     (2002)      "... immerses the viewer in the very texture of the land, the rituals and the pace of an existence that couldn't be more different from life in our modern urban world." [movie review]      Seattle Post-Intelligencer   
  
C
     (2004)      "... a jargon-filled documentary less interested in culture and history than mechanics, machinery and the rush of speed." [movie review]      Seattle Post-Intelligencer   
  
C
     (2004)      "... reminiscent of The Brady Bunch movie, but there's no sense of satire or self-parody to the execution." [movie review]      Seattle Post-Intelligencer   
  
     (2004)      "The personalities and comic camaraderie are a pale reflection of Cosby's original stories..." [movie review]      Seattle Post-Intelligencer   
  
A
     (2006)      "Lajos Koltai's.. textured re-creation of enduring the unimaginable with quiet delicacy is the most hauntingly beautiful film about the Holocaust ever made." [movie review]      Seattle Post-Intelligencer   
  
     (1926)      "... one of the most visually magnificent films of the silent era." [dvd review]      Parallax View   
  
     (1926)      "Faust is a tragedy drawn in magnificent images like paintings in light and shadow and is one of the most breathtakingly beautiful of Murnau's German films." [movie review]      Turner Classic Movies Online   
  
     (1974)      "[John] Cleese puts his contortionist comic ability to fine use, punctuating Basil's outrageous faux pas with absurd gymnastics and slapstick ballets..." [movie review]      Seanax.com   
  
C+
     (2007)      "Too hip to play it straight and too cool to resort to an actual story, [director Hal] Hartley turns the whole rambling spy game into a puzzle box..." [movie review]      Seattle Post-Intelligencer   
  
     (1968)      "... a mix samurai revenge thriller, crime drama, sexploitation film, and Grand Guignol spectacle." [dvd review]      MSN.com   
  
B
     (2002)      "...Brian De Palma is utterly mad: cinema mad, set-piece mad, style mad. It's a beautiful madness." [movie review]      Seattle Post-Intelligencer   
  
     (2008)      "... a cerebral thriller with a different kind of locked-room mystery." [movie review]      Seanax.com   
  
B
     (2007)      "[Director Currie] never lets the commentary overwhelm the humor, and the echoes of Douglas Sirk melodramas and Lassie movies just add to the fun." [movie review]      Seattle Post-Intelligencer   
  
7/10
     (2000)      "Almost sinks into silliness." [movie review]      Seattle Post-Intelligencer   
  
C-
     (2006)      "... there's no suspense or tension and little gallows humor, merely dead space between the next spectacular spray of blood and body parts." [movie review]      Seattle Post-Intelligencer   
  
C
     (2001)      "The clumsy script spells out exposition in the most blunt terms and a brave attempt to express subtle emotions in dramatic scenes is doomed by the limitations of the technology and the animator." [movie review]      Seattle Post-Intelligencer   
  
C+
     (2007)      "... the small-town sentimentalism is poured on like syrup over griddlecakes." [movie review]      Seattle Post-Intelligencer   
  
     (1924`)      "It's silly fluff but a charming lark of a romantic espionage adventure..." [dvd review]      Parallax View   
  
B-
     (2006)      "It shouldn't work, but the story runs on pure Diesel." [movie review]      Seattle Post-Intelligencer   
  
C
     (2007)      "What exactly he's trying to say about Bruce Lee's fame and impact or the banal reality of genre moviemaking is unclear at best." [movie review]      Seattle Post-Intelligencer   
  
C
     (2007)      "This larger-than-life cartoon of a trained dog has more character than the two-legged co-stars." [movie review]      Seattle Post-Intelligencer   
  
     (1959)      "... a grim and gruesome and at times macabre autopsy of its (selectively Japanese) victims." [movie review]      Turner Classic Movies Online   
  
     (1951)      "... more allegorical than realistic, full of debates on morality and responsibility (and) an eerie sense isolation." [dvd review]      Parallax View   
  
     (1951)      "For all of his budgetary limitations, it's a strikingly atmospheric and handsome film and [Arch] Oboler creates an eerie sense isolation with simple techniques." [movie review]      Turner Classic Movies Online   
  
     (1978)      "... a late entry in the old school Hong Kong martial arts spectacle with a fun spin on the familiar revenge plot." [movie review]      Seanax.com   
  
B
     (2004)      "The Five Obstructions may never really engage with the creative process... but it is full of vivid examples of the finished product..." [movie review]      Seattle Post-Intelligencer   
  
     (1960)      "Less an "Elvis film" than a western starring young Presley in a surprisingly well cast role, this lean frontier drama... offers one of his most impressive performances." [movie review]      MSN.com   
  
B
     (2006)      "It's more provocative than realistic and his naturalism is contained in an arch structure, but his directness is affecting ..." [movie review]      Seattle Post-Intelligencer   
  
     (2009)      "The show never really gets any traction with the familiar team characters and unsurprising dynamics, but it's a satisfying procedural..." [movie review]      Seanax.com   
  
     (2008)      "Hou's first film made outside of Asia is his most emotionally turbulent, yet he remains, like the balloon, outside looking in, a compassionate but distant observer..." [movie review]      Seattle Post-Intelligencer   
  
4/10
     (2000)      "Full of leaden one-liners and dull puns." [movie review]      Seattle Post-Intelligencer   
  
B+
     (2006)      "... filled to overflowing with mischievous gags for kids and adults alike, tickling the periphery of the story and crammed into every frame with playful abandon." [movie review]      Seattle Post-Intelligencer   
  
B
     (2006)      "... we may see something of our own journey reflected in [the documentary]." [movie review]      Seattle Post-Intelligencer   
  
     (1989)      "... not a documentary of an Apollo mission but the story man's odyssey to the moon..." [movie review]      Seanax.com   
  
6/10
     (1999)      Click here to see the review! [movie review]      Nitrate Online   
  
B
     (2008)      "The Forbidden Kingdom may lack the grace of Crouching Tiger or the grandeur of Hero, but [Rob] Minkoff's affection and respect for the film culture is genuine." [movie review]      Seattle Post-Intelligencer   
  
     (1950)      Click here to see the review! [dvd review]      MSN.com   
  
     (1957)      "... sexual energy and psychotic violence that explodes onscreen in staccato editing, darting camerawork, and the maddest expressions of love this side of Duel in the Sun." [movie review]      St@tic Multimedia   
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